If you’re looking for excellent, brief, printable materials explaining various aspects of Creative Commons, check out CC Australia’s CC Infopacks. They’re also linked from our documentation wiki, and all licensed for remixing with your own course or other materials (of course).
Also congratulations to CC Australia project lead Brian Fitzgerald, Seb Chan, Head of Digital, Social and Emerging Technologies at the Powerhouse Museum, and former CC General Counsel Mia Garlick on their appointments to Australia’s Government 2.0 Taskforce.
To stay ahead of the curve, subscribe to CC Australia‘s feed (note CC AU also spearheaded our case studies project) as well as those of other CC jurisdiction projects, which you can find aggregated on Planet Creative Commons.No Comments »
Remix My Lit – a Brisbane based, international remixable literature project – just released their first publication, Through the Clock’s Workings. Billed as the world’s first remixed and remixable anthology of literature, the whole project is released under a CC BY-NC-SA license and is available as a free digital download (PDF) or as a hardcopy purchase through the Sydney University Press e-store. More from CCau:
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Those who have been following our blog will remember the beautifully simplistic premise of the Australia Council funded Remix My Lit project – take stories from 9 prominent Australian authors, release them for remixing under a Creative Commons Attribution Non-Commercial ShareAlike licence, and see what happens.
Through the Clock’s Workings gives us a taste of the result. Published by the Sydney University Press, this anthology brings together the original 9 stories – from authors such as James Phelan, Cate Kennedy and Kim Wilkins – with 13 of the best remixes [...] the diversity is great – there are poems, abridgements, gender switches, complete re-imaginings. Even the cover of the the book you can see above is a remix of the stories by the excellent artist Ali J.
Last November, the Center for Social Media at AU released a Code of Best Practices in Fair Use for Media Literacy Education, which followed on the heels of a Code of Best Practices in Fair Use for Online Video. These guides were aimed at clearing up many of the urban myths surrounding copyright, especially when it came to classroom use of copyrighted materials.
Now, the Media Education Lab at Temple University has produced excellent resources based on the original guide to help teachers teach about copyright and fair use in their classrooms. Resources include lesson plans, Powerpoint slides, videos, case studies, podcasts, and FAQs. The lesson plans iterate on topics from the code such as “Understanding Copyright”, “The Cost of Copyright Confusion”, and “Defining and Applying Fair Use”.
What tickles me: that in order to find out just what you can do with these resources, you get to view and use them first—Learning fair use via fair using! To use these resources in your classroom or study group (or for simply personal edification), check them all out here.1 Comment »
Through its Copyright Advisory Group, the Australian Ministerial Council on Education, Employment, Training and Youth Affairs (MCEETYA) has published a Creative Commons information pack online, a bundle of eight documents that distills the basics of CC licensing and the philosophy behind it. This pack is a great resource for educators and students, and we encourage you to use it in your schools by adapting it however you like.
The info pack includes concise and concrete answers to simple questions, like:
and more. Find all documents at their Smartcopying website, “The Official Guide to Copyright Issues for Australian Schools and TAFE.” All of them are licensed CC BY, the most effective and open license for open educational resources.No Comments »
Two Fists One Heart is a new family drama film from Australia, centered on the story of a young boxer. The film was released widely yesterday in theaters across Australia and to help promote the film, the producers have created a stand-alone site, Cut Your Own Scene, where fans can download rushes of the film for free under a CC BY license. This means that footage from the film can be put to any use as long as the source is acknowledged and there is a link back to the official movie page.
“It’s not often you get the ear of major film players and personally I have always thought creative commons is an underutilized concept in the film industry. I see this as an opportunity to prove in some way that the web and it’s culture of sharing and share-alike is a good thing for creative industries
the producer mentioned that they had a lot of great footage they weren’t able to use in the film – more than usual – and I suggested to him we not let it be wasted and we release it for anyone to mashup and play with. To me, the thought of footage being wasted and unused when someone could make something really creative with it was a real shame. There are so many people out there cutting great videos and posting them on YouTube, but the biggest barrier is often having the footage to play with. This way we could give them something to use – and the footage is what professional editors deal with – and promote the film at the same time – it was a win-win.”
As further incentive to use the footage, the five best scenes will be posted on the Two Fists One Heart promotional site. These scenes will be selected by Bill Russo, head of Editing at the AFTRS and the creative team from Two Fists One Heart. Russo will also personally give the winners editing advice in regards to both their specific clips and their careers in general.No Comments »
From CC Australia:
A couple of days ago the [Australian Broadcasting Corporation's] excellent collaborative media site, Pool, posted a recording of genetics professor Steve Jones talking about Darwin’s life and work under a Creative Commons Attribution-Noncommercial licence. As far as we’re aware, this is the very first time material from the ABC archives has been released under a Creative Commons licence.
And this is just the beginning. Pool plans to release a whole series of ABC archival materials for remixing as part of its its Gene Pool project.
We’re all very excited here at CCau. The ABC has, almost without question, the largest historical audiovisual archive in Australia. Just think what we can do with it.
We’re excited as well. Last year we conducted a round-up of broadcasters implementing CC, and twelve months later, with exemplary license usage by Al Jazeera and now ABC’s Pool project, it seems the broadcasting world is poised for more. Stay tuned and enjoy exploring the remixable, high-quality material.No Comments »
I’ve spent the last few months neck deep on an original album – the first since 2003. ‘We Dont Disco’ is an electronic soundtrack to the days of my life. A little bit ambient, a little bit pop, a little bit dance……its a little bit kind of thing. If you like it then great, its free to download and completely copyright free – yep, a first on this web site – and is licensed under a Creative Commons ‘Attribution License’. Please feel free to use any song in any which way you choose.
An avid remix artist, team9 has chosen to release song stems for four of their tracks (Lines, We Don’t Disco Like We Used To, Five Times, and As We Travel), allowing potential remixers a simple way to re-imagine team9′s original tracks.1 Comment »
In a small, easy to miss post, the Australian Bureau of Statistics (ABS) has made a very exciting announcement. They’re going CC – and under an Attribution-only license, no less.
Creative Commons provides a spectrum of licensing for the use of intellectual property between full copyright and public domain – in essence ‘some rights reserved’. The ABS is poised to introduce Creative Commons licensing for the majority of its web content.
The ABS conducts the annual Australian census and is the holder of all official Australian statistical data. CC Australia explains, “The ABS been providing all its resources for free for a number of years, but under a limited re-use license. The decision to go one step further and allow complete reuse of its material – even for commercial purposes – heralds a great opportunity for the Australian community, researchers and business, and hopefully will lead to a great leap in the use of and innovation based on this rich resource.”
Update: As reported to us on Dec. 23, all content on the ABS website (other than logos and other trade marked content) is now marked as CC BY – including all census data, economy data, fact sheets, analysis, press releases etc.4 Comments »
The official website of the Bulgarian President Georgi Parvanov is now available under a Creative Commons Attribution-NoDerivs 2.5 Bulgarian license. Bulgaria’s Ministry of Foreign Affairs has been releasing its material under the same license since 2006, but ordinarily, these websites would be under full copyright, explains CC Bulgaria Project Lead Veni Markovski.
“Bulgaria has taken a step in the right direction to complete its image as a country where the politicians are aware of the most advanced technologies and use them for the good of the society,” Veni adds.
Government leaders in other countries are also choosing similar paths. The Armenian President Serzh Sargsyan licenses his official website under a Creative Commons Attribution-NoDerivs 3.0 Unported license, and governments in Australia and Mexico (pdf) use and recommend CC. Another licensing decision already bearing fruit is Change.gov, the website of US president-elect Barack Obama’s transition team, which is published under the most permissive of Creative Commons copyright licenses – CC Attribution 3.0 Unported.
For a listing of more governmental uses of CC, please visit our wiki page: http://wiki.creativecommons.org/Government_use_of_CC_licenses.No Comments »
We’re not quite sure what is in the water down under, but more great news keeps piling in from our friends at CCau – on 29 September the Sydney Arts Management Advisory Group (SAMAG) are running a seminar entitled “Copyleft or Copyright: Alternative licensing models in the digital era: promotion or protection” which promises to “explore how the landscape has changed since the analogue era and what this means for the creators of copyright.”
Delia Browne will be presenting on behalf of CCau, along with David Noakes from the Film Finance Corporation (FFC) and Scot Morris from the Australasian Performing Rights Association (APRA). Details below:
When: 6pm – 8pm, Monday 29 September 2008
Where: Australia Council: 372 Elizabeth Street, Surry Hills
How: RSVP by 9/25 to Janelle Prescott – info AT samag DOT org – or (02) 8250 5722 (msg only)
Cost: FREE ENTRY for 2008 SAMAG Members / $10 for non-members / $5 for students