From our excellent post at the Robotics Pavilion, the Creative Commons team could watch visitors participate in the huge array of activities, crafts, and inventions featured at last weekend’s Maker Faire in San Mateo. Faire goers wandered the grounds between countless interactive stations to enjoy flame throwers, educational presentations, sewing, silk screening, and the popular robot battles. We were very pleased to be involved in the exhibit this year, and would like to thank the event coordinators and sponsors who made it possible!
CC BY-NC-SA by r.i.c.h. (Rich Dahlgren)
CC BY-NC-ND by Scott Beale / Laughing Squid
Ed Felten distills the impact of computers on cultural production and the ensuing debate to its essence:
[W]hether IT is primarily a copying machine, or a creative tool
The answer to most reading this Creative Commons blog will be obvious, but Felten lays it out in great detail in a talk called Rip, Mix, Burn, Sue: Technology, Politics, and the Fight to Control Digital Media, which he apparently reprised last weekend. Audio, video and transcript from an earlier version are available under Attribution-NonCommercial-ShareAlike.Comments Off
IBM assembled a worldwide community of 50 experts in the fields of law, academia, economics, government, technology and others. These experts collaborated with IBMers to discuss the issues, determine the key characteristics of a properly functioning IP marketplace, and establish a blueprint for meaningful change.
Throughout May and June 2006, the group collaborated in the online IP Marketplace wiki, a new media tool that enables documents to be collaboratively written and rewritten through a common Web site.
So how does IBM signal good faith and get buy in from IP experts to collaborate on Bulding a New IP Marketplace (which almost exclusively concerns patents, as it happens)? At least in part, publish under a Creative Commons Attribution-ShareAlike license.
To appropriate and update an old phrase: “Nobody gets fired for imitating IBM.”
Via CC Mexico’s León Felipe Sánchez Ambía on cc-community.Comments Off
Michael Carroll (check out his blog)
Joi Ito on Leicaism.Comments Off
From the Science Commons blog …
“Together with SPARC and MIT, we are proud to announce the release of a set of online tools designed to help authors retain rights over their scholarly works, including the right to self-archive their material.
The Scholar’s Copyright Addendum Engine is one of these tools, making it easier for authors to select and attach an addendum to the standard copyright transfer form, allowing them to amend the traditional terms of agreement with publishers. The Addendum Engine makes this as simple as point-and-click.
The tool can be found on the Science Commons, SPARC and MIT Web sites, and can also be readily implemented on university sites, such as our first adopter – Carnegie Mellon University. By providing the means to easily plug in the addendum generator on sites such as Carnegie Mellons, the tool takes on a new role, serving as a university toolkit.
Through the Addendum Engine, authors can choose from an array of provided addenda, some of which have been consolidated in order to address the problem of addenda proliferation. This is true of the Science Commons and SPARC addenda, named “Access-Reuse”, a combination of the SPARC Author Addendum and the Science Commons Publish-Creative Commons Addendum.
For details on specifying a default agreement and to integrate the addendum generator onto your Web site like Carnegie Mellon, click here.
We invite you to take a look at the other addenda and materials part of this release. For more information about the launch, please read the official press release. You can also learn more about this project on our Web site, or by visiting SPARC and MIT. “
Just wanted to drop you a quick line to point out a great collaborative film project CCau took part in over the weekend – the Open Channel Video Slam (http://www.openchannel.org.au/artslaw/index.html). Apologies for cross posts.
Basically the idea was to produce one 10 minute film, made entirely out of CC and original content, by locking 22 filmmakers in a bar for 33 hours a whole lot of equipment, wireless internet access, and coffee, alcohol and pizza. The event was organised by Andrew Garton of the Open Channel Screen Resource Centre (http://www.openchannel.org.au) a government funded film production and training centre, and was hosted by Horse Bazaar (http://www.horsebazaar.com.au/) a great digital-arts bar in the heart of Melbourne that hosts the Digital Fringe Festival each year. Elliott Bledsoe and I from CCau were both there to help with training and addressing tricky issues (eg licence compatibility, searching etc).
What we ended up with was a 10 minute film that incorporates 110 CC-licensed works – photos, video, sound, music. This final product was screened in Horse Bazaar and on the big screen in Melbourne’s cultural hub, Federation Square, at 7pm Monday 14 May. It’s also available for download under a BY-NC-SA licence at http://openchannel.org.au/blogs/videoslam/.
It was a truly amazing experience, and a great learning curve for both us and the participants. Elliott and Andrew both documented the experience on their blogs (http://openchannel.org.au/blogs/videoslam/ and http://elliottsawitfirst.blogspot.com/). We’re also hoping to write up some of the lessons learned in an article, and maybe even an academic paper.
The question I have, is can this model spread? Who might be interested in doing this type of event? Hop onto our discussion list (cc-community) and/or blog about how you might do this type of event and link here for permalink trackback fun.Comments Off
Sun CEO Jonathan Schwartz has a fine blog post in which he describes the Sun’s decision to pursue an “open” strategy rather than prosecute the “open” world and its results:
In essence, we decided to innovate, not litigate.
All of which is to say – no amount of fear can stop the rise of free media, or free software (they are the same, after all). The community is vastly more innovative and powerful than a single company. And you will never turn back the clock on elementary school students and developing economies and aid agencies and fledgling universities – or the Fortune 500 – that have found value in the wisdom of the open source community. Open standards and open source software are literally changing the face of the planet – creating opportunity wherever the network can reach.
Nice to see this nod to open media. What company will be the Sun equivalent in the media space? Creative Commons will be a key part of that company’s strategy, as open standards and more recently open source have been key for Sun. The rest of the industry will follow.Comments Off
This is part of a series on iPod hacking. A very Maker thing to do.
(If you’re in the San Francisco area visit CC at Maker Faire this weekend.)Comments Off
Here at CC we have been working on a Media Hosting Wishlist for sites like Slideshare to use as a guide for how to best support Creative Commons licensing, standards and technology. Looks like Slideshare supports users to select a default Creative Commons license for uploaded slide shows to be licensed under, as well as allowing for a per-item-upload license setting. Also, this site shows the license marking on uploaded slideshows with a link to the license you selected.
While Slideshare doesn’t implement the Media Hosting Wishlist 100%, this list is a guide for sites to best support licensing and standards. The question of the day is how can your project better support this wishlist? Also, are there items missing from this wishlist. If so, surf on over to the list and hit edit. Its a wiki! :) Let us know if your site is in 100% compliance of this list and/or hoping to be a 100% adopter – let’s do lunch!1 Comment »
Last night the podcast edition of James Patrick Kelly’s Hugo-nominated novella Burn won the Nebula Award for best science fiction/fantasy novella published in the U.S. during the two previous years. Cory Doctorow writes on Boing Boing:
As far as I know, that makes it the first Creative Commons licensed work and the first podcast to win an Nebula.
That’s one small step for James Patrick Kelly, one giant leap for podcasting and Creative Commons (sorry, groan if you must).
Other recent CC-licensed award winners:
- “A Story of Healing” Becomes First Academy Award Winning Film Released Under A Creative Commons License
- Wikitravel Wins Webby Award