If you’ve been making or enjoying music under Creative Commons licenses for very long, there’s no doubt you’re already familiar with ccMixter, a community that’s been leading the way in CC music for ten years. What makes ccMixter really special is how enthusiastic its users are about borrowing and building off of each other’s tracks. Users are constantly creating new music from each other’s stems and playing with each other’s ideas. It’s a celebration of what makes CC licenses great.
Last week, ccMixter announced its first-ever crowdfunding campaign. ccMixter’s volunteer team needs to hire an admin to help maintain ccMixter’s infrastructure; they also have some big plans for website improvements and upgrades.
“ccMixter is the most prominent experiment in free music culture,” stated renowned professor of law and global activist Lawrence Lessig, when explaining the unique aspects of ccMixter’s free, open-source-music community based upon sharing.
ccMixter connects individuals in countries all around the world, through the universal language of music. It is unlike all other music sites on the web, as it is based wholy upon collaboration, not competition. This makes ccMixter a uniquely positive place for musicians. ccMixter’s fundraiser campaign and supporting videos, posts, social media and tweets, will utilize a hashtag that represents the spirit of ccMixter: #MusicConnectsUs
“ccMixter connects me deeply to musicians all around the world I’ve never met through the universal language of music. That is powerful and positive,” remarked Emily Richards, CEO of ArtisTech Media and ccMixter artist known as Snowflake.
ccMixter has some really cool gifts lined up for funders. Check it out!Comments Off on ccMixter launches crowdfunding campaign
What were five hundred folks from 30 countries doing in 40+ different sessions running concurrently in three rooms of two gorgeous buildings in Ciudad de México? They were showing, sharing and learning from the best of each other’s work utilizing open data, pushing governments to adopt open policies, and hacking for social, environmental and humanitarian change in Latin America and the Caribbean. Condatos may be the most important regional conference on open data held in Latam, but it is undoubtedly a showcase of the diversity, ingenuity, vibrancy and perseverance of the changemakers in that historic yet energetic region.
Creative Commons was invited to a panel discussion on user licenses. Some of the innovative sessions that stood out were on Migrahack, health education in favelas in Brasil, a session on the Internet of Things, a hacking workshop, and mapping labs including one on using drones for mapping.
The two buildings of the conference venue were definitely symbolic of the dynamic nature of the gathering—the historic and gorgeous Biblioteca de México with Octavio Paz looking down on the young crowd and its high stone walls inscribed with words from the giants of Mexican literature were like bookends in time; the soaring, modernistic architecture of Cineteca Nacional were a nod to the exponential change in thinking and practice that was being hacked by the young crowd.
We are grateful for the chance to present our vision for a public commons of information that can both drive and be driven by the energy and innovation on display at the conference, and are thrilled at the new partnerships that hold promise for further expansion of the powerful concepts of open and sharing.
To the extent possible under law, Puneet Kishor has waived all copyright and related or neighboring rights to all photos and PDF in this blog post.Comments Off on Vaya Con Datos
I’m writing to announce that Creative Commons is closing its office in Mountain View, CA.
For most people reading this, the news will hardly come as a surprise. We’ve always been a virtual organization. Although we have a group of staff in the Bay Area, we have full-time staff in six US States and two Canadian provinces, not to mention the regional coordinators and affiliates all over the world.
The photo above was taken a few weeks ago, at the September CC Salon event in San Francisco. There are a few people missing, but I still love it because it’s the closest thing we’ve had to a complete staff photo since I’ve been with Creative Commons. It’s also a reminder that we’re a diverse, global organization.
Being a distributed team lets us spend more time interacting with the people who use Creative Commons tools and share our mission. We’re embedded in communities of hackers, lawyers, artists, and social change activists, all communities that our mission relies upon.
See our Contact page for updated contact information. If you have any questions about the change, feel free to drop us a line.Comments Off on Creative Commons goes (even more) virtual
On Monday California Governor Jerry Brown signed into law AB 609–the California Taxpayer Access to Publicly Funded Research Act. The law requires that research articles created with funds from the California Department of Public Health be made publicly available in an online repository no later than 12 months after publication in a peer-reviewed journal. AB 609 is described as the first state-level law requiring free access to publicly funded research. It is similar to the federal National Institutes of Health Public Access Policy. The bill has been making its way through the California legislature since being introduced by Assemblyman Brian Nestande in February 2013. Nestande’s office announced the passage yesterday.
The law applies to grantees who receive research funds from the Department of Public Health, and those grantees are responsible for ensuring that any publishing or copyright agreements concerning manuscripts submitted to journals fully comply with AB 609. For an article accepted for publication in a peer-reviewed journal, the grantee must ensure that an electronic version of the peer-reviewed manuscript is available to the department and on an appropriate publicly accessible database approved by the department within 12 months of publication in the journal.
Congratulations to California, the leadership of Assemblyman Nestande, and the coalition of open access supporters who worked hard to make this law a reality.Comments Off on California enacts law to increase public access to publicly funded research
Yesterday at the United Nations, President Barack Obama marked the Open Government Partnership‘s (OGP) third anniversary by announcing that in addition to the commitments outlined in the current U.S. OGP National Action Plan, “The United States will take additional steps to make our government more open, transparent, and accessible for all Americans.”
Among the multiple new commitments: “Promote open educational resources, to help teachers and students everywhere.”
The multi-pronged commitment to promote OER is described as the first item in the updated National Action Plan Commitments document (638 KB PDF):
Creative Commons licenses put the “open” in OER and we stand ready to work with governments everywhere who wish to update their OGP National Action Plans with commitments to support Open Educational Resources, Open Access, Open Data and Open Policies that require publicly funded resources be openly licensed.
This Friday, School of Open and Creative Commons affiliates in Colombia are throwing a celebration of the Web We Want that will highlight open licensing, copyright reform, and free culture. The event takes place as part of the Creative Commons Film Festival in Bogotá. Its purpose is three-fold:
- 1) To launch a campaign to promote fair use in copyright reform that is pending Colombia. This campaign is named, Liberen la cultura or Let’s set culture free.
- 2) To support the Colombian biologist Diego Gómez, who is facing a criminal case against him for copyright infringement. This campaign is named #CompartirNoEsDelito or #sharingisnotacrime.
- 3) To promote live music, books, magazines and films under CC licenses.
As part of both campaigns, affiliates will hold a Licenciatón, a day of awareness, learning and practice for open licensing and its relationship to free culture. This activity incorporates portions of the School of Open course, ABC del derecho de autor para bibliotecarios de América Latina (ABC of Copyright for Librarians in Latin America). Promotional material about the course will also be shared.
Colombian volunteer Maria Juliana says,
We are pleased to announce that as part of the Creative Commons Film Festival, the program will include a Celebration of the Internet, a space that seeks to unite all of us who are interested in an open web where we can contribute and share content freely — a space to celebrate the Web We Want!
We will be celebrating with our friends “Radio Pachone” and our special guests will be: “La Real Academia del Sonido” and “Radio Mixticius”.
The celebration takes place thanks to “A Year of Action” campaign of Web We Want, this campaign convocated organizations around the world to generate actions to celebrate 25 years of the web; we are one of the organizations which benefited.
Date: Friday, September 26, 2014
Time: 4pm-11pm (Bogotá, Colombia time)
Location: The Raid (Calle 17 No. 2-51 La Candelaria, Bogotá.) Free entrance.
Learn more about the event and its partners at http://karisma.org.co/?p=4609.
About the School of Open
The School of Open is a global community of volunteers focused on providing free education opportunities on the meaning, application, and impact of “openness” in the digital age and its benefit to creative endeavors, education, and research. Volunteers develop and run courses, workshops, and real world training programs on topics such as Creative Commons licenses, open educational resources, and sharing creative works. The School of Open is coordinated by Creative Commons and P2PU.Comments Off on CC Colombia and School of Open celebrate the Web We Want
Last week the William and Flora Hewlett Foundation announced that it is extending its open licensing policy to require that all content (such as reports, videos, white papers) resulting from project grant funds be licensed under the most recent Creative Commons Attribution (CC BY) license. From the Foundation’s blog post: “We’re making this change because we believe that this kind of broad, open, and free sharing of ideas benefits not just the Hewlett Foundation, but also our grantees, and most important, the people their work is intended to help.” The change is explained in more detail on the foundation’s website.
The foundation had a long-standing policy requiring that recipients of its Open Educational Resources grants license the outputs of those grants; this was instrumental in the creation and growth of the OER field, which continues to flourish and spread. Earlier this year, the license requirement was extended to all Education Program grants, and as restated, the policy will now be rolled out to all project-based grants under any foundation program. The policy is straightforward: it requires that content produced pursuant to a grant be made easily available to the public, on the grantee’s website or otherwise, under the CC BY 4.0 license — unless there is some good reason to use a different license.
“When we began thinking about extending the policy from OER grants to the foundation as a whole, we wanted to be sure we would not be creating unforeseen problems,” said Elizabeth Peters, the general counsel of the Hewlett Foundation. “So we first broadened it to cover education grants that were not for OER — and have been pleased to find that there were very few issues, and those few easily resolved. CC BY for all grant-funded works will now be the default, but we are willing to accommodate grantees who have a persuasive reason to take a different path. The ultimate goal of this policy is to make the content we fund more openly available to everyone. We’re only just beginning to implement this change, and will continue to monitor how it’s working, but so far we have found most grantees are ready and willing to apply the license that makes their works fully open for re-use of all kinds.”
In practice, the new policy means that nearly all of the extensive content produced with Hewlett project-based grant funds–not only works specifically commissioned as Open Educational Resources, but scholarly research, multimedia materials, videos, white papers, and more, created by grantees on subjects of critical importance–will be widely available for downstream re-use with only the condition that the creator is attributed. Text will be openly available for translation into foreign languages, and high-quality photographs and videos will be able to be re-used on platforms such as Wikipedia. Releasing grant funded content under permissive open licenses like CC BY means that these materials can be more easily shared and re-used by the public. And they can be combined with other resources that are also published under an open license: this collection grows larger every day as governments and other publicly-facing institutions adopt open policies. Promoting this type of sharing can benefit both the original creator and the foundation, as it enables novel uses in situations not intended by the original grant funding.
For a long time Creative Commons has been interested in promoting open licensing policies within philanthropic grantmaking. We received a grant from the Hewlett Foundation to survey the licensing policies of private foundations, and to work toward increasing the free availability of foundation-supported works. We wrote about the progress of the project in March, and we’ve been maintaining a list of foundation IP policies, and a model IP policy.
We urge other foundations and funding bodies to emulate the outstanding leadership demonstrated by the William and Flora Hewlett Foundation and commit to making open licensing an essential component of their grantmaking strategy.Comments Off on Hewlett Foundation extends CC BY policy to all grantees
Following on the heels of School of Open Africa launch events in Tanzania and Nigeria last weekend, School of Open Kenya is hosting its own tomorrow to kick off training for four high schools in Nairobi.
Called Popjam, this SOO launch event + Mozilla Maker Party will be a day-long workshop introducing high school students to open educational resources (OER). Students will learn how to use OER and the open web to complement their academic studies. Students from four high schools will participate: Precious Blood Secondary School, Nairobi School, Sunshine Secondary School, and State House Girls Secondary School. SOO Kenya is hosted by Jamlab, a co-creation community based in Nairobi for high school students and graduates in Africa.
For more information about the event, and to RSVP if you’re in Nairobi, visit the event page.
About Maker Party
School of Open and Creative Commons is excited to be partnering with Mozilla to celebrate teaching and learning the web with Maker Party. Through thousands of community-run events around the world, Maker Party unites educators, organizations and enthusiastic Internet users of all ages and skill levels.
We share Mozilla’s belief that the web is a global public resource that’s integral to modern life: it shapes how we learn, how we connect and how we communicate. But many of us don’t understand its basic mechanics or what it means to be a citizen of the web. That’s why we’re supporting this global effort to teach web literacy through hands-on learning and making with Maker Party.
About the School of Open
The School of Open is a global community of volunteers focused on providing free education opportunities on the meaning, application, and impact of “openness” in the digital age and its benefit to creative endeavors, education, and research. Volunteers develop and run courses, workshops, and real world training programs on topics such as Creative Commons licenses, open educational resources, and sharing creative works. The School of Open is coordinated by Creative Commons and P2PU.Comments Off on School of Open Africa launch event in Kenya tomorrow!
In July the Electronic Frontier Foundation wrote about the predicament that Colombian student Diego Gomez found himself in after he shared a research article online. Gomez is a graduate student in conservation and wildlife management at a small university. He has generally poor access to many of the resources and databases that would help him conduct his research. Paltry access to useful materials combined with a natural culture of sharing amongst researchers prompted Gomez shared a paper on Scribd so that he and others could access it for their work. The practice of learning and sharing under less-than-ideal circumstances could land Diego in prison.
The EFF reports that upon learning of this unauthorized sharing, the author of the research article filed criminal complaint against Gomez. The charges lodged against Diego could put him in prison for 4-8 years. The trial has started, and the court will need to take into account several factors: including whether there was any malicious intent to the action, and whether there was any actual harm against the economic rights of the author.
Today EFF, Creative Commons, Right to Research Coalition, and Open Access Button are launching a campaign to help raise awareness about Diego’s situation, to promote a reasonable handling of his and similar cases, and to support open access policies and practices. We hope you’ll sign on.
Let’s stand together to promote Open Access worldwide.
Help Diego Gomez and join academics and users in fighting outdated laws and practices that keep valuable research locked up for no good reason.
Diego Gomez, a Colombian graduate student, currently faces up to eight years in prison for doing something thousands of researchers do every day: posting research results online for those who would not otherwise have a way to access them.
If open access were the default for scholarly communication, cases like Diego’s would become obsolete.
Academic research would be free to access and available under an open license that would legally enable the kind of sharing that is so crucial for enabling scientific progress.
When research is shared freely and openly, we all benefit. Sign the petition to express your support for Open Access as the default for scientific and scholarly publishing, so researchers like Diego don’t risk severe penalties for helping colleagues access the research they need.
Scientific and scholarly progress relies upon the exchange of ideas and research. We all benefit when research is shared widely, freely, and openly. I support an Open Access system for academic publishing that makes research free for anyone to read and re-use; one that is inclusive of all and doesn’t force researchers like Diego Gomez to risk severe penalties for helping colleagues access the research they need.
When you go searching for Creative Commons–licensed content, you never know what you’ll find. Sometimes you’ll find the exact photo or piece of sound you were looking for, and sometimes you’ll find something you never could have imagined.
Here’s the last week and a half in Thing of the Day.
Ronen Kadushin designs unusual pieces of furniture like this unorthodox bookcase. He shares the designs under Creative Commons licenses and invites people to experiment with them, adapt them, and share their modified versions. Kadushin writes, “An open design value is increased with wider modification possibilities and transformation potentials into other products. Designs that typically live only a few years in the marketplace can live on and develop into new shapes and uses.”
Jonathan Mann writes a song every day. Many of them tackle complex emotions and ideas. But inevitably, a lot of them are just silly, like “Buy My Bed in Brooklyn.” In songs like “Buy My Bed,” we see a songwriter whose talent lies in his childlike approach to day-to-day life.
On why he licenses all his music under CC, Jonathan told us, “It’s kind of a no-brainer… I don’t even really understand why anyone would do anything different. It makes such simple sense.”
Nicky Case creates videogames that deal with issues many videogame designers wouldn’t touch. Nicky’s Nothing to Hide is a frank look at government and corporate surveillance, and an addictive puzzle game to boot.
Coming Out Simulator is a semiautobiographical game about Nicky coming out of the closet to their parents. The player is given choices of what to say, but the heartwrenching ending is inevitable.
Illustrator Andrew Archer drew these terrifying images of a post-apocalyptic California for a feature in California Magazine.
These gorgeous prints feature words that capture ideas and feelings we’ve all experienced, but that don’t translate well into English. By introducing such perfect words to English speakers, they serve as a testament to the way that languages constantly grow, adapt, and borrow words from each other.
It even happens to us some days.
Miyoung Yi’s gorgeous drawings capture everyday moments, both in her home country of South Korea and around the world. As a Creative Commons activist, she encourages other Koreans to consider sharing their work under open licenses.
Here at CC, we’re huge fans of the photography blog Unsplash. The blog presents a single photo every day – the Unsplash curators have a great eye for delightful slices of life. The best part is that all of the photos are available under the CC0 Public Domain Dedication, meaning that anyone can use them for any purpose, commercial or noncommercial, with or without attribution.
The OO-Ray’s Silhouettes is a great example of how Creative Commons–licensed work can take on a life of its own. The OO-Ray (né Ted Laderas) composed and recorded the piece in 2011. Since then, it’s appeared in dozens of videos thanks to its CC license. As Laderas told SoundCloud, “It’s incredibly energizing to see that people like your music so much to include it in their video.”Comments Off on Daily awesome from the internet: CC presents the Thing of the Day