This Monday, we began a guest curation series at our Free Music Archive portal. Rather than attempt to distill the vast landscape of CC-licensed music on our own, we thought it better to reach out to those on the ground working to support and expose these type of artists in their given communities. What better way to start then with a selection of tracks from ccMixter admin/developer/mentor Victor Stone:
For all the activism in the Open Music movement, nothing pushes the ball forward like brilliant, evocative music. While there is plenty of underground music of all sub-genres at ccMixter, there is also a growing collection of mainstream, above-ground producers who understand the value of sharing as a means of boosting their own creativity along with their exposure.
You can listen and download Victor’s full playlist at the FMA and ccMixter – titled Above Ground Collection, it is brimming with excellent music from producers with “an ear for the popular without sacrificing artistry.”1 Comment »
Free Culture, Free Software, and Free Content will again join forces under the banner of “Free Society” at FSCONS 2009 in Gothenburg, Sweden, 13-15th November. The organizers, Creative Commons Sweden, Free Software Foundation Europe, and Wikimedia Sverige, have just announced the conference’s Call for Participation.
Last year’s conference featured a host of workshops and speakers, including CC’s Mike Linksvayer on “How far is free culture behind free software?” and Victor Stone on ccMixter‘s solution to online attribution via Sample Pool API.
We’re looking forward to what this year’s FSCONS has in store. Submissions close on June 21, so send in your proposal soon!No Comments »
Digital Tipping Point, a documentary on the free software and free culture movements, recently posted over 80 digitized hours (350 hours have been shot in total) of CC BY-SA licensed footage of “leading politicians, CEOs, and software developers from all over the world.” The footage is available for free at their archive.org page:
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The DTP crew describes their project as a Point-of-View (POV) documentary film about the rapidly growing global shift to open source software, and the effects that massive wave of technological change will have on literacy, art, and culture around the world.
The DTP crew says their project will be the first feature length documentary about free open source software to be built in an open source fashion out of video submitted to the Internet Archive.
The DTP crew invites you to take their video and rip, mix and burn it however you like, for whatever purpose you like. You can even use the footage for your own commercial film, as long as you release your final product under a Creative Commons Attribute-ShareAlike license.
Free Culture, Free Software, and Free Content will join forces under the banner of “Free Society” at FSCONS on October 24-26 at the IT University of Götheborg, Sweden. The orgnaizing trinity, Creative Commons Sweden, Free Software Foundation Europe, and Wikimedia Sverige, see FSCONS as a chance to reach out with their respective communities and build joint projects with like-minded activists and organizations.
A strong speakers lineup provides the rhetorical food-for-thought in the Free Culture track. Mike Linksvayer (Creative Commons) asks, “How far is free culture behind free software?” as he charts key indicators and historical factors in the progress of each. Eva Hemmungs Wirten argues that the digital commons extends back to nineteenth-century London, while Oscar Swartz keynotes the events with the warning that Sweden’s controversial “Lex Orwell” may usher in “The End of Free Communication”.
Nikolaj Hald Nielsen spotlights Amarok 2, the intuitive music player for Linux and Unix, demonstrating a viable intersection of Free Culture and Free Software. Meanwhile, other landscapes are being analyzed by Inga Walling (Open Street Map), who recounts the project’s efforts to create and provide free geographic data.
John Buckman (Magnatune) riffs on “Squeezing the Evil out of the Music Industry” by using CC licensing to rethink record labels. And since online attribution persists as a thorny issues for many music content sites, Victor Stone (ccMixter) reports on how some platforms are solving the problem with the Sample Pool API.
The blend of timely topics and kindred communities makes FSCONS an exciting event to follow this autumn. Thanks a lot to the organizing teams for their efforts — we’re looking forward to this!No Comments »