CC Talks With: Ourmedia

Neeru Paharia, October 1st, 2005

Ourmedia launched three months ago as a home for grassroots media. The site provides a place where anyone can upload video, music, photos, audio clips and other personal media and store it for free on ourmedia’s servers forever. Uploaders have the option of making their works available under a Creative Commons license.
Recently, [...]

CC Talks With: Illegal Art

Derek Slater, October 1st, 2005

A museum exhibit called “Illegal Art” might sound like a history of naughty pictures. Turns out that the exhibit (through July 25 at SF MOMA Artist’s Gallery) is more innocuous than most primetime TV: A Mickey Mouse gasmask. Pez candy dispensers honoring fallen hip-hop stars. A litigious Little Mermaid. Not kids’ stuff, [...]

CC Talks With: Interview with Flickr

Matt Haughey, October 1st, 2005

Flickr is a new photo management application that lets you annotate photos, share them with friends and family, and now, apply Creative Commons licenses to your shared photos. Flickr’s co-founder, Stewart Butterfield, talked to Creative Commons about this interesting application.
Creative Commons: Can you tell us how flickr came to be?
Stewart Butterfield, [...]

CC Talks With: Independent Musicians

Matt Haughey, October 1st, 2005

Scott Andrew LePera founded the lo-fi folk-rock project the Walkingbirds in 1998, around the same time he discovered the Web. Since then he’s actively recorded and released songs in MP3 format directly onto the Web from his little bedroom studio in Northern California. The [...]

CC Talks With: Opsound’s Sal Randolph

Neeru Paharia, October 1st, 2005

Meet Sal Randolph, the New York-based artist behind Opsound, a new online record label that has adopted the concepts of open source and copyleft and adapted them to music production. Opsound invites musicians to contribute sounds to a “sound pool” licensed under a Creative Commons Attribution Share-Alike license. Others can [...]

CC Talks With: Oyez’ Jerry Goldman

laura, October 1st, 2005

Jerry Goldman is determined to archive every recorded oral argument and bench statement in the Supreme Court since 1955, when the Court began to tape-record its public proceedings. Goldman, a professor of political science at Northwestern, founded the OYEZ Project in 1989 “to create and share a complete and authoritative archive of [...]

CC Talks With: People Like Us/Vicki Bennett

Derek Slater, October 1st, 2005

Collagist People Like Us (a.k.a. Vicki Bennett) is most at home exploring fault lines — artistic, emotional, legal. Take “Going Out of My Town,” one of many songs Bennett has made available under a Creative Commons license. It starts with an unsettling assortment of pops and fizzes, then introduces an acoustic guitar [...]

CC Talks With: Wall Street Journal on the Sampling Licenses

Mike Linksvayer, October 1st, 2005

by Ethan Smith, Staff Reporter of The Wall Street Journal

For some people, the future of copyright law is here, and it looks a lot like Gilberto Gil.
The Brazilian singer-songwriter plans to release a groundbreaking CD this winter, which will include three of his biggest hits from the 1970s. It isn’t the content [...]

CC Talks With: DJ Spooky and Roger McGuinn interviews

Neeru Paharia, October 1st, 2005

Photo © Iñaki Vinaixa
Dj Spooky (aka Paul Miller) is a multimedia DJ and Creative Commons advocate who remixes not only music but also film/cinema and fine art. Spooky’s film Rebirth of a Nation intersperses modern images with cuts from D.W. Griffith’s Birth of a Nation (now in the public domain) to [...]

CC Talks With: Magnatune

Glenn Otis Brown, October 1st, 2005

Magnatune provides “Internet music without the guilt.” Based in Berkeley, California, Magnatune is a record label with a 21st Century business model, offering consumers a unique mix of free and paid music. One of the first for-profit companies to adopt Creative Commons’ copyright licenses into its strategy, Magnatune has amassed both an [...]