Today we announce a search engine prototype exclusively for finding Creative Commons licensed and public domain works on the web.
Indexing only pages with valid Creative Commons metadata allows the search engine to display a visual indicator of the conditions under which works may be used as well as offer the option to limit results to works available licenses allowing for derivatives or commercial use.
This prototype partially addresses one of our tech challenges. It still needs lots of work. If you’re an interested developer you can obtain the code and submit bugs via the cctools project at SourceForge. The code is GNU GPL licensed and builds in part upon Nathan Yergler’s ccRdf library.
We also have an outstanding challenge to commercial search engines to build support for Creative Commons-enhanced searches.Comments Off on CC-enhanced search engine
We’re happy to announce the winners in our GET CREATIVE!: Moving Images Contest. Last fall, we asked aspiring filmmakers and flash artists to create a short film that explained the mission of the Creative Commons. Our panel of judges has selected the top three entries and they’re all terrific. We want to thank everyone that entered, everyone that helped spread the word, our judges for taking time to help us with the contest, and most of all thanks and congratulations to Justin Cone, Sheryl Seibert, and Kuba & Alek Tarkowski.Comments Off on Moving Images Contest Winners Announced
The New York Times today reports on a surreal U.S. Treasury Department Policy:
Anyone who publishes material from a country under a trade embargo is forbidden to reorder paragraphs or sentences, correct syntax or grammar, or replace “inappropriate words,” according to several advisory letters from the Treasury Department in recent months.
Adding illustrations is prohibited, too. To the baffled dismay of publishers, editors and translators who have been briefed about the policy, only publication of “camera-ready copies of manuscripts” is allowed.
The article does not make clear whether the policy rationale stems from concern for the moral rights of authors in rogue nations.Comments Off on No Derivatives — Or Else . . .
Just a little over two weeks until South by Southwest, the wonderful tech-film-music conference in Austin, Texas, USA (my beloved hometown). If you’re in town, come check out our two panels on music (Sample, Share, or Both?) and film (Can Copyright Bring the Audience to the Director?) the morning of March 15. That night we’ll have a free party at El Sol y La Luna, a great Mexican spot on South Congress, co-hosted by our friends at the EFF and Common Content. Let us know if you think you’ll make it by.Comments Off on T-minus a fortnight
Creative Commons has recently expanded the iCommons project further to include Croatian, Spanish, and Catalan drafts in progress. They join the other jurisdictions in the effort to port Creative Commons licenses to the framework of international law. Every country has an ongoing discussion so if you’re interested in helping bring the licenses to these places, feel free to join in. The associated press releases are also online.Comments Off on iCommons expands to Croatia, Spain — plus Catalonia
Thanks to Ibiblio for hosting all of these files. The Quicktime movies are also available at the Internet Archive here and here. The Internet Archive will also host your Creative Commons-licensed movies and music free of charge. Get started.Comments Off on Get creative and remix culture