contest

Engage 2012 Student Video Competition

Elliot Harmon, September 18th, 2012

If you work with K-12 students in the United States (or if you are one), then you’ll want to know about this video competition. Engage 2012 asks young people to create short videos about political issues impacting their communities. All entries will be uploaded to YouTube under CC BY, meaning lots of great fodder for future remixes.

From the website:

Every four years, American voters decide who calls the White House home. And the road to the election is full of questions. How does the next presidential election affect you, your family, and your neighborhood?

Answers to this question appear in newspapers, on television, and on the radio. But we want to know what the story is in your community. There’s just one question: Can you tell us in two minutes?

The Engage in Democracy 2012 Student Journalism Challenge is a competition for K-12 students from across the United States and its territories. Our goal is to involve you in the political process.

To participate, shoot a video under two minutes in length using stories from around your community with a focus on one of these six big election topics:

  • Voter Turnout
  • Jobs and the Economy
  • Education Reform
  • Health Care
  • Energy and the Environment
  • Immigration

The contest is open through November 5.

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IssueLab Launches Research Remix Video Contest

Jane Park, October 19th, 2009

IssueLab, “an open source archive of research produced by nonprofit organizations, university-based research centers, and foundations,” launches their Research Remix Video Contest this week. The contest “aims to engage working artists and digital media students with social issues while encouraging nonprofits to make their research more broadly available and usable through open licensing.” If you recall my interview with co-founder Lisa Brooks earlier this year, a good chunk of IssueLab’s research is licensed under one of the Creative Commons licenses. From the press release,

“Contestants will be asked to remix facts or data from one of over 300 openly licensed research
reports on IssueLab into a video or animation under three minutes in length. Winners will be selected
after the December 31, 2009 deadline, and nonprofits will be able to use all submitted videos freely to
support their causes.

The launch of “Research Remix” coincides with Open Access Week, an international movement that
pushes for broad and free access to research findings and publicly funded studies. IssueLab’s official
participation is marked by its continued commitment to bringing open access and licensing to the
social and policy research fields. “It is especially important that nonprofits consider openly licensing
their research and resources. By giving people the ability to re-use, remix, and share research on
social issues we can much better inform and engage public debate and public policy.”

We encourage you to remix and submit your videos by the year’s end, especially because all finalists receive a free CC t-shirt and buttons (not to mention first prize is a netbook). I’m also one of the judges, so I look forward to your submissions!

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Yoko Ono’s Plastic Ono Band Goes CC!

Fred Benenson, October 14th, 2009

YOPOB

Photo via yopob.com, All Rights Reserved

Yoko Ono wants you to remix her track “The Sun Is Down!” whose stems are released under a CC Attribution-NonCommercial license. You can download the sample pack which includes the track’s vocal effects, loops of bass, drums, sound effects, and Tenorion files.

But Yoko’s also running a contest to find the 10 best remixes. Here are the details:

Create your own remix of “The Sun Is Down!” by Yoko Ono Plastic Ono Band, using as many or few of the samples from the pack and any original audio you wish to add.

When you have finished your mix, make an MP3 copy that’s as high quality as possible, but still under 10MB in size.

Email the MP3 of your mix, along with its name and your name, address, email and phone number to remix@YOPOB.com before 12 December 2009.

The Top Ten mixes will be decided by Yoko Ono Plastic Ono Band.

The winners will receive special signed Yoko Ono Plastic Ono Band prizes and will be featured on this site over the Xmas and New Year period.

Head over to Yoko Ono’s Plastic Ono Band for the full contest details and to download the sample pack.

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Indaba Music Continues To Grow

Cameron Parkins, September 14th, 2009

indabaIndaba Music has had a busy summer.

July saw the launch of Session Console 2.0, an upgrade of Indaba’s digital music workstation that allows musicians to collaboratively record, edit, and mix tracks online. An improved engine built on Sun Microsystems’ JavaFX platform makes the tool more robust and streamlined. The relaunch was paired with a new library of CC-licensed audio loops and sounds that Indaba solicited from its community.

Not only has Indaba worked to improve the ease and power of its tools, but the company has also been hard at work producing compelling programs for its community to engage in. The previously mentioned remix contest with twin sister pop-rock act Carmen and Camille saw audio stems from the duo’s song “Shine 4U” available under a Creative Commons Attribution license. Similar remix contests from Rivers Cuomo of Weezer and The Crystal Method gave community members the ability to win some amazing musical gear, while a collaboration with Intrahealth OPEN found artists submitting music in an effort to help fund health care services for the developing world.

This is all while maintaining and supporting an active community of artists that are creating and collaborating on new music everyday. Check out our March 2008 interview conducted with Indaba co-founders Matthew Siegel and Daniel Zaccagnino for more information.

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Lessig’s REMIX Released Under CC License; Remix Contest Launched By Bloomsbury Academic

Cameron Parkins, May 1st, 2009

remix_cover_lLawrence Lessig‘s latest book Remix: Making Art and Commerce Thrive in the Hybrid Economy is getting the CC treatment from Bloomsbury Academic (CC coverage here and here). Starting today, the entire book is available for free download under a CC BY-NC license from Bloomsbury Academic’s website.

We are incredibly excited that a text devoted to the art and value of remixing is being released under a license that allows free and open sharing and reuse – it turns out we aren’t the only ones. To celebrate the launch, Bloomsburry is holding a contest titled Remix the Remixer:

To celebrate the Creative Commons release of Lawrence Lessig’s latest book, Remix, Bloomsbury Academic are hosting a competition you have the chance to win an original remixed item created by Cory Doctorow on the 1st of May (with a video of the event), £200 (about 300 USD) worth of Bloomsbury books and a copy of Remix signed by Lessig himself.

The competition is called Remix the Remixer. Just remix any of Lawrence Lessig’s existing work and create something that is new, unique and creative.

Here’s how it works: Find any video, interview, or written work of Lessig’s, mash it up with another piece of Lessig’s work and create something new. It can be a video (3 min max), photo (nothing offensive, please) or text.

Be sure to upload your remixes between now (May 1) and May 31 to be considered for the prize drawings.

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Logo contest for Open Education News blog

Jane Park, April 30th, 2009

The title says it all. From Open Education News:

“In this contest, your task is to design a logo and banner picture for Open Education News.

The blog authors have different backgrounds but something great in common: the passionate belief that Open Educational Resources are a great way to produce quality educational materials that are far more accessible and flexible than traditional, commercial materials.

Open Education News provides readers with a daily dose of the most relevant open education and open educational resources news from around the world.”

The prize for the winning logo are t-shirts from CC’s much coveted schwag collection and the Cape Town Open Education Declaration. So if you are suddenly hit with inspiration during your lunch break tomorrow, read the contest rules and submit a logo by May 31!

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Week Left in Pooling Ideas Competition!

Michelle Thorne, March 15th, 2009

Pooling Ideas

There’s about a week left to enter CC Australia’s Pooling Ideas competition before it closes on March 23. They’re giving away cool prizes, including an internship with ABC Radio National to co-produce The Night Air and mountains of CC gear.

Contestants are invited to creatively interpret the theme We are what we share, and upload their creation to Pool. It’s free, and there are no time limits or format requirements. Just tag your work we are what we share when you upload.

You can already check out the first few entries: a poem, a story and a picture (with some great accompanying text). So what are you waiting for? Grab your camera, pen, computer and get creative!

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Funny or Die and Zhura Team Up for Copyleft Screenwriting

Fred Benenson, January 12th, 2009

The aptly named Funny or Die comedy community has launched a competition with the free on-line screen writing software site Zhura. All contributions must be licensed under our copyleft license, Attribution-ShareAlike (BY-SA) so that Funny or Die’s producers can create the shows freely. Consequently, Funny or Die episodes based on submissions to the competition will be reciprocally licensed under BY-SA as well:

Q. What if I don’t want anyone to touch my script?
A. In order to be considered by the head writers for production, your script MUST carry the BY-SA Creative Commons License. This does two things: It lets Funny Or Die UK produce your sketch and it allows Zhura members (and Funny or Die UK head writers) edit your script as necessary to make it better (sorry).

If you’ve been itching to show the web how funny you are, now’s your chance. Read more about the competition over at Zhura’s site.

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Second Ubuntu Free Culture Showcase

Greg Grossmeier, November 26th, 2008

After the great success of the first Ubuntu FreeCulture Showcase just 4 months ago the great people at Ubuntu have opened up the door for submissions for the latest Showcase. The Ubuntu Free Culture Showcase is a way to show off the high-quality creativeness of the Free/Open Source community.

The winners of the competition are given more than just bragging rights as well. As Jono Bacon, Community Manager for Ubuntu, has put it in his announcement, “with each development cycle we present the opportunity for any Free Culture artist to put their work in front of millions of Ubuntu users around the world.” That is millions of new eyeballs and ears to experience your creative work. The deadline for submissions is February 6th, 2009 so get to work on your submission now!

Also, this time around the competition is not limited to only music and video as they have added the Image category to the mix. The image can be any type of photography or computer generated still art.

All submissions for the Showcase will be licensed under a Creative Commons Attribution-ShareAlike license. The choice of license shows Ubuntu’s commitment to the ethos of Free Software and Free Culture. The Attribution-ShareAlike license is Approved for Free Cultural Work license and also the same license that Wikipedia is considering transitioning to in the future. This is a really great choice on behalf of Ubuntu to use the BY-SA license and help build the commons of free as in freedom material.

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State Shirt Call for Remixes/Samples and Shannon Plays Live

Victor Stone, November 24th, 2008

Over a year and a half ago the ccMixter community decided to stop having formal remix contests in part because in a CC context, the traditional format seemed outdated. In a typical remix contest an artist would post the stems to one song, retaining all the rights to the samples as well as the remixes produced by the entrants. After the contest deadline, the samples are typically taken off the web site in order to take them out of official circulation.

By contrast, on ccMixter, we’ve turned to a ‘call for remixes’ model where we get the artist to put the stems for an entire album into the Commons and keep it there. Therefore the concept of a ‘deadline’ seems mute. The best part is that the rights to the remixes are retained by the artist. This has proven to be much more amenable to the community and it has responded with 1,000s of remixes to calls by DJ Vadim, Bucky Jonson, Trifonic,Calendar Girl, Brad Sucks and Shannon Hurley.

Shannon exemplifies the new hybrid sharing+business model because when we she was ready to put together an album of remixes she licensed, for a fee, the remixes from the producers for the album “Second Light: The Ready to Wake Up Remixes” (AMIE Street, CD Baby and iTunes).

She will be performing the remixes with Ben Eisen on bass, Sam Cunningham on drums, and “my apple notebook” in Los Angeles on December 10th. This gig will be quite the party as ccMixter producer DJ Doughy will be flying from Kansas City, Mo. and I’ll be making a special trip to LA for this event as well. (There is a $12 charge at the door.)

Shannon Hurley Remix Album Release Party
Wed. Dec. 10th
8pm sharp, all ages
Genghis Cohen (map)
740 N. Fairfax Ave.
Los Angeles, CA 90046
$12 admission

Our latest call has special significance because we’ve been trying to get indie star State Shirt for a while and he’s come through in a big way. Not only did he put his entire “This is Old” album, stems, a cappellas and all, into the Commons but his plan is to use the remixes themselves as source material for a new album of original music. State is a master songwriter who writes and performs in an “energetic and ridiculously catchy” way according to DoKashiteru who should know: his DnB smasher remix was an Editor Pick minutes after upload.

The State Shirt call is: “Remix Me So I Can Remix You

He says: “Creative Commons is the perfect antidote for a collapsing landscape still clinging to traditional copyright. I hope more artists discover that freedom, flexibility, collaboration and community are now an option. I also hope that my fellow ccMixters would want to get involved with me, in both the creation and re-creation of music.”

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