Nearly two years ago, I blogged about Pratham Books, a nonprofit children’s book publisher in India. “It was set up to fill a gap in the market for good quality, reasonably priced children’s books in a variety of Indian languages. [Its] mission is to make books affordable for every child in India.” At the time, Pratham Books had released six children’s books under a CC BY-NC-SA license, available on their Scribd page. Since then, they have changed the licenses on those books to Attribution Only (CC BY) and have expanded their offerings to books in the public domain. They have also been blogging extensively and encouraging remix of their CC licensed illustrations on Flickr.
Last month, the CC licenses enabled audio versions of Pratham children’s books for India’s National Association of the Blind. Three audio versions were recorded by Radio Mirchi, two in English and one in Urdu, with more in the works.
I asked Guatam John of Pratham Books why they moved towards more open licensing (from the books’ original CC BY-NC-SA license), and what else he saw for the future of Pratham’s CC licensed books.
“Pratham Books has taken the position that all our content will either be under a CC-BY or CC-BY-SA license because, to us, these are the only two truly open licenses that fit our needs. Radio Mirchi gave us the content with no terms attached but since it was done pro bono, we felt that putting it out under the CC-BY-SA license was the best available choice for both the community, Radio Mirchi and us. Also, the SA component serves to limit commercial use unless it is re-shared, as the license, and our philosophy, mandates.
We continue to release content under open licenses, for example: http://blog.prathambooks.org/2010/03/retell-remix-rejoice-with-chuskit-world.html. And we will continue to do so over time. We have been working with the Connexions project to build a platform for the re-use, remix and distribution of our content too. Our basic goal is a net increase in the available content for children to read from and we think we can catalyse this two ways: Seeding the domain with our content and building a platform to make it easy to re-use and re-purpose content.”
For more on CC licensed OER being adapted to accessible versions, see “U.S. Dept of Ed funds Bookshare to make open textbooks accessible.”1 Comment »
Artists have been using Creative Commons licenses in interesting ways for a while, whether it’s to encourage interesting adaptations of their work or to help boost album sales. But it’s not only the visual artists and musicians diversifying the use of CC licenses—open education initiatives like Flat World Knowledge are experimenting with innovative business models by giving away digital content while charging for services added around it. WikiPremed is another one.
WikiPremed is the result of fifteen years of hard work, founded by John Wetzel, a graduate of Stanford University who has been helping “premedical students prepare for the MCAT in small group teaching through over fifty course cycles.” The site is comprehensive in scope, basically a course “in the undergraduate level general sciences,” consisting of textbooks, flash cards, test questions, images, and more that a premed student would need to prepare for the MCAT. All materials are available for free under Creative Commons Attribution ShareAlike, which means you can translate, improve, and republish it as long as you share alike.
What’s more interesting is that the site is sustaining itself by giving away digital content for free and charging for print materials, such as its Physics flashcards and print versions of its books. There is also an ask for a one-time $25 donation that then gives students an Organic Mechanisms Pocketbook and Advanced Physiology Crosssword Puzzle Book in return as a thank you. From Glyn Moody’s short interview of John Wetzel (which got picked up by techdirt),
“Students need printed study materials, and they get sick of the computer, so I definitely think there is room for creative commons educational content supported by print publications. I think there is an ethic to not holding content hostage to purchases, but I think there are commercial advantages to the open model as well. I don’t doubt that the average customer at WikiPremed has 1000 page views before purchasing anything.
I am sure that if there were registration walls and missing chapters I would have fewer customers.
I’m not getting rich or anything, at this point, but it is working.”
If you’re interested, you can help contribute to the WikiPremed case study.No Comments »
FLOSS Manuals, true to its name, produces manuals for free software applications. The manuals themselves are freely licensed and often written in book sprints. This January, as part of the Transmediale festival in Berlin, FLOSS Manuals attempted its first non-manual booksprint — a considerably harder task, as no structure is implied. Only the book title, Collaborative Futures, was given — a collaborative experiment about the future of collaboration.
The initial collaborators each had considerable experience with free software or free culture collaborations — Michael Mandiberg, Marta Peirano, Alan Toner, Mushon Zer-Aviv, me, and FLOSS Manuals’ honcho Adam Hyde and programmer Aleksandar Erkalovic.
Initially we thought we’d write much about licenses and other topics much debated by those in the free software and free culture community. After a day of intense discussion of book content and structure, those debates were left in the background as we tackled explaining what kinds of collaboration we intended to write about and speculating about what the future of collaboration holds. As appropriate, we did use licenses — the book is released under the CC Attribution-ShareAlike license and incorporates a fair amount of previously existing material under the same or compatible licenses (surprisingly enough, none from Wikipedia).
There’s also a licensing (and collaboration?) story behind the video. Producer Bennett Williamson wanted to use “Rolands Vegners” by Ergo Phizmiz & Margita Zalite as the soundtrack. Bennett writes on his Free Music Archive blog:
This was a problem, because Collaborative Futures (and all its related materials) already had a different type of CC license than Ergo’s track; Attribution-ShareAlike and Attribution-NonCommercial-ShareAlike respectively.
I really liked the song and wanted to keep it in the video, so I contacted Ergo and asked him if he’d be willing to change the license type of his track… and he agreed! Score one for copyright alternatives!
So remember kids, when syncing up these jams to your sweet vids, make sure that your derivitive has a license that jives with that of the original work. And sometimes all you have to do is ask.
With that, here’s ten more instrumentals from the Archives ready for you to slap into your timeline. Thanks to those of you who made suggestions of tracks to include; please keep them coming!
All well worth keeping in mind for future collaborations. Check out the book, and more importantly, FLOSS Manuals and the Free Music Archive, excellent free culture projects covering a broad range of tastes.No Comments »
The Peer 2 Peer University, “a grassroots education project that organizes learning outside of institutional walls” by leveraging social software and existing open educational resources, launched its second pilot and a new website today. The first pilot launched last September with seven courses, ranging from Creative Nonfiction Writing to Behavioral Economics. Due to high demand, P2PU has doubled its course offerings for the second round. From the press release,
“Some of the courses were offered in the first phase of the pilot which launched last September, but seven are brand new, including “Urban Disaster Risk Management,” “Mashing Up the Open Web,” and “Solve Anything! Building Ideas through Design.” P2PU is also excited to announce its first Portuguese language courses organized by Brasil’s Casa de Cultura Digital, one of which is an introduction to the thinking of Paulo Freire (educational theorist who is author of Pedagogy of the Oppressed). The P2PU community has grown and is excited to have these new courses and their organizers on board.”
Since last November’s workshop in Berlin, a few changes have taken place at P2PU. P2PU is still run and governed by volunteers, but the P2PU Council, with the support of the community, has elected Philipp Schmidt as its representing Director. Philipp is one of the co-founders of the project, as well as a Shuttleworth Foundation Fellow, which enables him to devote himself full time to P2PU. On becoming Director, Philipp says, “We have proven that the model works and are seeing tremendous interest from people all over the world to learn together. I am very excited to help guide the project through the next phase of growth and for the opportunity to work with the inspiring and talented volunteers that make P2PU so special.”
When asked how P2PU will affect the education landscape, Council member Delia Browne says, “P2PU will revolutionize how people learn. It will help create a global open culture of learning for the 21st century.”
The P2PU community consists of a diverse group of people. They are writers, teachers, designers, doctoral and alternative grad students, artists, copyright specialists, scientists, and blues guitar players. Above all, they are learners–peers working together to learn from each other.”
If you want to learn more about the Peer 2 Peer University, see my past post on them. All P2PU produced content is licensed under CC BY-SA, which means you are free to share, distribute and derive for your own mirror initiative as long as you share alike. “P2PU is teaching and learning by peers for peers and it is run and governed by volunteers. It builds on educational content that is free from copyright restrictions or licensed under Creative Commons licenses.” The deadline to sign up for courses is February 28. Courses will run for at least six weeks starting March 12. Each course may require different information and prerequisites to apply.No Comments »
CC Talks With: The Shuttleworth Foundation on CC BY as default and commercial enterprises in education
Photo by Mark Surman CC BY-NC-SA
For those of you who don’t know Karien Bezuidenhout, she is the Chief Operating Officer at the Shuttleworth Foundation, one of the few foundations that fund open education projects and who have an open licensing policy for their grantees. A couple months ago, I had the chance to meet Karien despite a six hour time difference—she was in Capetown, South Africa—I was in Brooklyn, New York. Via Skype, I asked her about Shuttleworth’s evolving default license (CC BY-SA to CC BY), her personal stake in OER, and how she envisions us (CC Learn and Shuttleworth) working together. She also gave me some insights into three innovative open education projects they have a hand in: Siyavula, M4Lit, and Peer 2 Peer University (P2PU).
The conversation below is more or less transcribed and edited for clarity. It makes for great holiday or airplane reading, and if you’re pressed for time, you can skip to the topics or projects that interest you. This is CC Learn’s last Inside OER feature of 2009—so enjoy, and happy whatever-it-is-that-you-are-doing-in-your-part-of-the-world!3 Comments »
Photo by John Britton CC BY-SA
The pilot phase of P2PU (Peer 2 Peer University) ended in October, after having run for six weeks with seven courses and approximately 90 participants. Last month, the pilot phase volunteers, including the course organizers, met in person for the first time at the first ever P2PU Workshop in Berlin. The goal of the workshop was to integrate pilot phase experiences into a working plan for the future of P2PU. Judging from the outcomes, the workshop achieved its goal. Check out CC Learn’s video download of the workshop at Blip.tv, Vimeo, or YouTube. (It’s CC BY, so feel free to share and remix!)
“The mission of P2PU is to leverage the power of the Internet and social software to enable communities of people to support learning for each other. P2PU combines open educational resources, structured courses, and recognition of knowledge/learning in order to offer high-quality low-cost education opportunities. It is run and governed by volunteers.”
Why is CC Learn interested in P2PU?
“P2PU is the social wrapper around open educational resources.”
The open education movement started by focusing on the legal and technical aspects of educational resources, and how they could be opened up for use by anyone, anywhere. Creative Commons licenses provide the legal, technical, and social infrastructure for OER, enabling the easy use and reuse of OER while improving discoverability and adaptability around the world. This movement towards opening education has resulted in an abundant and still growing commons of open educational resources (OER).
However, P2PU recognizes that content isn’t enough. Accessing OER does not automatically result in learning. There are reasons why traditional education institutions exist, one of these being the social interaction between peers that enables, facilitates, and motivates learning. But what about those that want to learn outside of brick and ivy walls? P2PU is an initiative outside of the traditional institution that aims to provide the social learning structures, the “social wrapper”, around existing open educational resources.
Because P2PU is a true OER project, testing the bounds of what can work when you empower a community of volunteers and peers to learn for free from each other, CC Learn is interested in where it’s going.
Where is P2PU going?
In the short term, P2PU is aiming to double its courses for its second pilot, which launches towards the end of January next year. P2PU has also established a strong community of core volunteers in tech, outreach, sustainability, research, and course organizing. These volunteers run P2PU, and they are all very busy getting P2PU ready for its next phase which will feature, among other things:
- a new website and social platform
- an orientation process for new course organizers
- a CC BY-SA licensing policy (and a compendium on how to choose a license for your open education project)
- a set of core values that the community subscribes to
P2PU is also preparing a research workshop on alternative accreditations in early 2010, and building relationships with other organizations (such as CC Learn) to explore avenues in research, assessment, and sustainability.
What is the role of P2PU in education?
Good question, and good answers—here. Like the education landscape, P2PU is still evolving. For more reflections on the workshop, check out the video, Nadeem Shabir’s post on Talis Education, and my post on OnOpen.net.3 Comments »
In case you haven’t heard, WikiEducator‘s Wayne Mackintosh announced earlier this week that they were joining forces with Connexions “to provide educators with greater freedom of choice to mix and match the best of two OER worlds, namely “producer-consumer” models with more traditional work flow approaches and commons-based peer production.” WikiEducator and Connexions are two collaborative OER projects that use Creative Commons licenses. While WikiEducator, licensed CC BY-SA, focuses “on building capacity in the use of Mediawiki and related free software technologies for mass-collaboration in the authoring of free content,” Connexions, licensed CC BY, focuses on the collaborative development, sharing, and publishing of modular educational content that can be easily integrated into larger collections or courses. According to the announcement, the two projects will partner “to build import export capability between the Connexions and WikiEducator/Mediawiki platforms.”
It’s definitely exciting to see these two OER projects working together, especially since the collaboration is being generously funded by a grant from one of our own biggest supporters, the William and Flora Hewlett Foundation. There are various ways you can tune into its progress, including visiting the project planning node, subscribing to the Connexions mailing list, or helping them develop use case scenarios.No Comments »
Demonstrating that June’s migration of Wikimedia sites to CC Attribution-ShareAlike as their main content liense was a signal of much greater interoperability among free and open content projects going forward and not merely an end in itself are recent announcements from the Fedora Project, AntWeb, and Wikitravel, all moved or moving to CC BY-SA 3.0. Each has a different story as to how and why they made the move.
The Fedora Project, best known for its community-centric and cutting-edge GNU/Linux distribution, but also committed to “leading the advancement of free, open software and content” (emphasis added, from the Fedora Project home page), has migrated all of its documentation and wiki content to CC BY-SA from the long-deprecated Open Publication License, via their contributor agreement. Among the reasons:
4. Other organizations that have content we can reuse in Fedora and contribute back to, such as Wikipedia and GNOME, have switched or are switching to the CC BY SA. Why does this matter? For one easy example, we can write a definitive history of Fedora, host it on Wikipedia as the upstream, then package it as part of the ‘about-fedora’ package.
5. If you’ve never looked at how much open content there is on e.g. flickr.com and Wikicommons, please look. For content authors, this is going from practically zero useful open media available to tens of millions of photographs, diagrams, and so forth that we can not only freely reuse, but we can contribute back to.
AntWeb, a project of the California Academy of Sciences that holds its own copyrights has changed its license from CC Attribution-NonCommercial to CC Attribution-ShareAlike, a change that has resulted in a major collaboration with Wikimedians and 30,000 ant images gracing Wikipedia articles. Waldir Pimenta guest-blogging with Brianna Laugher, writes:
I found the fantastic images from AntWeb, a project from The California Academy of Sciences, which aims to illustrate the enormous diversity of the ants of the world. I was especially happy to find that they were using a Creative Commons license — but soon after I was disappointed to find that the specific one they used (CC-BY-NC) was not appropriate for Wikipedia (or, more generally, free cultural works, and thus discouraged by Creative Commons itself).
So I sent them an email suggesting them to change the license. When they replied, I found out that they actuallly had been internally discussing license issues for quite a while. I kept in touch, and made sure to let them know the advantages of having their work showcased in such high-traffic websites as Wikipedia, Commons or WikiSpecies.
I like to think that my two cents helped in their decision, some time later, to not only change their license to CC-BY-SA, but also upload all their images to Commons themselves! This was part of their overall mission: “universal access to ant information”. Before, the AntWeb project focused only on digitization of content and development of the web portal; but now they also decided to “export” AntWeb content to improve access. Putting the images and associated metadata in Commons was an example their outreach initiatives.
Finally, Wikitravel, a very successful site that we’ve mentioned here many times (see founder Evan Prodromou’s letter in support of our 2007 fundraising campaign — which also works for 2009!) is building community consensus for upgrading from CC BY-SA 1.0 to CC BY-SA 3.0. Unfortunately 1.0 did not have an upgrade clause, a problem corrected in 2.0.No Comments »
Last October, I mentioned that the UNESCO OER Community was developing an OER Toolkit “aimed at individual academics and decision-makers in higher education institutions interested in becoming active participants in the OER world, as publishers and users of OER.” Today, the draft version (1.1) has been released with an announcement by Philipp Schmidt of the University of the Western Cape, South Africa:
No Comments »
“15 October 2009 — Today the UNESCO OER Toolkit (with support from the UNESCO Communications and Information Sector) was released as a resource for academics and institutions — with a special focus on developing countries — who are interested in participating in open education projects.
OVERVIEW — Most of the Toolkit is designed for academics who are interested in finding and using OER in the courses they teach, or who wish to publish OER that they have developed. Some sections are aimed at institutional decision-makers and academics that [are] interested in setting up a more formal OER project. These projects may start with just a few interested academics but, as they grow, institutional policies, funding and legal constraints become more relevant. Individuals who are not aiming to set up a institutional project may nonetheless be interested to read the whole document. Likewise, institutional planners, IT staff or librarians who are interested in setting up an OER project would benefit from understanding the academic’s perspective.”
Richard Giles, a social media specialist in Australia who frequently posts and CC licenses photos on Flickr, received a threatening letter from the International Olympic Committee last week, mentioning a set of photos he had taken at the 2008 games in Beijing.
Giles posted a rundown of the story so far on his blog. It is not clear the situation is resolved yet, and initially there was confusion about which photos or licenses are at issue, but there are many worthwhile posts about it to check out, including these:
- Olympics threaten photographer by Mathias Klang (of CC Sweden), who points out in passing that there are now over 120 million CC licensed photos on Flickr — a 20% increase in 6 months.
- Go To The Olympics? Take Photos? Put Them On Flickr? Await Olympic Committee Legal Threat Letter on Techdirt by Mike Masnick.
- International Olympic Committee Goes Copyright (& Trademark) Crazy on The Moderate Voice by Joe Windish.
- Wikipedia and Olympics Committee heading for collision? by Sage Ross, who points out that Giles’ photo(s) likely came to the attention of the IOC indirectly via English Wikipedia, where one of Giles’ photos is currently used in the Usain Bolt article.
Regarding Ross’ post, of course the UK merchant that used the photo in an advertisement that eventually attracted the IOC’s notice may have discovered the photo directly on Flickr as well. In either case, the value of moving to a more liberal license if you want your works to spread is highlighted — Giles’ Usain Bolt photo is under CC Attribution-ShareAlike, while his other Beijing photos are under CC Attribution-NonCommercial.
Whatever the resolution of this particular dispute, there’s no question that the IOC’s attempt to control how photographers use their own photos is symptomatic of the permission culture and tragedy of the anticommons we are facing. Creative Commons can’t directly influence the IOC’s policies, but we’re creating an alternative to ensure a non-gridlocked future of creativity and innovation, an alternative that offers benefits to those who participate in the commons now, and whose successes will change minds. Please support us — we’re in the midst of our 2009 campaign to raise $500,000 to fund this work.
The photo at the top of this post by Richard Giles is not of the Olympics, but does look fun. Note that even such an innocuous photo could be under threat as we move in the direction of a permission economy — building owners attempt to control public photography, why not balloon owners or designers? Give now. ☺5 Comments »