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	<title>Creative Commons &#187; PBS</title>
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	<description>Share, reuse, and remix — legally.</description>
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		<title>Copyright Criminals: PBS Documentary on&#160;Sampling</title>
		<link>http://creativecommons.org/weblog/entry/20204</link>
		<comments>http://creativecommons.org/weblog/entry/20204#comments</comments>
		<pubDate>Fri, 15 Jan 2010 22:51:25 +0000</pubDate>
		<dc:creator>Cameron Parkins</dc:creator>
				<category><![CDATA[Weblog]]></category>
		<category><![CDATA[Copyright Criminals]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[sampling]]></category>

		<guid isPermaLink="false">http://creativecommons.org/?p=20204</guid>
		<description><![CDATA[Copyright Criminals is a new documentary on the rise of sampling, specifically in hip-hop music, and the cultural and legal effects it has caused. From the Copyright Criminals website: Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary [...]]]></description>
				<content:encoded><![CDATA[<p><img src="http://creativecommons.org/wp-content/uploads/2010/01/cc_header_logo.png" alt="" title="cc_header_logo" width="240" style="float:right;padding-left:10px" /><em><a href="http://www.copyrightcriminals.com/">Copyright Criminals</a></em> is a new documentary on the rise of sampling, specifically in hip-hop music, and the cultural and legal effects it has caused. From the <em>Copyright Criminals</em> <a href="http://www.copyrightcriminals.com/about">website</a>:</p>
<blockquote><p>Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money.</p>
<p>This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.”The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.</p></blockquote>
<p>The film will be broadcast publicly on PBS this Tuesday night, January 19th so be sure to <a href="http://www.pbs.org/independentlens/broadcast.html">check your local listings</a> for time. You can get a taste of what is in store by watching the film&#8217;s <a href="http://www.copyrightcriminals.com/trailer">trailer</a> and starting January 26th you will be able <a href="http://www.copyrightcriminals.com/purchase">purchase</a> the film on DVD.</p>
<p>In conjunction with the film&#8217;s development a contest was held at ccMixter challenging community members to sample select voice-overs from the film to create an original track. Winner Dermes&#8217; track <em><a href="http://ccmixter.org/copyrightcriminals/files/Dermes/4186">Sounds that Sound good</a></em> is featured on the <em>Copyright Criminals</em> DVD as well as a compilation CD featuring the other <a href="http://ccmixter.org/copyrightcriminals/view/contest/winners">12 top entries</a>. All of the tracks are available for free at ccMixter under a <a href="http://creativecommons.org/licenses/by-nc-nd/3.0/">CC Attribution-NonCommercial license</a>.</p>
<p>Lastly, for those in New York City, <a href="http://www.facebook.com/event.php?eid=273613634879">a party</a> is being held this Tuesday (1/19) at <a href="http://www.brooklynbowl.com/">The Brooklyn Bowl</a> to celebrate the film&#8217;s premiere and DVD release. The night will feature appearances by <a href="http://en.wikipedia.org/wiki/El-P">EL-P</a>, <a href="http://www.eclecticmethod.net/">Eclectic Method</a>, <a href="http://en.wikipedia.org/wiki/Mr._Len">Mr. Len</a> and <a href="http://djspooky.com/">DJ Spooky</a> &#8211; doors open at 8PM to be followed by the PBS Broadcast Premiere at 10PM.</p>
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		<title>Raw Footage from NOVA&#8217;s &#8220;Car of the Future&#8221; Open for Sharing and&#160;Remix</title>
		<link>http://creativecommons.org/weblog/entry/8233</link>
		<comments>http://creativecommons.org/weblog/entry/8233#comments</comments>
		<pubDate>Wed, 23 Apr 2008 22:10:15 +0000</pubDate>
		<dc:creator>Jane Park</dc:creator>
				<category><![CDATA[ccLearn]]></category>
		<category><![CDATA[Weblog]]></category>
		<category><![CDATA[NOVA]]></category>
		<category><![CDATA[open video]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[raw footage]]></category>
		<category><![CDATA[Video]]></category>

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		<description><![CDATA[In the winter of 2006, NOVA embarked on an &#8220;open production&#8221; experiment, asking viewers to contribute by reading and commenting on a preview of their show&#8217;s script&#8212;the (then) in-progress documentary, &#8220;Car of the Future.&#8221; The show&#8217;s producers liked the results, and according to the Wired Blog Network&#8217;s Underwire, NOVA decided to return the favor by [...]]]></description>
				<content:encoded><![CDATA[<p>In the winter of 2006, NOVA embarked on an &#8220;<a title="http://www.pbs.org/wgbh/nova/car/production/" href="http://www.pbs.org/wgbh/nova/car/production/" target="_blank">open production</a>&#8221; experiment, asking viewers to contribute by reading and commenting on a preview of their show&#8217;s script&#8212;the (then) in-progress documentary, &#8220;<a title="http://www.pbs.org/wgbh/nova/car/" href="http://www.pbs.org/wgbh/nova/car/" target="_blank">Car of the Future</a>.&#8221; The show&#8217;s producers liked the results, and according to the Wired Blog Network&#8217;s <em><a title="http://blog.wired.com/underwire/2008/04/when-tonights-n.html" href="http://blog.wired.com/underwire/2008/04/when-tonights-n.html" target="_blank">Underwire</a></em>, NOVA decided to return the favor by &#8220;[giving] the material back.&#8221; </p>
<p>For the first time ever, PBS and NOVA have released 240 clips of <a title="http://www.pbs.org/wgbh/nova/car/open/" href="http://www.pbs.org/wgbh/nova/car/open/" target="_blank">raw footage</a> from the making of the &#8220;Car of the Future&#8221; documentary online. The videos, which include full-length interviews with world-renowned scientists and engineers (in addition to various footage of the high-tech vehicles themselves), is free for viewing, sharing, and remixing under the Creative Commons Attribution-Noncommercial License (<a title="http://creativecommons.org/licenses/by-nc/3.0/" href="http://creativecommons.org/licenses/by-nc/3.0/" target="_blank">CC BY-NC</a>). NOVA <a title="http://www.pbs.org/wgbh/nova/car/open/rules.html" href="http://www.pbs.org/wgbh/nova/car/open/rules.html" target="_blank">encourages</a> you to take this footage and &#8220;create your own video or multimedia project about tomorrow&#8217;s cars, environmental issues, or other related topics you care about.&#8221; They also ask you to send them back your finished product if you want, so that they can <a title="http://www.pbs.org/wgbh/nova/car/open/share.html" href="http://www.pbs.org/wgbh/nova/car/open/share.html" target="_blank">feature</a> the best videos on their site.</p>
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