The Soundclick music community passed the 200,000 mark for CC-licensed mp3s over the weekend. That’s a whole lot of music.
Soundclick doesn’t offer CC-specific search or feeds, which rather points out an opportunity for aggregators.
Forunately Google and Yahoo! have both indexed the Soundclick site rather well. Click on one of the previous links or type
site:soundclick.com into the search form on the CC find page, which allows you to search Soundclick using Google or Yahoo!’s CC-enabled search.
That’s a whole lot of music.Comments Off
Last summer, Creative Commons had the pleasure of having Fred Benenson as its first Free Culture intern. Fred was tasked with coming up with interesting or cool ways to get out Creative Commons’ message but on a grass roots level.
Fred created a very sexy media kit that Free Culture members can give to bands at shows or events. The kit includes a flyer explaing CC, a DVD with CC cartoons and videos, and a CD with re-mixed CC licensed music. Our new graphic designer Alex Roberts put on the finishing touches to make it come to life. Nelson Pavlosky, Free Culture’s founder, gave out his first one at a World Inferno Friendship Society show
in Haverford. Nelson reports that the band was friendly to his CC pitch. Thanks for the grass roots efforts.
procrastinatefinish my slides for a talk on Semantic Search on the Public Web with Creative Commons at the 2006 Semantic Technology Conference (March 6-9, San Jose, California) I note that the closing keynote makes some pretty heady predictions:
Markets for semantic technology products and services will grow 10-fold from 2006 to 2010 to more than $50B worldwide. Near-term drivers include 2-10X gains in performance for information-intensive processes across a broad range of applications and domains. From 2010 to 2020 semantic technology markets will grow ten-fold again, fueling trillion-dollar world-wide economic expansions. Longer-term drivers are new capabilities for knowledge-intensive activities, tasks, and processes that will tap new sources of value, delivering performance gains up to 100-fold.
Put that in your pipe and smoke it with Giving it Away (for Fun and Profit), Business 2.0’s article claiming Creative Commons could be the key to a new multibillion-dollar industry. Ponder what would happen if you mashed up these nascent multibillion-dollar industries? Fortunately some of the forward thinkers who started Creative Commons already thought of that.
Creative Commons board member Hal Abelson and advisor Ben Adida will also be presenting at the conference on Interoperable Metadata for a Bottom-Up Semantic Web, as will CC advisor Eric Miller, on Recombinant Business, appropriately enough.Comments Off
A few days ago we turned on a completely redesigned public wiki. The main content there now focuses on software developers. Shortly the entire technology section of the CC site will move to the wiki and will no longer be embarrassingly out of date.
I want to especially draw attention to our technology challenges page. If you’re a developer looking to help CC with your coding skills this is a good place to look, and will get much better soon, updates to be posted here.
Non-developers may want to check out the content curators page on the wiki. Web communities that encourage CC licensing of user generated audio, video, text, images, and more are popping up all over the world to the extent that we can’t keep track. Please add to this page.
Potential contributors do take note — the CC wiki requires registration with a valid email address, which must be confirmed, as one of several spam prevention mechanisms installed. Sorry for the inconvenience.
We’ve wanted to relaunch the CC wiki for awhile, but the particulars took some inspriation from the Mono Project, Hula Project and others who have built wiki-based sites that look great. We’re happy to be part of this trend.Comments Off
Although the CC Malaysia project was only launched in December 2005 and the Malaysian version of the CC licenses are slated for release in early March 2006, under the stewardship of project lead Dr. Ng Alina, the CC concept has received some welcome initial support in Malaysia. Several musicians have explained how Creative Commons licensing can assist both with the development of the local music scene and also assist musicians to embrace, for their own benefit, the sharing of music by their fans.
According to Wong Yu Ri, lead guitarist of the band Frequency Cannon:
“Creative Commons is one of the tools that local musicians can use to protect their works. But it’s just a form of licensing; how you create your music, how you market yourself, how you help create a better, more diverse scene, and how you help others will be the things that make a difference to the local music scene.”
Yu Ri also observed that fighting music piracy should take a more flexible approach than merely combating copyright violations. “I feel it’s not quite about ‘fighting piracy,’ it’s about working with it. People share music. You can’t help that. It’s like fighting a forest fire that keeps on coming and no one really wins.”
Oh, and if you are a Malaysian citizen 17 years or older, check out the CC Malaysia project team’s competition.Comments Off
Monday evening I had the pleasure of presenting to the Purdue Linux User Group (PLUG) and Purdue Computing Society in West Lafayette, Indiana. Unlike previous talks I’ve done, this one wasn’t about a specific development I’m working on, but rather an overview of CC and metadata. In particular we had a good discussion about the need for relevant, accurate metadata, and the intersection points between embedded metadata and applications. As is typical in my experience, things were the most interesting when there were questions and a dialog about what’s going on, but if you’re interested, my slides are available online. Overall it was a lot of fun, and good to see a group of students really interested in Creative Commons and the work we do.Comments Off
Cool new global video contest from a community media center in Lowell, Massachusetts: the 100 Second Festival. The deadline for entry is May 1. Entries must be CC licensed and are available for download with Bittorrent. The winners will be screened in Lowell this summer.
Yep, your submission must be 100 seconds or less. Got it?Comments Off
The first Black Sweater White Cat of the year is an all-Comfort Stand program — two hours featuring twenty Comfort Stand tracks and an extended interview with Otis Fodder and Mr. Melvis, two of the netlabel’s musician-operators. If you don’t want to hear about how great Creative Commons and the Internet Archive are, or be at least a little bit inspired to start your own CC-licensed netlabel, do not listen.
BSWC is a weekly program, so there have already been two additional shows this year. The most recent show (playlist) is particularly excellent. It’s really cool to see CC music programs feeding off each other:
Many thanks to Grant
Robertson and his new project, CC365.
CC365 is providing a real service to both the musicians and fans of the
CC music community. This program features three songs from his second
week. I have two computers subscribed to his feed. Check it out…there
are 350 tunes left in 2006.
William Patry, a partner at Thelen Reid & Priest, New York City, specializing in copyright trial litigation and appellate advocacy and formerly copyright counsel to the U.S. House of Representatives, Committee on the Judiciary and also formerly a Policy Planning Advisor to the Register of Copyrights, mused recently on the influence artists feel both from their contemporaries and predecessors. Patry has apparently been reading Harold Bloom’s book The Anxiety of Influence: A Theory of Poetry and quotes Bloom that:
“…self-appropriation involves immense anxieties of indebtedness, for what strong maker desires the realization that he has failed to create himself? Oscar Wilde, who knew he had failed as a poet because he lacked strength to overcome his anxiety of influence, knew also the darker truths concerning influence.”
Patry has also been reading Benjamin Kaplan who observed:
“Copyright is in danger of stifling such wrestling with ourselves and with our predecessors: by seizing on all appropriation as a legal — and moral– shortcoming — we fail to appreciate the creative process, and will end up the poorer for it.”
Patry concludes that copyright is often pitched as a battle between copyright owners and copyright users but argues that it should perhaps more appropriately be viewed as involving “issues with other authors, and within ourselves” and that we should facilitate the working out of creative anxieties. This can also be described as the derivative works paradox — when can you say that a work is truly original and when is it a derivative work?Comments Off
John “Searchblog” Battelle’s #1 prediction for 2006 (emphasis added):
1. Someone, and I do not know who, will make a big pile of Big Media video assets freely available on the web – and not via Google Video. This will be a major studio, or television company, which will realize that once you free content, content will come back to you in mashed up and remixed glory that has – holy smokes! – real business models like advertising and retail attached. The deal will be simple: anyone can download, rip, and mix this video, but if you plan to make money from it – even selling ads next to it – you have to cut a deal with the mother ship. The company that does this will be heralded as either visionary, lunatic, or both.
Battelle posted his predictions December 21, so perhaps this observation is a bit late, but this year is less than four percent over…Comments Off