… under a new type of license. Called the Creative Commons, it is the
from Seattle Times
Services like the Creative Commons search engine build on RDF metadata describing licensed works that you get automatically when you choose a license. The W3C’s RDF-in-HTML standardization efforts promise to increase the value of CC metadata, opening paths to integration with many new applications.Comments Off on W3C10
CC French project lead Melanie Dulong de Rosnay and Daniele Bourcier
have just published ‘International Commons at the Digital Age – la creation en partage‘, a book with
some valuable chapters on our first experiences with the internationalized CC licenses.
The book was written as a contribution to a day-long event in Paris on
November 19th to celebrate the launch of the French CC licenses.
For this occasion (photographs and some abstracts to follow in these
pages) Melanie had organized several panels at the French National
Assembly debating the merits of the CC approach from a variety of
different perspectives (academia, the publishing industry, politics,
science, the arts). The celebration continued into the wee hours at the
Maison de Metallo in downtown Paris with live music acts, poetry
readings, website presentations and fair trade drinks.
Many thanks to Melanie for all her enthusiasm and her splendid
organization of this event.
A group of former pupils at a London comprehensive school are poised to win thousands of pounds in unpaid royalties for singing on Pink Floyd’s classic Another Brick In The Wall 25 years ago.
This is a great story.
I’m looking forward to the guy who screams “How can yew have any pudding if you haven’t eaten yer meat?” bringing the next lawsuit. (If for no other reason, I bet he’s a really interesting-looking bloke 25 years later.)Comments Off on We Don’t Need No Exploitation
Snarky tech news site the INQUIRER interviews Magnatune’s John Buckman, who is refreshingly direct.
Comments Off on INQUIRER does Magnatune
Buckman: We sell a little over 1000 albums a month – about $10,000 a month – and this has been stable for about 6 months. Music Licensing has grown from about $2,000 a month 6 months ago to about $10,000 a month now. I expect most future growth to come through sales through other channels, as well as music licensing.
At Big Sonic Recordings, you’ll notice that all of our artists give away all of their music for free, and every artist has an online store full of merchandise that you can purchase if you wish to support them. It is the Big Sonic pledge to keep the music free, and find alternative ways for artists to be compensated for their work in this new digital age.
Comments Off on Big Sonic Sharing
Q: Aren’t you guys hurting yourselves in the long run?
A: With what? We have a disclaimer stating that if you want to use our music for, say, a soundtrack, just contact us for permission. We make music to make music and go completely ape shit on stage. If it were money we wanted, we would have gotten different jobs.
We’d like to produce a short, new animated/motion graphics film, and we need a great designer and/or animator to help us do so on a fairly tight deadline. You should know how to animate in Flash or After Effects (or both) and have experience with any necessary drawing tools, like Adobe Illustrator. You should have the confidence and skill to help us produce a film of at least the caliber of our previous pieces. No need to be a writer (we’ll collaborate on the script) or an audio engineer (though if you are one or know one, that’s great). Location in the Bay Area and enthusiasm for the work of Creative Commons are big bonuses. Send an email ASAP to email@example.com if you are interested. Please include (1) a CV, (2) a list of the animated or graphic design pieces you’ve done, (3) a link to any such pieces that are now online, and (4) all your contact information. Thanks!Comments Off on Flash/AfterEffects/Video Design Person Wanted
Congratulations to Opsound founder Sal Randolph and all of the Opsound artists!Comments Off on Opsound Party: CBGB NYC December 2
Positron! Records, whose recent adoption of Creative Commons licenses was noted on this weblog two days ago, is encouraging users to take advantage of their first licensed album with a remix contest. They’ve helpfully made a remix kit containing vocal tracks and loops from the target track, Perdition.Comments Off on Perdition Remix Contest
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