This week we’re pointing out the hundreds of photographs taken by freelance writer David Gallagher. His site, lightningfield.com, has been up for the past two and a half years and features photographs and insights from his daily life. There are many shots from New York and photos from various trips worth enjoying and sharing.Comments Off on lightningfield.com
Amazon.com founder Jeff Bezos recently gave NPR listeners a recommendation for summer reading: the Creative Commons-licensed novel Down and Out in the Magic Kingdom, by Cory Doctorow. (Bezos also gave a nod to The Remains of the Day, by Kazuo Ishiguro.)1 Comment »
À€I’m at the University of California @ Irvine’s Humanities Research Institute talking with some good folks about humanities education and technology.
I did a short presentation about Creative Commons this morning, and by the time I’d wrapped up, conference participant Joe Futrelle, who is technical lead of Digital Library Technologies at NCSA, had licensed several of his own tunes. Joe says he wishes our licensing process were even quicker.Comments Off on Instant Karma
We’ve have been enjoying the content on VentureBlog and Bag and Baggage for some time, but recently both of these Creative Commons licensed blogs did a great job covering The Wall Street Journal’s D: All Things Digital Conference.
Thanks to some restrictions on the conference, professional journalists were not allowed to cover the event, but audience members could. VentureBlog had some great insights to take away from the conference and Bag and Baggage did a great job taking live notes from the Steve Jobs interview and the dinner with Bill Gates, and also posted photos from the event.
In addition to the recent reporting, each blog has content worthy of merit. VentureBlog is run by venture capital firm investors and their series of posts on Presenting Your Company offers many useful insider tips. We’ve pointed to Denise at Bag and Baggage before on this weblog, but her posts on what Creative Commons licenses mean for weblog authors were instructive for the community.Comments Off on VentureBlog and Bag and Baggage
Finland is the first country to take part in iCommons, our project to port the lawyer-readable versions of our licenses for use across the world. The Helsinki Institute for Information Technology has produced a first draft of the Finnish licenses and will lead the process from a public discussion list hosted on our site. The process will be much like our other community-based developments, such as the sampling license.
Up next: Japan.
Read the press release.
Join the discussion.Comments Off on iCommons Finland Begins
The highlight reel from the first week of the Sampling License discussion:
Sarah Brown raised concerns that the draft language wasn’t clear enough about the copyrightability of sample-derived works and what other rights the sampler enjoys in them. She suggested we address these issues more explicitly.
Cathy Kirkman, however, explained why the license itself need not spell these points out, and that a thorough FAQ entry or Commons Deed provision was a better place for the explanation.
Chris Kelty and Negativland debated the sampling license’s proposed “anti-advertising” clause. Kelty reasoned that there may be ways to achieve the same end without using anti-advertising language, and expressed other worries about the provision. Negativland stood by the clause.
To sum up: No changes to the lawyer-readable language so far, though we should be clearer in our human-readable version of the license (e.g., FAQ, license summary) about what rights the sampler enjoys in the new, sample-derived work.
Discussion is still young — join us. Three weeks left until redraft.Comments Off on Sampling license: highlights from week 1
Salon has a fun piece, “Pillaging the Cartoon Universe,” about the Cartoon Network’s “Birdman: Attorney at Law,” a show saturated with cameos by characters from classic cartoons and other pop culture artifacts. Two disappointing aspects to this piece: 1) the bulk of it is available only to Salon “premium” subscribers, and 2) author Scott Thill makes no mention of how the Birdman creators go about clearing rights for the re-use of copyrighted characters (ironic, given that the show centers around Birdman’s life as a litigator).
Anyone out there know the answer? Do the Birdman people enjoy a Mike Meyers-like licensing deal, are they asserting fair use, or is it a combination of the two?3 Comments »