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	<title>Creative Commons &#187; CASH Music</title>
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		<title>Rhizome Interviews Free Music&#160;Archive</title>
		<link>http://creativecommons.org/weblog/entry/14365</link>
		<comments>http://creativecommons.org/weblog/entry/14365#comments</comments>
		<pubDate>Fri, 01 May 2009 22:30:16 +0000</pubDate>
		<dc:creator>Cameron Parkins</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Weblog]]></category>
		<category><![CDATA[CASH Music]]></category>
		<category><![CDATA[dublab]]></category>
		<category><![CDATA[Free Music Archive]]></category>
		<category><![CDATA[Jason Sigal]]></category>
		<category><![CDATA[Rhizome]]></category>

		<guid isPermaLink="false">http://creativecommons.org/?p=14365</guid>
		<description><![CDATA[Rhizome, the digital art and media outlet of the New Museum in New York (and CC supporter), posted a fantastic interview today with Jason Sigal of the Free Music Archive. The whole interview is worth a read, but Sigal&#8217;s discussion of how CC licensed music can help U.S. radio stations is of particular note (Rhizome [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://creativecommons.org/wp-content/uploads/2009/05/fma-logo.jpg" alt="fma-logo" title="fma-logo" width="320" height="143" class="alignright size-full wp-image-14368" /><a href="http://rhizome.org/">Rhizome</a>, the digital art and media outlet of the <a href="http://www.newmuseum.org/">New Museum</a> in New York (and <a href="http://creativecommons.org/weblog/entry/7584">CC supporter</a>), posted a <a href="http://rhizome.org/editorial/2571">fantastic interview</a> today with Jason Sigal of the <a href="http://creativecommons.org/weblog/entry/13829">Free Music Archive</a>. The whole interview is worth a read, but Sigal&#8217;s discussion of how CC licensed music can help U.S. radio stations is of particular note (Rhizome question in bold, Sigal&#8217;s answer follows):</p>
<blockquote><p><strong>Was the move to bring together an international group of curators intentional? I ask this only because I feel the model of FMA is not only informed by the direction presented by web 2.0 technologies but it is also a response to outdated US copyright law and its impact on American radio stations. The reason why so many American broadcast stations are now turning to talk radio is because they are also trying to podcast their content online, and talk radio allows them to side step restrictions regarding music licensing and podcasts.</strong></p>
<p>Exactly. (I just snapped my fingers in agree-ance!) Of course it&#8217;s going to be international, that&#8217;s the nature of the web. And that&#8217;s one reason we offer Creative Commons licenses &#8212; they adapt out-dated copyright law to fit the world wide web.</p></blockquote>
<p>The FMA has already become a fantastic resource for curated CC-licensed music and is a database that looks to continue to grow in quality and quantity over time &#8211; see featured curators <a href="http://freemusicarchive.org/curator/dublab/">dublab</a> and <a href="http://freemusicarchive.org/curator/CASH_Music/">CASH Music</a> for two prime examples. Also, be sure to check out our <a href="http://creativecommons.org/weblog/entry/13720">initial</a> <a href="http://creativecommons.org/weblog/entry/13829">coverage</a> of their launch for more information.</p>
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		<title>CASH Music and 50FOOTWAVE Release Power+Light, 1.5GB of CC-Licensed&#160;Music</title>
		<link>http://creativecommons.org/weblog/entry/13219</link>
		<comments>http://creativecommons.org/weblog/entry/13219#comments</comments>
		<pubDate>Fri, 06 Mar 2009 20:47:08 +0000</pubDate>
		<dc:creator>Cameron Parkins</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Weblog]]></category>
		<category><![CDATA[50FOOTWAVE]]></category>
		<category><![CDATA[CASH Music]]></category>
		<category><![CDATA[CC BY-NC-SA]]></category>
		<category><![CDATA[Kristin Hersh]]></category>
		<category><![CDATA[Power+Light]]></category>

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		<description><![CDATA[CASH Music, the CC-friendly non-profit we can&#8217;t seem to stop talking about, has teamed up with 50FOOTWAVE to release the band&#8217;s entire back-catalog &#8211; including a brand new EP Power+Light, prior releases, and various rarities &#8211; under a CC BY-NC-SA license. Fronted by songwriter Kristin Hersh, 50FOOTWAVE&#8217;s back-catalog is a massive amount of material, now [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://creativecommons.org/wp-content/uploads/2009/03/plcover.jpg" alt="plcover" title="plcover" width="500" height="500" /><br />
<a href="http://cashmusic.org/">CASH Music</a>, the CC-friendly non-profit we can&#8217;t seem <a href="http://creativecommons.org/weblog/entry/12312">to</a> <a href="http://creativecommons.org/weblog/entry/8602">stop</a> <a href="http://creativecommons.org/weblog/entry/7896">talking</a> <a href="http://creativecommons.org/weblog/entry/8509">about</a>, has teamed up with <a href="http://50footwave.cashmusic.org/">50FOOTWAVE</a> to release the band&#8217;s entire back-catalog &#8211; including a brand new EP <em>Power+Light</em>, prior releases, and various rarities &#8211; under a <a href="http://creativecommons.org/licenses/by-nc-sa/3.0/">CC BY-NC-SA license</a>.</p>
<p>Fronted by songwriter <a href="http://kristinhersh.cashmusic.org/">Kristin Hersh</a>, 50FOOTWAVE&#8217;s back-catalog is a massive amount of material, now available for free in both FLAC and MP3 formats making it one of CASH&#8217;s most impressive releases to date. The focus of the release is clearly on <em>Power+Light</em>,  which can be <a href="http://www.throwingmusic.com/store/index.php?main_page=product_info&#038;cPath=29&#038;products_id=123">purchased as a vinyl pressing</a> in addition to free download. </p>
<p>You can hear 50FOOTWAVE&#8217;s new EP <a href="http://50footwave.cashmusic.org/">here</a> and download the tracks <a href="http://50footwave.cashmusic.org/freemusic/">here</a>.</p>
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		<title>CASH Music: Exploring Creative Commons Licensing in the Music&#160;Industry</title>
		<link>http://creativecommons.org/weblog/entry/12312</link>
		<comments>http://creativecommons.org/weblog/entry/12312#comments</comments>
		<pubDate>Wed, 21 Jan 2009 22:29:16 +0000</pubDate>
		<dc:creator>Cameron Parkins</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Weblog]]></category>
		<category><![CDATA[CASH Music]]></category>
		<category><![CDATA[CC Portal]]></category>

		<guid isPermaLink="false">http://creativecommons.org/?p=12312</guid>
		<description><![CDATA[CASH Music, the CC license using music label/creative community we have discussed numerous times before, just launched a wonderful new Creative Commons Portal for understanding how CC licenses can be utilized by record labels and artists. The portal is beautifully designed with an emphasis on simplicity &#8211; an introduction to CC, hypothetical uses, and real [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://creativecommons.org/wp-content/uploads/2009/01/cashlogo_home.png" alt="cashlogo_home" width="219" height="31" style="float:right;padding:10px" /><a href="http://cashmusic.org/">CASH Music</a>, the CC license using music label/creative community we have <a href="http://creativecommons.org/weblog/entry/8602">discussed</a> <a href="http://creativecommons.org/weblog/entry/7896">numerous</a> <a href="http://creativecommons.org/weblog/entry/8509">times</a> <a href="http://creativecommons.org/weblog/entry/8415">before</a>, <a href="http://twitter.com/cashmusic/status/1137061935">just launched</a> a wonderful new <a href="http://creativecommons.cashmusic.org/"><strong>Creative Commons Portal</strong></a> for understanding how CC licenses can be utilized by record labels and artists.</p>
<p>The portal is beautifully designed with an emphasis on simplicity &#8211; an <a href="http://creativecommons.cashmusic.org/">introduction to CC</a>, <a href="http://creativecommons.cashmusic.org/uses/">hypothetical uses</a>, and <a href="http://creativecommons.cashmusic.org/examples/">real world examples</a> are the only foci. Meant to grow an expand overtime, the portal is a great resource for record labels looking into how they can adopt CC. As CASH expands upon its mission to &#8220;develop open source tools for artists and promote best practices in the music industry&#8221;, resources like the CC Portal will become increasingly more valuable.</p>
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