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	<title>Creative Commons &#187; TheFutureBuzz</title>
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	<link>http://creativecommons.org</link>
	<description>Share, reuse, and remix — legally.</description>
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		<title>Adam Singer on CC licenses and Music&#160;Promotion</title>
		<link>http://creativecommons.org/weblog/entry/12389</link>
		<comments>http://creativecommons.org/weblog/entry/12389#comments</comments>
		<pubDate>Fri, 23 Jan 2009 20:25:45 +0000</pubDate>
		<dc:creator>Cameron Parkins</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Weblog]]></category>
		<category><![CDATA[Adam Singer]]></category>
		<category><![CDATA[CC BY-NC]]></category>
		<category><![CDATA[TheFutureBuzz]]></category>
		<category><![CDATA[Tim O'Reilly]]></category>

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		<description><![CDATA[Adam Singer is a musician and &#8220;social media guru&#8221; who used his expertise in both fields to find a more harmonious means of online promotion. As a relatively &#8220;unknown artist&#8221;, Singer saw little return on efforts to profit from his works as CDs and digital downloads, selling only a few copies with &#8220;mixed results&#8221;. It [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.myspace.com/adamgsinger">Adam Singer</a> is a musician and &#8220;<a href="http://techdirt.com/articles/20090114/0645323402.shtml">social media guru</a>&#8221; who used his expertise in both fields to find a more harmonious means of online promotion. As a relatively &#8220;unknown artist&#8221;, Singer saw little return on efforts to profit from his works as CDs and digital downloads, selling only a few copies with &#8220;mixed results&#8221;. It was at this point that Singer chose to release his music under a <a href="http://creativecommons.org/licenses/by-nc/3.0/us/">CC BY-NC license</a>.</p>
<p>The choice was not motivated from a promotional standpoint &#8211; Singer turned to CC licensing after the &#8220;realization [he] would rather have [his] music reach more ears as the money [he] was making was worth far less than the joy of being able to share it with others&#8221; &#8211; but it spurred unintended promotional results. A recent post on <a href="http://thefuturebuzz.com/2009/01/14/creative-commons-license-ultimate-music-promotion-tool/">TheFutureBuzz</a> outlines the results of Singer&#8217;s choice &#8211; soon, he found his music appearing on <a href="http://www.louisgray.com/live/2009/01/early-adoption-can-stem-to-music-as.html">music</a> <a href="http://www.filter27.com/archives/2008/09/linkage-september-15-2008.php">blogs</a>, had <a href="http://twitter.com/lonelypond/statuses/1111837558">people</a> on Twitter soliciting him for original music for video, had his music featured on online web radio shows, saw a fan remix video <a href="http://www.youtube.com/watch?v=-9F3gglhblE">pop-up on YouTube</a>, and saw traffic to his MySpace page increase dramatically.</p>
<p>It is obvious to those who listen that Singer&#8217;s music is of high-quality, but by encouraging the free sharing and reuse of this music he was able to reach a far greater audience than he had previously. The story, heard many times before in a variety of incarnations, brings about echoes of <a href="http://www.openp2p.com/lpt/a/3015">Tim O&#8217;Reilly</a>:</p>
<blockquote><p>Obscurity is a far greater threat to authors and creative artists than piracy.</p></blockquote>
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