Today the Creative Commons launched a new standalone license, dubbed Developing Nations. The deed lays it out simply: it’s an attribution-only license that applies within developing nations. The legal code defines developing nations as “any nation that is not classified as a ‘high-income economy’ by the World Bank.” which according to the World Bank’s site means it does not apply in these countries.
This license can be used in a few ways. It can be combined with something currently licensed under a more restrictive license, so that your photographs could be protected from commercial use in the United States, but if it also carried a Developing Nations license, those same photos could be used commerically in say, Brazil. You might also be a musician or photographer that wants to maintain full copyright in North America and Western Europe, but welcome use by others in the countries of Southeast Asia. More information can be found in today’s press release.Comments Off
I’m in Scottsdale, Arizona today and tomorrow for the Open Source, Open Standards conference. Unfortunately I couldn’t make Larry Rosen‘s talk this morning, but I hope to catch Bruce Perens‘s this afternoon. I’m speaking tomorrow, but as with Foo Camp, this is the sort of crowd and event where I do a lot more listening than talking.Comments Off
I’m at O’Reilly Media‘s Foo Camp this week, a weekend tech-folk retreat at O’Reilly’s Sebastopol offices. Lots of old friends from EFF, iBiblio, MusicBrainz, Mozilla, OSAF, BBC and more, plus plenty of new acquaintances. I’m a bit awed by the crowd and just doing a lot of listening and learning.Comments Off
“Sourced by Larry Lessig and his new book of the same name, Free Culture is multimedia performance by Brooklyn based artist Colin Mutchler that mixes music, image, video and spoken word to speak his personal journey, both physically and digitally, through the last four years. ”
Now Slashdot has taken notice, with ensuing discussion.Comments Off
Three Taiwan Golden Melody Award winners, including a famous singer and composer, Yue-hsin Chu, and a group of enthusiastic young Christian musicians have come up with what they call their first native gospel album — JESUS ROCKS.
JESUS ROCKS is the first Asian album using a Creative Commons license (Attribution-Noncommercial-ShareAlike Taiwan).
The cover text reads: “JESUS ROCKS represents the sprit of reciprocal sharing. It also conveys the charity of Jesus Christ in English, Mandarin and dialects of Mandarin. JESUS ROCKS covers diverse styles, such as rock’n’roll, folk, blues and funk. So it is suitable for different generations to listen.”Comments Off
Our project’s international roll-out continues. Two more countries have now come up with their local licenses.
First, on Saturday, Sep 4, Lawrence Lessig will be speaking in Taipei, where the Institute of Information Science, Academia Sinica, as the Taiwan project lead, has completed the porting process and is now presenting the licenses to the island’s public. Special thanks to Yih-Suan from the Acadamia Sinica, who put most of the finishing touches on the Taiwanese licenses.
Second, in the Alps, the transposed Austrian licenses will be celebrated and discussed during the week-long Ars Electronica Festival in Linz, Austria. Lawrence Lessig will participate in a symposium on ‘Commons & Communities – Social Life in the Digital Age’ at the Brucknerhaus on Sep 6, 10.30am, while Roland will say a few words on the launch event proper at the Brucknerhaus on Sep 7, 3pm. Much work on the Austrian licenses was done by Julia Kueng and Georg Pleger, our local project leads.
As an important signal for all open source projects and free software initiatives, Creative Commons also won the Golden Nica in the 2004 Prix Ars Electronica’s Net Vision category. Christiane will receive the prize on behalf of CC on Friday, Sep 3, at the Prix Art gala event in Linz.
Anybody interested in attending one of the talks above and thus getting in touch with us is welcome.Comments Off
We’ve had our own beta search engine for the past six months, but it was mostly a proof of concept, to see if we could build a search engine that recorded the semantics of web page metadata. Like any proof of concept launched to the public, it was slow, frequently returned zero results, and was difficult to keep up to date. A few months back, the guys behind the open source search engine project Nutch contacted us and they helped us develop a new search engine based on Nutch, with support for Creative Commons metadata thrown in.
We flipped the switch last week and have been testing it ever since. Compared to the last version of our search engine, this one is blazingly fast to return results, the results are much more specific to what you’re looking for, and it is constantly keeping up to date on over 1 million pages with Creative Commons license info in them.
Here are some sample searches I came up with while playing with the format and options:
Overall, a drastic improvement. If you find any bugs or come up with any other specific searches that the search engine performed well, be sure to drop a comment and let us know.Comments Off
Ever had trouble convincing someone that copyright matters beyond just copyright? That it bumps into questions of censorship, freedom of information, even plain-old civics more every day? If so, here’s a nice anecdote to pull out next time.
From the AP:
The Defense Department spent $70,500 to produce a Humphrey Bogart-themed video called “The People’s Right to Know” to teach employees to respond to citizen requests for information. But when it came to showing the tape to the public, the Pentagon censored some of the footage.
Why? Copyright concerns. Read more.
Thanks, Chris.Comments Off