The Software Freedom Law Show, Episode 0×16 contains numerous bits of interest to CC geeks and is well worth a listen. The show’s hosts, Karen Sandler and Bradley Kuhn of the Software Freedom Law Center, discuss among other things:
- How the GFDL turned out suboptimally — a key point is that developing good public licenses is very hard, the the GFDL was one of the very first for software documentation or other non-software works.
- The migration of Wikipedia and sister projects from GFDL to CC BY-SA, successfully completed this June.
- The importance of public license stewardship by mission-driven nonprofits — Bradley Kuhn’s writing on stewardship has been noted previously on this blog.
- The license used for the show itself, which is CC BY-ND.
- A promise to talk about the public domain and specifically CC0 in a future episode. Looking forward to it.
One quick addendum to the show, in which the hosts wonder if CC has a public versioning process. The answer is yes — see a a list of CC blog posts over the course of development of our 3.0 licenses. The next, eventual versioning will be even more public and rigorous, just as the GPLv3 had a development process far more in depth than that of any public software license that preceded it.No Comments »
A Brief Overview of U.S. Public Policy on OER from California’s Community Colleges to the Obama Administration
The Publius Project at Harvard’s Berkman Center for Internet and Society offers a new essay on OER and public policy in the United States: A Brief Overview of U.S. Public Policy on OER from California’s Community Colleges to the Obama Administration . Written by Carolina Rossini and Erhardt Graeff, it does a great job of pointing out the major recent movements toward OER in state and federal governments, and thoughtfully evaluates the issues that each initiative brings to the table.
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“This post draws significantly from an interview on August 10, 2009 with Hal Plotkin, a Senior Advisor at the U.S. Dept. of Education, who has closely followed and been involved with OER policies in California. The interview was part of research on the educational materials sector being conducted under the Industrial Cooperation Project at the Berkman Center at Harvard University. The research is part of a broader project being led by Prof. Yochai Benkler and coordinated by Carolina Rossini. In the research, we are seeking to understand the approaches to innovation in some industrial sectors, such as alternative energy, educational materials, and biotechnology. The intention is to map the degree to which open and commons-based practices are being used compared to proprietary approaches and what forces drive the adoption and development of these models.”
Mobile phones are the most popular means of communication among young adults in South Africa, as South Africans send 250 million text messages a day. This may be true for many parts of the world, where Internet connections are still in dial-up mode or even nonexistent. Through mobile phones, youth carry daily conversations via text messaging, as in some areas it is cheaper to send a text than to call.
Leveraging the popularity of mobile phones, the m4Lit project has launched the first mobile novel of its kind, or m-novel, in South Africa. Kontax, which follows the adventures of a group of teenage graffiti artists, is made specifically for mobile phones, and is available in both English and isiXhosa. It is being released chapter by chapter on a daily basis, with the first chapter already out. From the press release:
“The m4Lit pilot project aims to explore whether teens are interested in reading stories on their cellphones, whether and how they write using their cellphones, and whether cellphones might be used to develop literacy skills and a love of reading. Enter Kontax, an m-novel written on commission from the Shuttleworth Foundation by prize winning ‘mobilist’ Sam Wilson. Kontax is an m-novel made for mobile – and from 30 September readers will be able to access the dynamic teen narrative from their WAP-enabled cellphones, or from their computers. Every day another exciting chapter in the mystery plot will be told, with 21 chapters rolling out over 21 days. Teen readers will be invited to interact with Kontax as it unfolds on their cellphones: they can vote on and discuss the progressing plot, leave comments, download wallpapers and finally submit a written piece as part of a competition, with airtime prizes available for winning submissions.
…As part of the research component of this project, interviews with teens in Cape Town before and after the publishing of Kontax will establish to what extent this project changes South African learners’ attitudes to reading and writing, what learners think about m-novels, and whether the mobile medium as a literacy tool interests or excites them.
In inviting interaction from and discussion amongst its teenage readers, Kontax is aligned with leading global trends, and follows the success of audience participation in story writing found in Japan, where teens have been reading and writing novels on their cellphones in this way for a number of years. The popularity of the m-novel is clearly evident in Japan, where six out of the top 10 fiction best sellers in 2008 were m-novels that had later been printed in book form. The evolution of digital media has had a profound impact on the literacy practices of teenagers from east to west – in the USA, research has shown that through their computers today’s teens are reading and writing more than ever, not formally but on blogs, MySpace pages and via instant messages. Increasingly, SMSes and chats on their cellphones also form part of the “reading” and “writing” of digital literacy.”
Read the press release for more information. And if you happen to be in South Africa, you may want to attend the book launch at “the Book Lounge in Cape Town on Wednesday 30 September at 18h00. All are welcome, but should please RSVP to either firstname.lastname@example.org or 021 462 2425.”
All Kontax content and story images are licensed CC BY-SA. Kontax is written by Sam Wilson and the m4Lit project is spearheaded by Steve Vosloo, 21st Century Learning Fellow for the Shuttleworth Foundation.3 Comments »
Digium, the parent company that hosts and maintains the open source telephony & PBX project called Asterisk, recently replaced the on-hold music featured in their distributions to CC BY-SA licensed works from OpSound. Using freely licensed CC music in open source projects has always made sense to us, but Digium’s John Todd discusses why they finally made the switch on the company’s blog:
In some nations (Australia and France, to pick two that have been brought to our attention) there are some who are claiming that we do not have the rights outlined above, and that our users therefore are in a similar situation where they may be in violation of license terms.
John goes on to explain that since CC licenses are easy to use, well defined, and accepted internationally, the choice was clear to them:
This is very far outside of Digium’s ability or interest to manage, nor do we wish to become involved in the protracted series of legal proceedings required to sort out this licensing issue. So we have chosen another path that is more clear to us: we will eliminate the files of questionable license from Asterisk, and replace them with music that has clearly defined and more acceptable licensing terms which are compatible with both the Asterisk license, and with any reasonable redistribution methods that might be used by others who re-package Asterisk.
Just think, the next time you get placed on hold, there’s a good chance you’ll be listening to some copyleft music!8 Comments »
ReadWriteWeb* writes that English Wikipedia just passed the 3 million article mark. While this is a great accomplishment that will surely be widely reported, RWW correctly highlights that “Wikipedia” is much more than the English site:
The family of sites as a whole has more than 13 million articles in more than 260 languages, not counting discussion pages and other errata.
As RWW also notes, Wikimedia Commons, the media repository sibling of Wikipedia, is about to pass the 5 million file mark.
And it just happens that the vast number of wikis hosted by the commercial wiki platform Wikia will cumulatively surpass the 3 million article mark soon.
All Wikipedia articles are now available under the Creative Commons Attribution-ShareAlike license, all media hosted at Wikimedia Commons is under this or another free license or in the public domain, and most of the wikis hosted by Wikia are also under CC BY-SA, as are many other wikis, for example Wikitravel, WikiEducator, Planet Math, and Appropedia. Read about why this interoperability is a win for free culture.
Numbers alone are impressive enough and hint that Wikipedia has blown up the encyclopedia category and that other wiki projects will supersede other existing categories of cultural and educational artifact. However, the numbers only begin to tell the story. One place to see this unfold in highly concentrated form is Wikimania, the annual international conference of the Wikimedia Foundation. See the conference schedule, including panels featuring CC France and CC Taiwan co-founders Melanie Dulong de Rosnay and Shun-ling Chen (Authorship, Licenses, and the Wiki Borg) and me (OER Content Interoperability for WikiMedia platforms).
* Thanks ReadWriteWeb for all your awesome CC coverage!1 Comment »
As anyone following this site closely must know, the Wikipedia community and Wikimedia Foundation board approved the adoption of the Creative Commons Attribution-ShareAlike (CC BY-SA) license as the main content license for Wikipedia and other Wikimedia sites. A post about the community vote has many links explaining the history and importance of this move.
The outreach effort to non-Wikimedia wikis to take advantage of this migration opportunity is ongoing. Help if you can. One very important milestone was reached June 19, when most wikis hosted by Wikia (there are thousands, including some big ones) converted to CC BY-SA.
Hooray for Jimmy Wales, founder of both Wikipedia and Wikia! (Note the two organizations are unrelated.) CC is fortunate to also have Wales as a member of our board of directors. Without his vision, this unification of free culture licensing would not have been possible.
Here’s to a huge win for Wikipedians, all of free culture, and everyone who made it possible! Already the licensing change is enabling content to flow between Wikipedia and other projects. Will you interoperate? See a post on my personal blog for a long-winded conjecture about long-term impacts of the licensing change.
Finally, note that this is only one instance of the Wikipedia community showing great foresight and leadership. For example, clearly the Wikipedia community’s steadfast commitment to open formats played a major role in giving open video (effectively meaning Theora) a chance for wide adoption, which it now appears on the verge of. Hooray for visionary free culture communities and many wins to come!
Erik Moeller writes on the Wikimedia Foundation blog that the licensing update has been rolled out on all Wikimedia wikis:
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Perhaps the most significant reason to choose CC-BY-SA as our primary content license was to be compatible with many of the other admirable endeavors out there to share and develop free knowledge: projects like Citizendium (CC-BY-SA), Google Knol (a mix of CC licenses, including CC-BY and CC-BY-SA), WikiEducator (CC-BY-SA), the Encylcopedia of Earth (CC-BY-SA), the Encyclopedia of the Cosmos (CC-BY-SA), the Encyclopedia of Life (a mix of CC licenses), and many others. These communities have come up with their own rules of engagement, their own models for sharing and aggregating knowledge, but they’re committed to the free dissemination of information. Now this information can flow freely to and from Wikimedia projects, without unnecessary legal boundaries.
This is beginning to happen. A group of English Wikipedia volunteers have created a WikiProject Citizendium Porting, for example, to ensure that high quality information developed by the Citizendium community can be made available through Wikipedia as well, with proper attribution.
We Have Band, and electro-pop act from London, recently released a great new video for their single You Came Out in collaboration with creative agency Wieden + Kennedy. The video is stop frame animated and composed of 4,816 still images, all of which are CC BY-SA licensed and available on We Have Band’s flickr page. This allows fans of the band the ability to reanimate the video and reuse the images as long as they attribute We Have Band and share derivative works under the same license.
Find out more about the single at the band’s mysapce blog, including ordering info.2 Comments »
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Yes, you read that correctly. Ridley Scott, the famed SciFi director of the classic Blade Runner will be producing a new web series based on the film released under our free copyleft license. The series is initially slated for web release with the possibility of television syndication and will be a project by Ag8.
Nina Paley’s Sita Sings The Blues, released online a little over two months ago, has been generating great press and even greater viewership, closing in on 70,000 downloads at archive.org alone. For the non-inundated, there is great background information on the film at Paley’s website.
We recently had the opportunity to talk with Paley about the film – we touched on the film’s aesthetics and plot points, but perhaps most interesting to those in the CC community is Paley’s decision to utilize our copyleft license, Attribution-ShareAlike, and her thoughts on free licensing and the open source movement in general. Read on to learn more about the licensing trials and tribulations associated with the film’s release, how CC has played a role, and Paley’s opinions on the Free Culture movement as a whole.3 Comments »
To take maximum advantage of Wikipedia’s migration to CC Attribution-ShareAlike, other wikis licensed under the GFDL should, where possible, migrate to CC BY-SA before the deadline set by the GFDL version 1.3 — August 1st.
Ideally all works under free (as in freedom) licenses should be freely remixable, greatly increasing the pull of the Free universe. Wikipedia’s adoption of CC BY-SA goes a long way toward that goal, and each additional wiki that can migrate by the deadline helps even more.
Benjamin Mako Hill (Wikipedian, Free Software Foundation board member, and one of the people crucial to making the migration possible) writes on the Wikimedia Foundation mailing list:
As the group with the most to lose and as the group that introduced the change at issue, the foundation and its broader community should devote as much time as possible to this issue in the next two months before it is too late.
I’m happy to see that work is already being coordinated here:
As many people as possible should join in this effort and spread the word.
Here are some ways you can help:
- Know of a GFDL licensed wiki not on the outreach list? Add it.
- Participate in one of the wikis on the list? Help that wiki migrate, even just by alerting its community to the importance of migration.
- Want to volunteer to help but aren’t sure where to start, or have other questions? Leave a note on the outreach talk page.
- Spread the word about this effort to others who might be able to do one of the above.
It’s also worth noting that the outreach page calls out Appropedia as an example to follow. Appropedia actually took advantage of the GFDL 1.3 to migrate to CC BY-SA before the Wikipedia community vote concluded, and is an excellent and innovative wiki and community unto itself, focusing on appropriate technology for “collaborative solutions in sustainability, poverty reduction and international development.”
Thanks to everyone who has and will help move this distributed free culture optimization procedure forward!5 Comments »