Guest blog post by Teresa Nobre, Legal Project Lead at Creative Commons Portugal
One of the opportunities for Creative Commons to continue its rapid evolution is more collaboration between the various affiliates. In September, representatives of CC’s affiliates in 17 different European countries attended a regional meeting and discussed, among other things, Creative Commons’ 10th birthday. Most of the affiliates were already planning activities and events in their own countries; nevertheless, we felt that it was important to find a way to celebrate this important date as a regional network. Since the majority of the affiliates are volunteers, we cannot commit ourselves to carry out as many common actions as we would like. With other priorities in both the national and regional agendas, this activity could not require much planning and execution. The idea of creating a mixtape with Creative Commons–licensed music from around Europe – where each affiliate just had to suggest one or two tracks from her own country – seemed, therefore, a good option and got the general agreement of all those present at the meeting.
Back to our home countries, we relied on the network mailing list to get everyone involved. We did not nominate an official project lead and we did not establish any requirements other than the music being the affiliate’s preferred CC-licensed music. We could have decided to use the mixtape to promote just music licensed with one of CC’s free culture licenses (CC BY and CC BY-SA), but we wanted to get as many affiliates involved as possible and we knew that adding such limitation would only make searching for work more difficult. After all, only a very few of us work in the music industry (the others are lawyers, open content advisors, entrepreneurs, academic researchers, engineers, etc.) and not all of us are familiar with our national CC-licensed music.
Some affiliates went on asking for suggestions to their local communities and some even did contests to find their national CC-licensed music that would make into the compilation. Not all the European affiliates were able to get involved in the project, but those involved were really motivated and even found time to send contributions in respect to other European countries. In total, 16 affiliates worked together, devoting much more time than they initially thought they had available, to make this mixtape happen.
The resulting mixtape showcases the talent of 20 artists from 20 European countries: Belgium, Bosnia and Herzegovina, Bulgaria, Czech Republic, Denmark, France, Germany, Greece, Iceland, Israel, Netherlands, Poland, Portugal, Serbia, Slovakia, Slovenia, Spain, Sweden, Switzerland, and the UK. The tracks are from genres as diverse as electronic, folk, classic, drum & bass, rock, ska and tango, and they sound awesome together (despite the fact that they were compiled by a non-musician lawyer!). Give it a listen! It is available for download under various Creative Commons licenses at Free Music Archive, SoundCloud, and the Internet Archive. The album artwork is licensed under a Creative Commons Attribution license.Comments Off
On day 7 of our CC10 celebrations we have an exciting announcement: the Washington State Board for Community and Technical Colleges (SBCTC) has announced a 3.5 million dollar grant from the Bill & Melinda Gates Foundation for a new program to help adult English language learners improve their language skills — Integrated Digital English Acceleration (I-DEA). Importantly, all online learning modules developed for I-DEA will be made available under a Creative Commons Attribution license — the most liberal of our licences, allowing all teachers around the country and the world to reuse, remix and reinterpret them.
In honor of this announcement, we focus on education for today’s CC10 featured platform and resource. We take a look at Open content licensing for educators, one of the many courses provided by Wikieducator, a community-developed resource of free elearning content – created by the public, for the public. The Open content licensing for educators course, an initiative of the OER Foundation, has been running all this week, training educators both how to make full use of the wealth of educational resources now available for free download under CC and other open licenses, and how to share their own materials with others.
We also celebrate a milestone by another great community-created platform, as Wikicommons hits 15 million files, just in time for CC10. Wikicommons is one of the world’s oldest and largest resources of CC licensing and public domain media, from photos to videos to sound files. It’s the source of all the media you find on Wikipedia, and its files are used extensively by cultural and educational institutions to share and create open education resources. Check out our post on this great achievement to see two videos by our friends at WikiAfrica, explaining how and why a cultural institution might want to share their resources on Wikicommons.
Finally – everyone should take a moment to appreciate the fabulous CC10 poster above by @saidRmdhani. It was produced by attendees to our Arab World Regional Meeting, which has been running all this week in Cairo, and finishes up today. Congratulations to all the attendees, and we can’t wait to hear more about your workshops.Comments Off
17W Aug 14 1996 0124Z
United States National Oceanic and
Atmospheric Administration / Public Domain
Just in time for CC10, Wikimedia Commons just announced its fifteen millionth upload. That’s fifteen million files that anyone can reuse, remix, and share for commercial or noncommercial purposes, many of them licensed CC BY or CC BY-SA.
The fifteen millionth file, pictured to the right, is a public domain photograph of Tropical Depression Seventeen-W, produced by the United States National Oceanic and Atmospheric Administration. In a way, the photo is the perfect distillation of why an archive like Wikimedia Commons is important. The photo was already in the public domain, but it’s more useful when catalogued in a well-maintained repository.
As Peter Weiss explained the significance of the announcement, much of the growth of the Wikimedia Commons collection can be attributed to adoption by galleries, libraries, museums, and archives (GLAMs). When cultural institutions share their collections in a form that others can access and reuse, everyone’s better off for it.
These two videos from WikiAfrica explain why a cultural institution might want to share artifacts in Wikimedia Commons, and how to do it.
Congratulations to Wikimedia Commons on this amazing milestone, and thanks for being a part of the CC family.Comments Off
Today, an exciting announcement. In honor of CC’s tenth birthday, our friends at Free Music Archive are launching a competition to find a new birthday song – one that can be shared and sung without paying a cent. Read about the contest and start working on your entry.
Keeping on the music theme, guest blogger Jason Sigal tells the story of Chris Zabriskie, a musician who opened a lot of professional doors when he decided to start licensing his music CC BY. And we highlight a Guide to Creative Commons produced by CASH Music, a nonprofit that builds open source tools to empower artists and their fans find a more viable and sustainable future for music.
Today’s also a big day for CC10 events, with 5 separate events on 3 continents – two US parties from CC friends Redhat (in Raleigh) and the Auraria Library (in Denver); talks and debates in London and Warsaw; and a classic CC Salon in Qatar with a special guest, CC’s CEO Cathy Casserly.Comments Off
Our friends at Free Music Archive have just announced a contest to dethrone one of the most notoriously copyrighted songs of all time. From FMA’s blog:
The Free Music Archive wants to wish Creative Commons a Happy 10th Birthday with a song. But there’s a problem. Although “Happy Birthday To You” is the most recognized song in the English language and its origins can be traced back to 1893, it remains under copyright protection in the United States until 2030. It can cost independent filmmakers $10,000 to clear the song for their films, and this is a major stumbling block hindering the creation of new works of art. The 1987 PBS Civil Rights documentary, Eyes on the Prize is but one notable example.
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While this has made for many inspiring creative alternatives in film and restaurant chains alike, it’s time to dethrone that old ditty and create a new national repository of alternate Birthday song compositions. All submissions will be licensed under a Creative Commons Attribution license so that they may be freely incorporated into new works of art as long as the artist and the Free Music Archive are properly attributed.
On Saturday, we toasted to 10 years of the Creative Commons licenses, which has enabled the sharing and reuse of roughly half a billion creative, educational, and scientific works.
Many others joined in to celebrate at events around the world, and are still celebrating through December 16 (the actual birthday of the CC license suite). You can see all of the pictures from these events at the CC10 Flickr pool.
With 350 people registered for the event, the celebration in San Francisco spanned three floors of the SF Planning and Urban Research Association downtown. Each floor featured different CC projects, including a video installation by the Global Lives project (consisting of ten videos – each following one person for 24 hours) and Dublab’s custom cc10 remix of CC licensed music and multimedia.
— dublab (@dublab) December 9, 2012
In addition, the food and drink was CC themed, starting with the CC cupcakes on the ground floor and ending with signature CC cocktails in the Remix Lounge on the top floor.
Longtime CC musician Colin Mutchler, one of CC’s original success stories, introduced Creative Commons co-founder Larry Lessig, who gave an unscripted speech expressing his appreciation for the past 10 years, followed by CC CEO Cathy Casserly who expressed excitement for the next ten. Cathy, Larry, and all other CC Board members were present for the festivities.
— Open Science Fedn (@openscience) December 9, 2012
Creative Commons continues to make a difference in all sectors of society. Please join in celebrating our 10th anniversary, and consider donating to help us celebrate many more years to come!Comments Off
Welcome to day 5 of CC10! Today, CC communities are celebrating in Stockholm and Haifa. And here on the Creative Commons blog, we’re discussing governmental and institutional adoption of CC licenses and public domain tools.
CC’s Timothy Vollmer acknowledges several achievements around the world in governmental CC adoption, and we revisit one of the biggest announcements of the year, Europeana’s decision to release its record data under the CC0 public domain waiver. Finally, browse the Open Data Handbook, the definitive legal and technological guide to open data from our friends at the Open Knowledge Foundation.Comments Off
Throughout the #cc10 celebrations, we’re highlighting different CC-enabled media platforms, to show the breadth and diversity of the CC world. Today, as we’re talking about governmental and institutional adoption of CC tools, it seemed appropriate to discuss Europeana, the massive digital library of European history and culture.
For people who get excited about open cultural data, one of the most exciting moments of 2012 came in September, when Europeana announced that it was releasing its metadata to the public domain under the CC0 waiver. This release of 20 million records represents one of the largest one-time dedications of cultural data to the public domain.
While the data was previously available through the Europeana website, dedicating it to the public domain multiplies its usability. From the press release:
This release, which is by far the largest one-time dedication of cultural data to the public domain using CC0 offers a new boost to the digital economy, providing electronic entrepreneurs with opportunities to create innovative apps and games for tablets and smartphones and to create new web services and portals.
Europeana’s move to CC0 is a step change in open data access. Releasing data from across the memory organisations of every EU country sets an important new international precedent, a decisive move away from the world of closed and controlled data.
On this 10th anniversary of CC, there’s much to celebrate: Creative Commons licenses and tools have been embraced by millions of photographers, musicians, videographers, bloggers, and others sharing countless numbers of creative works freely online. One area of growth in use of CC licenses and public domain tools is for government works. Government adoption of Creative Commons may prove to be one of the most significant movements looking into the future. Said well by David Bollier, “Governments are coming to realize that they are one of the primary stewards of intellectual property, and that the wide dissemination of their work—statistics, research, reports, legislation, judicial decisions—can stimulate economic innovation, scientiﬁc progress, education, and cultural development.” If governments around the world are going to unleash the power of hundreds of billions of dollars of publicly funded education, research and scientific resources, we need broad adoption of open policies aligned with the belief that the public should have access to the resources they paid for. At a fundamental level, “all publicly funded resources [should be] openly licensed resources.”
CC licenses and tools have been implemented by government entities and public sector bodies around the world. And over the last few years, there’s been an increasing focus in governments aligning to the principle that the public should have access to the materials that it pays for. These funding mandates, which require that grantees release content produced with grant funds under an open license, has been a increasingly commons way for governments to support openness. Legislation involving the open licensing of publicly funded educational materials has been passed in Brazil, Poland, the United States, and Canada. The UK has championed an open access policy for publicly funded research under the Creative Commons Attribution (CC BY) license. Governments in Australia and New Zealand have opted for comprehensive open licensing policies for all government-produced works, by default releasing public information and data under CC BY. The Dutch government has taken this one step further, opting to release government information directly into the public domain using the CC0 Public Domain Dedication.
In addition to governments, other publicly-minded institutions like philanthropic foundations and intergovermental organizations are supporting open licensing. Several foundations have already implemented or are considering requiring open licensing on the outputs of their grant funds, including the William and Flora Hewlett Foundation , the Open Society Foundations, and the Bill & Melinda Gates Foundation already require their grantees to release content they build with grant money under open licenses. And CC continues to explore how to evaluate current copyright policies within the foundation world and suggest how foundations (and their grantees) can benefit from open licensing for their grant funded materials. Intergovernmental organizations like the Commonwealth of Learning and the World Bank have adopted open licensing policies to share their publications too.
Open advocates – whether it be in support of open sharing of publicly funded educational materials, open access to scientific research articles, access to a huge trove of cultural heritage resources from libraries and museums, or open licensing for public sector information and government datasets – have been increasingly active over the last few years, particularly in working to educate policymakers about the importance and benefits of open licensing. These efforts include the development of declarations such as the Budapest Open Access Initiative, Cape Town and Paris Declarations on Open Educational Resources, the Washington Declaration on Intellectual Property and the Public Interest, the Panton Principles, and many others. Advocates have been key in communicating the need for governments to consider open licensing, whether it be for federal agencies, governing bodies like the European Commission, or through multilateral negotiations such as WIPO. And the grassroots open community has been extremely active in raising awareness of open licensing, whether it be through the tireless work of CC Affiliates, the broad network of open data activists from the Open Knowledge Foundation, legal experts championing Open Government Data Principles, and persons participating in events from Open Access Week to Open Education Week to Public Domain Day. All of these actions have rallied around the common theme that governments and public bodies should release content they create or fund under open licenses, for the benefit of all.
Since the beginning of Creative Commons, governments and public sector bodies have leveraged CC licenses and public domain tools to share their data, publicly funded research, educational and cultural content, and other digital materials. Governments are increasingly leveraging CC licenses as part of their strategy to proactively share resources, promote effective spending, and champion innovation. A massive amount of work is ahead, and with a committed community of advocates, interested governmental departments, and open minded policymakers, we can together work toward a close integration of open licensing inside the public sector. If we do so, governments can better support their populations with the information they need, increase the effectiveness of the public’s investment, and contribute to a true global commons.Comments Off
In celebration of the tenth anniversary of Creative Commons, our good friends at Dublab created an awesome #cc10 music mix. The continuous blend includes 22 tracks by esteemed artists like Bradford Cox, Lucky Dragons, Nite Jewel, Dntel, and Matthewdavid. The mix is available for free download and is available to the world under CC’s BY-NC license.
Creative Commons and Dublab have a long history of working together, and Dublab is behind a wide variety of amazing and inspiring CC-licensed music and visual art. Learn more by visiting Dublab’s website and reading about some of the projects Dublab and CC have collaborated on.
Below are the track listing and a SoundCloud widget for Dublab’s #cc10 mix. Download and share it!
 Carlos Niño & Miguel Atwood Ferguson – “8 Moons Blue”
 Nobukazu Takemura – (Unknown Title)
 Lucky Dragons – “13”
 Nite Jewel & Julia Holter – “What We See”
 Yoko K – “Into Infinity ‘Ear’ Loop #1″
 Golden Hits – “Pillowillow”
 Tujiko Go – “Into Infinity ‘Ear’ Loop #1″
 Yuk. & Teebs – “Estara”
 asonic garcia – “Endless Realm (Bun/Fumitake Tamura remix)”
 Dntel – “Guardian”
 Wake – “Duckbag”
 Javelin – “dublab decade jamz”
 DJ Lengua – “Waterbeat”
 Derrick Winston – “Jawhar”
 James Pants – “Tonight, By The Moonlight”
 Matthewdavid – “Jingle 3″
 Kentaro Iwaki – “Into Infinity ‘Ear’ Loop #5″
 Lucky Dragons – “Real Fire”
 High Places – (Unknown Title)
 Bradford Cox aka Atlas Sound – (Unknown Title)
 Feathers – “Eldritch”
 The Long Lost – “You Own Backyard”