Science@creativecommons by Creative Commons / CC BY
November has been an exciting month for science at Creative Commons. Earlier this month we hosted a Creative Commons Salon in San Francisco on the promises and pitfalls of personalized medicine, which you can now watch online. We met a matching giving challenge by Hindawi, the open access scholarly journal publisher (disciplines from neuroscience to pharmacology), who doubled $3000 in donations to our annual fundraising campaign. We also saw BioMed Central, the world’s largest OA publisher, provide in-kind support for our fundraising campaign.
The icing on the cake is the most recent addition to our CC Store: this super-cool science-themed CC shirt, for which the world-famous XKCD was gracious enough to let us re-use a variation on a classic cartoon. Many of you may already read and enjoy the delightful webcomic of “romance, sarcasm, math, and language” which is under a CC BY-NC license. Now you can show your love for Creative Commons and science at the same time by buying one of these t-shirts, available for $20 over at the CC store.
Huge thanks to XKCD for being such a wonderful and creative member of the CC community, and for freely sharing that creativity with the world.
At Creative Commons, we see a lot of potential for bringing open access to the world of science, whether it pertains to genomics research, scholarly journal publishing, or unraveling the mysteries of the universe.
If you love science as much as we do, then hurry over to the CC Store and get your limited edition shirt today!Comments Off on science@creativecommons T-shirts now available in the CC store!
The traditional academic journal publishing model has readers pay very steep fees for access. Open access publishers are challenging this model with a new one that allows free public access, with costs paid by submission fees. The sustainability of the open access has been the subject of much debate. We’ve linked to a Nature forum on the topic twice. (Public Library of Science and BioMed Central, two standard-bearers for open access publishing, each use Creative Commons licenses.)
Whether the “creator pays” model is sustainable for academic publishing or not, it is clear to me that is how much culture gets created. A few days ago an article in the San Francisco Chronicle, Venture capitalist rewrites the starving-author story, illustrates with an extreme case and in passing mentions that the venerable (and entirely subscription-funded) Kirkus Reviews is launching pay-to-be-reviewed ($350) service available to self publishers.
The only thing atypical about the wealthy author in the aforementioned article is that he’s spending lots of money to promote his novel. In the typical case the creator doesn’t have money for promotion but does bear the cost of creation — think self-published (and many “published”) authors, bands without commercial appeal, and artists with a day job of all sorts. They pay the costs of creation (and obtain its beneifts), perhaps as a labor of love, but it’s “creator pays” nonetheless.
Advocates of open access to academic journals were clever to call their model “open access” rather than “creator pays”. Artists who bear the costs of creation anyway ought to think about taking a bit of this cleverness and making their works explicitly “open access”. Could it be that there’s a way to do that? Surely anticlimactic for readers of this blog — get a Creative Commons license.Comments Off on Open Access Culture