Digital Tipping Point, a documentary on the free software and free culture movements, recently posted over 80 digitized hours (350 hours have been shot in total) of CC BY-SA licensed footage of “leading politicians, CEOs, and software developers from all over the world.” The footage is available for free at their archive.org page:
The DTP crew describes their project as a Point-of-View (POV) documentary film about the rapidly growing global shift to open source software, and the effects that massive wave of technological change will have on literacy, art, and culture around the world.
The DTP crew says their project will be the first feature length documentary about free open source software to be built in an open source fashion out of video submitted to the Internet Archive.
The DTP crew invites you to take their video and rip, mix and burn it however you like, for whatever purpose you like. You can even use the footage for your own commercial film, as long as you release your final product under a Creative Commons Attribute-ShareAlike license.
We just received some tremendously exciting news. Democracy Now! – the daily news program broadcast by hundreds of radio and television stations around the world (it’s also the source of a very popular podcast) – is now being offered under a Creative Commons BY-NC-ND license. This includes not only new episodes, but also those in the show’s archive, dating back to the program’s beginnings in 1996. The show, hosted by journalists Amy Goodman and Juan Gonzalez, and originally created by Pacifica Radio (which has continued to provide critical support for the program since it became an independent production), is funded by listeners, viewers, and foundations who believe in independent media – an approach to doing things that we here at CC wholeheartedly respect (visit our fundraising drive for more on this). Democracy Now! was founded to report on issues and stories that the producers believe are underreported by mainstream news outlets. The program’s new usage terms are made clear via a Creative Commons license notice at the bottom of each episode’s page (see today’s conversation with Cornel West for an example).Comments Off
Kaltura, an “open-source platform for video creation, management, interaction, and collaboration”, boasts a robust platform uncommon among web-apps that includes the ability to annotate, remix, edit, and share video collaboratively over the web.
Of particular interest to the CC-community is Kaltura’s decision to require that all user-submitted media be licensed under a CC BY-SA license, creating a community of true sharing and remixing that is in line with our Free Cultural Works guidelines. From Kaltura:
Kaltura’s open source platform enables any site to seamlessly and cost–effectively integrate advanced interactive rich–media functionalities, including video searching, uploading, importing, editing, annotating, remixing, and sharing. Kaltura’s goal is to bring interactive video to every site and to create the world’s largest distributed video network.
Kaltura are also funding open video work at Wikimedia, great news we posted earlier here.Comments Off
There’s more action at the online home of Into Infinity (see this previous post for a full description of the project). The new automated “nesting” page pulls in visual pieces of the show at random and embeds them within one another to create interesting combinations. Sometimes the results don’t quite make sense together, but I’ve been surprised by how often they turn out incredibly well. I hooked my laptop up to a large television this morning and let the page run for a couple of hours – my flatscreen never looked so arty.
Also, we just came across two videos by musician Keenan Gaynor that show him using Into Infinity’s Audio Mega-Mixer (see previous post) to mix the project’s sound loops and create new music on the fly. We’ll be adding more features to the mixer soon that will allow you to do things like record your jam sessions.
Thanks to Braydon Fuller, the powerhouse programmer behind all of Into Infinity’s online tools.Comments Off
Shift, which showcases the work of CC artist Chris Denaro, focuses on the theme of ‘motion’ and is the culmination of a 10 month residency in which Chris worked with found material and other local artists.
Those of you who made it to CCau’s conference and ccSalon in June will no doubt remember Chris’s animations, which were screened on the big screen and plasmas in the venue throughout the day. Chris draws on CC-licensed material (primarily Flickr photos) and uses programming, design and animation techniques to turn it into completely new works. For example, the works from his ‘prototypes’ project (which were showcased on the CC conference) use looping motion to turn the original photos into moving, morphing creatures that look like they stepped straight out of the Matrix. The animations in turn are licensed under CC, so that others can use and build upon them.
But probably most importantly of all, Chris’s work shows us how creative and original remixed art can be. It’s the perfect antidote to the claim that remix is just ‘rehashing’ other people’s work. No one could argue that Chris’s works aren’t completely unique, innovative and, most of all, beautiful.
You can learn more about Chris Denaro in our case studies database. Similarly, don’t forget to check out all the cool news coming out of ccAU these days, including their most recent feature on Australian national TV.Comments Off
The new trailer for RiP: A Remix Manifesto – the Girl Talk featuring, community edited documentary that focuses on copyright and remix culture – was posted online recently and looks to be coming along excellently. The trailer features clips with Greg Gillis, Cory Doctorow, Lawrence Lessig, and a slew of other big names in the copyright/remix world. From Opensource Cinema:
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Imagine a world where ideas and culture, from “Happy Birthday” to Mickey Mouse, are horded under lock and key by copyright laws. Even ideas that could lead to a cure for cancer would be off-limits. Stop imagining now, because this is the world you live in. Although pop culture giants such as Walt Disney and the Rolling Stones built on the past to produce their art, the door is closing behind them.
I’ve been making a documentary for over 6 years that explores this issue: RiP: A Remix Manifesto.
Digital technology has opened up an unprecedented global economy of ideas. RiP explores the robber barons and revolutionaries squaring off across this new frontier as the film journeys from the hallways of Washington to the favelas of Brazil. Our central protagonist is Gregg Gillis, the Pittsburgh biomedical engineer who moonlights as Girl Talk, a mash-up artist rearranging the pop charts’ DNA with his incongruous entirely sample based songs. Along the way, I met key figures on the complexities of intellectual property in the digital era, among them Creative Commons founder Lawrence Lessig, culture critic Cory Doctorow, Brazilian musician and Minister of Cultural Affairs Gilberto Gil, and Jammie Thomas, the single mom successfully sued by the RIAA for illegal downloading.
Lab Waste is a short documentary that focuses on the seemingly unavoidable problem of laboratory created waste. Bioscience labs need sterile and untouched materials to experiment with in order to keep their results accurate. As such they are unable to reuse their materials, which are most often only used once. From Lab Waste:
We’ve all been told to reduce, reuse, and recycle when it comes to our households. But in the lab, unless there is an underlying money issue, this rarely comes into play. In cell biology or molecular biology labs the emphasis is on working sterile, quickly and reproducibly. So companies have been selling all these incredibly useful products to life science labs: sterile plastic tubes of all shapes and sizes, single wrap multi-well tissue culture plates, sterile plastic dishes, sterile pipettes. All these products make it a lot easier to do the required work. I can’t even imagine how you could work in a cell culture lab without them, but they do create a lot of waste.
I made this video as a creative outlet and to try and raise some awareness of all the disposables in the lab, and give some mild suggestions on how to reduce the pile of trash by a tiny amount. Every bit helps, right?
The interesting CC story behind Lab Waste is not only that it is released under a CC BY-NC-SA license but also that the creator, Eva Amsen, used CC-licensed images found on Flickr in the piece. Some of these images were released under a CC BY-SA license, meaning that including them in a CC BY-NC-SA work would violate the original works’ SA condition.
As a result, Amsen contacted these photographers individually, asking them permission to use their works outside of their chosen (CC BY-SA) license – a permission they granted to her. This is a great example of how CC licenses still have flexibility to work outside of their original terms through creator-to-creator contact. We refer to this ability often in discussions on the licensing potential of non-commercially licensed works – this is another example fit to illustrate that point (via WorldChanging).Comments Off
Arts Engine, a non-profit that creates social-issue documentaries, just released a call for entries for their 9th Annual Media That Matters Film Festival. The films produced for the MTMFF are short form, focus on social issues, and made mostly by young filmmakers.
Following a New York City Premiere, Awards Ceremony and industry networking event in June 2009, films submitted will take part in the Media That Matters international, multi-platform campaign with “DVD distribution, broadcasts, streaming and hundreds of screenings across the globe.” After the festival has been completed, the films will be released under a CC BY-NC-ND license. From MTMFF:
The Media That Matters Film Festival is the premier showcase for short films on the most important topics of the day. Local and global, online and in communities around the world, Media That Matters engages diverse audiences and inspires them to take action.
From gay rights to global warming, the jury-selected collection represents the work of a diverse group of independent filmmakers, many of whom are under 21. The films are equally diverse in style and content, with documentaries, music videos, animations, experimental work and everything else in between. What all the films have in common is that they spark debate and action in 12 minutes or less.
Short Films: Keep it short! Under 12 minutes is good, but under 8 is even better.
All Genres: Documentary, animation, PSA, narrative, music videos – be creative!
Social Issues: Any and all. This year we are looking for films on Media Literacy, Human Rights, Elections & Democracy, Sustainability, Sexual Identity—but all social issues are accepted. Youth produced projects are encouraged.
Cash Prize: $1,000 per film.
Submission Fee: $25 for general submissions; $10 for students over 18 (with valid student ID); free for youth 18 and under (with valid ID).
Deadline: All submission materials must be postmarked by January 9th, 2009.
Check website for more details: submit.
Arts Engine also sells region-free unencrypted CC licensed DVDs of all the films that can be shown in any non-commercial setting.Comments Off
Epic FU, the web-based art/tech/music/culture show we recentlly profiled as a Featured Commoner, just posted a great episode that includes an interview with CC’s Creative Director Eric Steuer. For those who are familiar with CC there isn’t a ton of new information on what we do but for those who are new to CC, the interview acts as an awesome primer. The episode is released under a CC BY-NC-SA license and Steve Woolf, one of Epic FU’s founders, posted a related entry about CC on the Epic FU blog to complement the piece.1 Comment »
Publishing Open Content is a short documentary by Frances Pinter and David Percy that looks at how Creative Commons licenses can be utilized in a commercial setting. The film features interviews with Tom Reynolds, blogger behind Random Acts of Reality and author of Blood, Sweat, and Tea, Timo Hannay, Publishing Director at nature.com, and John Buckman, founder of netlabel Magnatune.
The interviews provide some key insights into how these three disparate individuals combined CC licenses with a successful business plan, a common thread being that by giving away something for free another commodity can be sold. Filmmaker Pinter also heads a CC-based publishing project in Africa titled Publishing and Alternative Licensing Model of Africa (PALM), of which the information discussed in the documentary has major interest (via Ad Astra).Comments Off