Lulan Artisans, a for-profit social venture that designs and produces high-quality, hand-woven textiles, recently launched a competition – 11˚/17˚ – to solicit community designs for Lulan’s 2010 collection.
Lulan will accept submissions until October 15th and are encouraging participants to publish their work under a CC BY-NC license and additionally make them available to independent artisans for commercial purposes and for use without attribution. The goal behind this is that the designs submitted will “populate a database of Creative Commons designs that weaving cooperatives around the world can use to increase their ability to make a sustainable living and be less at risk of poverty.”
You can learn more about the competition’s guidelines at the 11˚/17˚ website.Comments Off
For those of you who’ve been following, ccLearn started interviewing innovative people and projects in the open education space last April, when we kicked things off with a highly informative interview of Leigh Blackall at Otago Polytechnic (the university whose default licensing policy is CC BY. Inside OER is the current culmination of our efforts, the full suite of interviews available for redistribution and remix at the ccLearn site.
Now we’ve tried something new. For our latest Inside OER, IssueLab’s Lisa Brooks on Opening Up Research, we decided to make our own adaptation, lifting the complete text of the interview and remixing it with images, screen shots, and speech bubbles. Drawing extensively from resources in the public domain, CC licensed photos on Flickr, and the help of a handy application known as Comic Life, we give you our very first issue of Inside OER, the Comic.
Hopefully, this will not only grab but sustain short attention spans. IssueLab, in particular, is doing great things for the open education community and Lisa is especially apt at articulating exactly what that is and what they are aiming for.
Logo by Gabi Fitz | CC BY-NC-SA
ccLearn recently spoke with Lisa Brooks from IssueLab. Instead of crossing telephone lines (who does that anymore anyway?), I caught up with her via that archaic method of correspondence known as electronic mail…*
*Similarly archaic, but not outdated in coolness factor, are comics. The first comic issue of Inside OER is this same interview in comic form. Instead of the same-old and streamlined text with interspersed pictures, we decided to experiment. Let us know what you think! For those of you on hand-held devices (or a preference for just text), read on here. Read More…3 Comments »
Just a reminder that the Creative Commons Salon NYC / Official Open Video Conference Pre-party is happening Thursday night!
Here’s all the info:
June’s Salon will feature an in depth chat with Brett Gaylor, writer and director of RiP! A Remix Manifesto, a presentation by Erik Moeller, Deputy Director of the Wikimedia Foundation WMF on Wikipedia’s switch to Creative Commons licenses, and a live acoustic set from singer song writer Adam McHeffey.
Thursday, June 18th, from 7-10pm
For Your Imagination Loft
22 W. 27th St., 6th Floor
Between Broadway & 6th Ave.
New York, NY
We’ll have free (as in beer) beer for the reception afterward. If you’ve didn’t make it to any past CC Salons, don’t miss this one, and if you did, you’ll know to come early as space is limited.
RSVP to the event via Facebook or by e-mailing me: fred [at] creativecommons.org.Comments Off
One month in to the revamped CC Case Studies project, and you might be curious to hear how it’s going. For starters, there have been some brilliant new submissions, the most compelling of which will be included in upcoming publications and research. We’re still collecting more user-submitted studies, so hop over to our wiki and add YOUR story!
Here’s a taste of what’s available:
UC Berkeley shares with us their open archaeology experiment, Remixing Çatalhöyük. This innovative project interprets archaeological excavations from a 9,000-year-old settlement mound of Çatalhöyük in central Turkey, and it employs Creative Commons licensing to encourage academics and students alike to explore and remix their data sets and multimedia.
UrbanMinistry.org has written to us about a unique case study on how they use Creative Commons licenses to better deliver online faith-based materials and social services to under-resourced communities.
A submission by Linux Outlaws demonstrates how their freely licensed content created “a vibrant and active community of listeners and fans.” The show’s producers write that the “surprising success of the show would never have been possible without the ability, and explicit encouragement, to share the content freely in every way possible.”
There are of course a number of “classic” CC studies to browse, such as the well-detailed account of the Nine Inch Nails release, The Slip, and the award-winning citizen media platform Global Voices Online. A few people also have begun writing non-English case studies, for example one about Berlin’s CC-music-only bar, Breipott, or the Colombian singer Silvia O.
The CC Case Studies are a growing and community-driven resource. The stories are as powerful as the information that supports them, so we welcome you to take a moment and share with us why YOU use CC and how. The more data you can provide about your work, the better.Comments Off
We Have Band, and electro-pop act from London, recently released a great new video for their single You Came Out in collaboration with creative agency Wieden + Kennedy. The video is stop frame animated and composed of 4,816 still images, all of which are CC BY-SA licensed and available on We Have Band’s flickr page. This allows fans of the band the ability to reanimate the video and reuse the images as long as they attribute We Have Band and share derivative works under the same license.
Find out more about the single at the band’s mysapce blog, including ordering info.2 Comments »
Night Of The Living Dead: Reanimated is a collaborative project that takes George Romero’s cult horror classic, Night of the Living Dead and very literally reanimates the entire film. Featuring work from a huge number of artists, the project as a whole is being released under a CC BY-NC-ND license with individual artists retaining rights to their contributions. It is well documented that the original film is in the public domain and in that spirit, Mike Schneider – the projects curator – is releasing all of his notes and documentation under a CC BY license so others have a leg-up in making their own iterations of the project.
The project is currently looking for independent venues to screen the film come this fall and is slating a DVD release for the upcoming winter – be sure to contact the project leads for more information. Similarly, they are currently soliciting collaborators for their next project, Unseen Horror.Comments Off
Nature, the international weekly journal of science just released an advanced version of a paper entitled ‘Origins and evolutionary genomics of the 2009 swine-origin H1N1 influenza A epidemic‘ under our Attribution-Non-Commercial-Share Alike license.
While this is indeed great news in and of itself, you might have noticed that the license notification didn’t quite make it to the early PDF version of the paper. We’re willing to chalk it up to the fact that the paper isn’t in its final version, but we’ll be looking for the CC license badge when that one comes out.
If you’re a publisher releasing CC licensed works, check out high resolution and vector formats of our badges on our downloads page here.Comments Off
Yesterday, Google Blogoscoped picked up on Picasa’s new CC feature: Search! In case it weren’t clear, we get really excited when platforms like Picasa enable CC content exploration. Its one thing to enable your community to select a CC license for their work, but its another thing entirely to help the rest of the web discover that content. Picasa’s commons community will surely benefit from this kind of exposure, so thanks to Picasa for enabling such a valuable feature.
If you’re working on a platform that supports CC, and haven’t considered building a CC-specific license-sensitive search portal, now there’s no excuse!Comments Off
Former interviewee and Executive Director at Deproduction Tony Shawcross points us towards a recent video he produced to educate the Deproduction community on how CC licenses work. Focusing primarily on our CC BY-NC-SA license, the video is informative and to the point, acting as a great primer for those who have never heard of CC or need extra help understanding what our licenses do.Comments Off