Creative Commons awarded $450,000 from the Arcadia Fund to support open access publishing for authors
Creative Commons is pleased to announce a grant award in the amount of $450,000 over 3 years from the Arcadia Fund, the charitable fund of Lisbet Rausing and Peter Baldwin. Since its inception in 2001, Arcadia has awarded grants in excess of $331 million. Arcadia works to protect endangered culture and nature. Creative Commons will use funds from Arcadia to develop tools that complement the current CC license suite and empower authors to retain or regain their right to publish so they can make their scholarly and academic works available for public use.
Building on the success of the current CC licenses — now with nearly 1 billion licenses in use across over 9 million websites — Creative Commons is enthusiastic about developing tools that can be used by authors who “write to be read” but face all too common barriers to making their research openly available. These resources will be developed for global use, taking into account country-specific copyright laws, customs, and language. Once in widespread use, these tools are expected to increase the number of articles and publications that are available for broad public use.
To accomplish this ambitious goal, Creative Commons will work with CC’s international network of over 100 affiliates working in over 80 regions around the world. This core group will next convene at the 2015 Creative Commons Global Summit on October 14-17 in Seoul, South Korea. A dedicated summit session will be held to discuss the best approach to formulating tools and materials that enable authors to retain and regain their rights, while also addressing the needs of publishers. Collaborators on this project include Authors Alliance, Free Culture Trust, and SPARC, all of whom are dedicated to supporting authors, institutions, and the public in promoting access to research and scholarly work. Importantly, this group also includes academic publishers who support or have interest in promoting open access principles.
Creative Commons is grateful to the Arcadia Fund for its essential support of our work. We look forward to sharing our progress and success with all of you!
About Creative Commons and our collaborators
Creative Commons enables the sharing and use of creativity and knowledge through free legal tools to help realize the full potential of the Internet—universal access to research and education, and full participation in culture.
Authors Alliance is a membership-driven non-profit organization that supports and advocates for authors who write to be read.
Free Culture Trust is dedicated to helping authors and artists make their works widely available by removing bureaucratic and structural barriers to sharing.
SPARC is an international alliance of organizations dedicated to creating a more open system for sharing research and scholarship.Comments Off on Creative Commons awarded $450,000 from the Arcadia Fund to support open access publishing for authors
One year ago, CC announced the Affiliate Project Grants to support and expand CC’s global network of dedicated experts. With a little help from Google, we were able to increase the capacity of CC’s Affiliates to undertake projects around the world benefiting a more free, open, and innovative internet.
We received over 70 applicants, and we were able to fund 18 to tackle important work in their country – work like using music to break down physical barriers and give Palestinians a voice, gathering leaders in Tanzania to discuss how sharing information can help prevent diabetes, and helping Romanian librarians provide quality educational materials to all.
Watching these projects unfold over the last several months has been reaffirming for everyone at CC. The Affiliates are central to CC’s work, without whom we would simply not be closer to our goal of a more open internet.
Click here to find out the full details of the different grants, and read on to see what our 18 teams had to say on the results they achieved, motivations for their projects, the work still to be done, and lessons learned.
“We are pleased that we were able to impact the way the people who shared their stories with us think about the concept of sharing stories. Some people when they were asked before to share their suffering and their personal stories on video were not totally sure they wanted to do it, but after seeing the output of their stories reflected on by poets and artists from all over the world, we think we were able to provide them a platform to express themselves and feel part of a greater community that is sharing the same hopes and fears.
[We want to expand] the project concept to other marginalized communities around the world.”
-Bashar Lubbad, Palestine, “Hope Spoken/Broken: Change in the Eyes of Palestinian Refugees”
“The result was publication of a guide on free culture movements in Arabic and a website where it can be downloaded freely in e-book format: www.freecultureguide.net. We target artists, journalists, bloggers and other content creators and the general public who is unfamiliar to the free culture movement and concepts, as this is the first book of its kind in Arabic about this topic.”
-Ahmed Mansour, CC Morocco, “Creative BookSprint“
“Lack of consumer level tools is still seen as a major obstacle in CC adoption. WpLicense is now a tool that can be applied to millions of blogs.”
-Tarmo Toikkanen, CC Finland, “WordPress License Revived”
“More concretely, participants learnt how to: adapt traditional services to a non-traditional model; locate learning objects that can be reused under CC licence; investigate and use alternative publishing platforms; and apply project management processes to a hack project.”
-Matt McGregor, CC New Zealand, “Media Text Hack“
“Museums and other memory institutions in Taiwan often have their collections digitized.
A major part of the digitized works shall be in the public domain. However, many of these institutions often keep these works in the equivalents of digital safes, and there are no easy ways to access and reuse them. Together with Netivism Ltd. (a social enterprise based in Taipei) CC Taiwan engaged with memory institutions and independent collectors in Taiwan about the tools and practices for public domain repositories.
Exemplary public domain repositories are being setup using MediaGoblin (a free software package for hosting media collections) with new extensions developed for and supported by this project grant.”
-Tyng-Ruey Chuang, CC Taiwan, “Practices and Depositories for the Public Domain”
“As a result of the interaction, the students were able to experience the Open culture which has caused a boom in the Kenyan tech scene. They identified industries that were etched on the sole foundation of Open tools in Kenya and were able to understand more experientially than before, the importance of such ideals.”
-Simeon Oriko, CC Kenya, “School of Open Kenya Initiative“
“Obami, a platform for resource exchange for elementary school students, has seen a number of copyright violations. Instead of policing kids’ actions, the Creative Commons for Kids program will teach kids how to open and share their creative and educational works legally through the use of CC licenses […] introducing Creative Commons to the next generation of Africa.”
-Kelsey Wiens, CC South Africa, “Creative Commons For Kids”
“Despite all the work we have done, CC is still an unknown concept to most people in the Arab region. We live in a copy/paste region where it will take a lot of hard work for people to understand the concepts of attribution. After a series of CC presentations in local schools (ages 12 to 18), we found that CC awareness is almost non-existent. On the other hand, our videos at wezank.com have been very popular online and we believe that using this asset to spread CC’s mission & vision would be highly effective across the region. [… This project] is about creating content in Arabic for the CC community, and at any stage, anyone wishing to present CC in Arabic will be able to use those videos.”
–Maya Zankoul, CC Lebanon, “CC Simply Explained in Arabic“
“[Information is power]… In Africa, this rich geography of information doesn’t yet exist. And not because there isn’t the richness of knowledge, history or place, but, for a number of reasons, because there is little culture of contribution to the Internet.”
-Kelsey Wiens, Cross Regional Africa, “Activate Africa”
“If the government [in Japan] adopts CC BY or CC zero, data released under these terms will bring scalable impact on the public in a sense that it will help reuse of government data with minimum restrictions. The workshop materials are open to the public, and some of the attendees will learn to teach others, which give the project some ripple effects beyond its immediate outcomes.”
-Tomoaki Watanabe, CC Japan, “Workshops and Symposium for Open Data in Japan”
“In the Arab world there were several personalities who have a positive influence in the history of their country, in different areas. That’s why I wish to publish with the help of the Arab community, an Arabic book under CC license, which tells us their lives, stories, and their influence on their own countries.”
-Faiza Souici, CC Algeria, “Arabic Icons”
“In Colombia, libraries and librarians have become one of the important civil society groups that are collectively seeking information, understanding and participating in public spaces trying to redefine copyright as a tool for access to knowledge and not just as a source of income for some people. […] The material in this course will be open as a self-guided course that can be tapped on demand — individually, at a user-preferred time and date. Moreover, the course can be harnessed as a group, from a collective or specific institution, to be facilitated according to the possibilities and conditions of a given community.”
–Maritza Sanchez, CC Colombia / El Salvador / Uruguay, “An Online Course on Basic Copyright for Latinamerican Librarians”
Work on the Horizon
“Latin Americans are creating and freely making available high quality and innovative music independently from big companies. But it is necessary to work better on both musicians understanding their rights and the power of sharing.”
-Renata Avila, CC Guatemala, “Promoting Free Music in Central and South America”
“While Chile has encouraged the creation of open access journals nationwide, researchers with high rates of publication and citation do not see them as a real possibility when publishing. Any policy to promote the creation of journals in Chile should consider factors that give them an edge in the scientific circuit and thus becoming a real possibility by leading Chilean scientists.”
-Francisco Vera, CC Chile, “Promotion of Open Knowledge in the Chilean Academia: Ways to Facilitate Adoption of Creative Commons in the Academic World“
“The conclusion of this project is that there are only building blocks for Open Educational Resources (OER) in Romania since at the moment there is not a clear OER practice – only grassroots initiatives or projects with huge potential of becoming OER. Most of the projects we discovered in essence share the same philosophy behind OER, but they nevertheless omit to attribute a license for the created resources. In conclusion, more awareness and training activities are needed in order to reach a level of maturity regarding OER and their use.”
-Bogdan Manolea, CC Romania, “OER Awareness Activities for Librarians and Academics in Romania“
CC Romania / CC BY
“Because many pupils and students cannot access hard copy textbooks which are discouragingly expensive, the importance of Creative Commons licenses in closing the literacy gaps which have been brought about by income inequality cannot be overstated.”
-Moses Mulumba, CC Uganda, “Promoting Creative Commons Initiatives in Uganda“
“The lessons that I learnt and which I can share is that grants from CC headquarters however, small [has great] potential impact to CC Affiliates as it acts as catalysts to the Affiliates to keep things going and mobilizing other funds locally.”
-Paul Kihwelo, CC Tanzania, “Tanzania Creative Commons Salon“
“We learnt that there is a high level of interest in Creative Commons in Ireland, and a need to continuously engage with people who are interested in Creative Commons.”
-Darius Whelan, CC Ireland, “Awareness-raising Event in Dublin, January 2014”
WindTech TV, a collection of wind turbine technician training materials and simulation modules, is now available under a CC BY license. Developed as part of a National Science Foundation (NSF) Advanced Technological Education project, WindTech TV’s modules are aligned with industry standards and designed to be integrated into two-year college wind technology programs to sustain workforce development in the field of wind power.
Modules are currently being used by community colleges across the United States, and Principal Investigator Phil Pilcher wants to expand that impact through reuse by other grantees, including those part of the U.S. Department of Labor’s $2 billion Trade Adjustment Assistance Community College & Career Training (TAACCCT) grant program.
“WindTechTV has always been free, but we think that the CC BY license will increase usage. One of our project goals is to disseminate the materials nationwide. The CC license lets instructors and administrators know that they can use our videos as they wish when they are developing and delivering courses. Also, TAACCCT grantees who are working on alternative energy courses will now be able to reuse our video content, which should speed up development.”
RelatedComments Off on NSF grantee opens up wind technology training materials for fellow grantees
Creative Commons is pleased to announce we have been awarded a grant from The Bill & Melinda Gates Foundation to provide support to successful applicants of the Trade Adjustment Assistance Community College and Career Training (TAACCCT) grant program with our partnering organizations Carnegie Mellon Open Learning Initiative, CAST, and the Washington State Board for Community and Technical Colleges.
The free of charge technical assistance services will offer a competitive advantage for organizations seeking TAACCCT grant funds and ensure that the open educational resources created with these federal funds are of the highest quality. The partnering organizations will provide the following areas of expertise: open licensing, learning and course design, professional development, and adoption and use. TAACCCT applicants interested in these free services should include boilerplate language in their proposal. This suggested language, as well as a high-level description of services, can be viewed at our TAACCCT information page.
Creative Commons is excited to participate in this groundbreaking effort and grateful to The Bill & Melinda Gates Foundation for its generous support in facilitating open learning.1 Comment »
As students around the world return to school, ccLearn blogs about the evolving education landscape, ongoing projects to improve educational resources, education technology, and the future of education. Browse the “Back to School” tag for more posts in this series.
One aspect of open courseware* is its draw for potential students who are deciding where to spend their parents’ or their own hard-earned dollars in obtaining a higher education. The fact is unsurprising, as we saw in 2007, with MIT OCW reporting that “One in four current MIT students who knew of OCW prior to choosing MIT [indicated] the site was a significant influence on their school choice.”
However, beyond free advertising for its school, certain open courseware programs have begun to evolve past the open licensing status of their courses. As the global learning commons of OCW is growing, so are the local learning contexts of open courseware, as more colleges realize the benefit of working with high schools in their areas to prepare, and perhaps to propel, their youth into higher education.
Last month, the University of Massachusetts Boston was awarded a $60,000 grant by the Boston Foundation, with the specific aim of better preparing Boston public high school students for college level courses. The grant will fund workshops for teachers, training them on how to use open courseware to educate their students at gradually accelerated levels. Similar to MIT OCW’s Highlights for High School initiative, these workshops promote high school teacher and student use of open educational resources.
However, I imagine it also going one step further. In providing training for teachers on the use of open educational resources (OER), teachers will not be simply accessing OCW resources on the web. They will learn how to use OER according to its license status, and realize that the commons of open educational resources is vast and global, open to be adapted, derived, and remixed with other OER on the Internet. The Boston grant would enable teachers to see open courseware as part of a larger world of open materials and communities, rather than as simply an institution.
We hope that many other universities and colleges offering OCW will follow this same trend, localizing their university’s offerings at the same time that they are globalizing them via CC licenses. Especially, initiatives like Academic Earth, a site that pools a number of OCW in high definition video, could really run with this idea of contextualization for teachers and students, educating them on the new communities that are opened to them via something as simple as the licensing status of a resource.
*Traditionally, open courseware are university or college courses that are freely accessible online, usually via an open license (the most commonly used license for OCW is CC BY-NC-SA), consisting of lectures and other multimedia, core content, supplemental materials, or tools to aid learning. Nowadays, open courseware sans an open license that allows derivatives, though free, are not considered open, as the ability to adapt the work to global and local contexts via translations and cultural references has become integral to the spirit of OCW.
A summary in Spanish:
De regreso al colegio: Open Courseware como una transición a la educación superior. http://creativecommons.org/weblog/entry/17411
En esta entrada Park indica como en este momento los Open Courseware (repositorios de cursos virtuales que se publican para acceso abierto en Internet, como el famoso MIT OCW http://ocw.mit.edu/) han provocado un interesante efecto de publicidad para las universidades americanas que hoy reconocen como cada vez más de los nuevos estudiantes consideran que conocer el material docente de la universidad en la que esperan estudiar ha influido en su toma de decisión y cómo este efecto ha hecho que las universidades americanas estén creando un puente entre la educación superior y media a través de los cursos en estos repositorios abiertos.
Park señala que los cursos se han convertido en material para los docentes de educación media que les permiten más y mejores recursos para preparar los estudiantes para su experiencia universitaria. Sin embargo, Park hace un llamado a la necesidad de llamar la atención y preparar a los docentes para ir más allá de la simple reutilización pasiva de materiales de los cursos y pasen a ser actores de la recreación de estos materiales localizándolos y ajustándolos a sus circunstancias particulares.
Park espera que donaciones como la de la Fundación Boston a la Universidad de Massachussets, que tiene como finalidad preparar a los graduados de la escuela para enfrentar los cursos de educación superior, sirvan de promotor para contextualizar a los docentes y estudiantes en las nuevas comunidades abiertas a ellos a través de herramientas tan sencillas como la licencia que se asocia con un recurso, de modo que puedan ver estos cursos como iniciativas de comunidades abiertas globales más allá de la institución que los hospeda.
La ruta que presenta Park puede servir de inspiración para nuestros países y sus iniciativas nacionales como inspiración para los actores del sector.Comments Off on Back to School: Open Courseware as a transition to college