Nature Publishing Group has long been a leader in scientific and medical publishing. The company’s flagship publication, Nature, has been publishing across a broad range of scientific disciplines since 1869 and is the world’s most cited interdisciplinary journal. In the past several years, Timo Hannay as head of web publishing and Annette Thomas as CEO of MacMillian (NPG’s parent company) successfully brought NPG into the digital age with a wide variety of new scientific journals and projects that leverage the power of the Internet.
As part of this program, NPG has made very clear its support of open access publishing. Last month, the company announced that an additional 15 of its journals now offer open access options. And this week, the company announced a brand new online open access journal called Scientific Reports. With this launch, a full 80% of NPG academic and society journals and 50% of all journals the company publishes offer open access options to authors.
Another way in which NPG shows its support of open systems is by supporting the work we do at Creative Commons – both philosophically and financially. We find ourselves on the same side of the table as NPG during many discussions on how to increase openness and innovation in scientific communication and digital access. Key members of NPG have repeatedly expressed their deep appreciation for the fact that CC licenses are the foundation on which the Open Access movement rests. In a recent meeting between CC and NPG, Jason Wilde, Publishing Director of NPG, told us that they would like to show that appreciation in a concrete manner – a donation to Creative Commons for every each publication in Scientific Reports. We are thrilled to have this financial support that will help us continue to provide the legal and technical infrastructure of open systems.
Nature Publishing Group is a visionary group of people with a clear view into the potential of the digital era to enhance scientific communication. They believe in open access and, as the world’s premiere publishing group, they have the authority to lead the rest of the world towards increased OA. We are excited about the launch of Scientific Reports and the way in which it strengthens the long-standing bond between our two organizations.Comments Off
A warm thank you to all of our supporters! Our 2010 campaign raised $522,151.25 from 1,139 individual supporters and 22 companies. A huge thanks to our Board of Directors and all of our corporate sponsors, including 3taps, Tucows, Digital Garage, Ebay, Microsoft, LuLu, wikiHow, Hindawi, Squidoo, The Miraverse, and Aramex. More campaign numbers will be available soon on our blog.
Creative Commons enters 2011 with renewed energy, thanks to the holiday season and a new incoming CEO! As many of you know, we welcomed Cathy Casserly as incoming CEO of Creative Commons. As the Senior Partner at the Carnegie Foundation for the Advancement of Teaching and former Director of OER at the William and Flora Hewlett Foundation, Cathy brings with her extensive experience with foundations and open educational resources (OER). But Cathy has also been involved with CC from the beginning. Lawrence Lessig writes,Comments Off
Thanks to all our supporters who helped us raise over $500,000 for our annual fundraising campaign! Stay tuned for a precise total and analysis — we’re still counting mailed checks! If you didn’t get a chance to donate to the 2010 campaign, start 2011 off right by showing the world how much you appreciate CC.
Because of our supporters, we will be able to continue developing the necessary tools to support and facilitate participatory culture and innovation around the world. 2011 is going to be a big year for CC – stay in touch and keep sharing!Comments Off
Help us ring in the new year by making sure we reach our $550,000 fundraising goal by midnight tonight. If you love CC then show us you care by donating today!1 Comment »
“I’m in a race; a race to outrun a rare and deadly form of bone cancer called chordoma, with an average survival of 7 years. To find a cure, there is a lot that needs to happen sequentially, so to win the race, I need science to move quickly. Fortunately, uncanny new technologies in genomics, computing, synthetic biology, etc. have put cures for virtually any disease within the realm of possibility. Unfortunately, the way we practice science is not designed to move on the timescale of an individual’s disease.
Despite all of the technological advances that have been made in recent years, it still takes on average 1-3 years for results to be transmitted from one lab to the next; it still takes months or years for materials and data to be transferred between institutions; and untold masses of observations and creations never get shared at all. It’s no wonder, then, why it takes decades for discoveries to be translated into new treatments, and why the hurdles are often just too large to overcome for small-market diseases like chordoma.
For anyone affected, or whose loved one is affected, by a life threatening disease, this is simply intolerable. Think about it: in the very recent past, humankind has developed the tools and know-how to cure disease, yet we are stifled from maximizing the potential benefit of these new tools by social and legal systems that evolved in a bygone era. This has to change.
But let’s be realistic. Despite the fact that our scientific enterprise is not optimized for speed, it does have many virtues. And traditions such as academic tenure, peer review, intellectual property, and shareholder return are not going away any time soon – nor should they, necessarily. If we can sequence a genome in the course of a week, surely we can find sensible solutions to enable the data to be shared.
Creative Commons is leading the charge to find these solutions. By helping researchers make data open and available, by streamlining the material transfer process, and by uncovering and integrating data from various stakeholders, Creative Commons is grease to the wheels of science. It is a source of hope to me in the race to outrun my disease. It is a means to maximize our collective investment in research. That’s why I support Creative Commons, and why if there’s a disease you’d like to see cured, I urge you to give whole-heartedly to Creative Commons as well.”
Josh Sommer is the executive director of the Chordoma Foundation, which he co-founded with his mother, Dr. Simone Sommer, after he was diagnosed with a clival chordoma in 2006. He believes that patients should play an active role in bringing about treatments for their own conditions, and that patients represent a largely untapped source of funding, energy, and know-how in the treatment development process. Follow Josh on Twitter.Comments Off
One of the most important values at Creative Commons is the usability of our tools. We strive to make all of our tools human-readable, often bridging dissonant vocabularies and frameworks to ensure our tools are compatible and understandable the world over. The challenge of localization is balancing legally sound terminology with culturally palatable translations. Sometimes the terms in which lawyers and courts communicate are unfamiliar or alienating to users outside of the legal profession. Moreover, even within the legal field, there can be a range of opinions about which terms are most appropriate.
Creative Commons oversees translation on two levels: our legal code and our license deeds. The former, the legal code or “lawyer-readable” layer, is adapted to the laws and official languages of jurisdictions around the world. The latter, the deeds or “human-readable” layer, are designed for everyone to understand. Unlike the legal code, the deeds are not legally-binding but rather a helpful, plain-language summary.
Historically, if two or more jurisdictions shared the same language, such as Spanish, each jurisdiction team would conduct a translation of the legal code and of the deeds. Sometimes the result is messy: for Spanish alone, we had over 10 translations of the license deeds, some differing only slightly and others more so.
Creative Commons invited its affiliates in Spanish-speaking jurisdictions to review the Spanish translations of the license names (Attribution, ShareAlike, NonCommercial, and NoDerivatives). In a conversation led by CC Chile’s Claudio Ruiz, the Latin American affiliates discussed the best linguistic solution, one that balanced usability with legal accuracy. After several months of discussion, a majority of the Latin American teams reached an agreement to harmonize their existing deeds into one under the following scheme. This is particularly notable since unlike the Arab harmonization effort discussed below, these jurisdictions had already published deeds for their particular jurisdictions.
- Attribution: Atribución
- ShareAlike: CompartirIgual
- Non-Commercial: NoComercial
- NoDerivatives: SinDerivadas
You’ll see the harmonized translations available now on our license deeds. Please note again that the deeds are not legally operative; instead, they play a critical role in helping ensure our licenses are understandable and accessible to users.
Similarly, Creative Commons encouraged its Arab world communities and affiliates to coordinate their translation efforts. They appreciated the importance of harmonizing the key license terms early on so that all Arabic-speaking users would have a consistent experience with CC.
During the recent CC Arab World meeting this October in Doha, Qatar, a lively discussion among attendees underscored the importance of harmonizing translation within the region. The challenge again was to balance legal compliance with user-friendly terminology. At the end of the meeting, CC affiliates and community representatives from six jurisdictions in the region reached a consensus on terms that CC will use for all future license-related work in Arabic. All the participants provided input in a session moderated by Bassel Khartabil and Mahmoud Abu Wardeh at CC’s request, with the following results:
- Attribution: نسب المصنف
- ShareAlike: الترخيص بالمثل
- NonCommercial: غير تجاري
- NoDerivatives: منع الإشتقاق
- Creative Commons: المشاع الإبداعي followed by mention of the original English name in parenthesis (Creative Commons)
These terms will be deployed in the upcoming Egyptian licenses, as well as across all Arabic deeds and informational materials. These efforts underscore the cooperative nature of the affiliates and community members who strive to make CC simple and approachable for users across the globe. We also hope to roll out similar harmonized terms in other languages over the coming months.
If you’d like to contribute to Creative Commons’ translation efforts, you can join our translation teams at Transifex.3 Comments »
Dan Gillmor talks about the challenges and rewards of publishing “Mediactive” under Creative Commons
Dan Gillmor is a journalist and established author, having previously published We the Media back in 2004 under a CC BY-NC-SA license. His subject is the changing landscape of media, and the focus of his first book was on distributed, grassroots journalism and its effect on the Big Media monopoly of news. Six years later, We the Media is still in print, and Dan talks about how this encouraged him to stick to his principles when publishing his second book, Mediactive, under Creative Commons as well. Dan turned down a publishing deal with a major New York publisher because they would not allow the CC license. In a reflection well worth reading, he writes,
“Almost a decade after Creative Commons was founded, and despite ample evidence that licensing copyrighted works this way doesn’t harm sales, book publishers remain mostly clueless about this option, or hostile to it. As David explained to editors, the main reason I’m still getting royalty checks for We the Media is that the book has been available as a free download since the day it went into bookstores. This is how word about it spread. Had we not published it that way, given the indifference (at best) shown by American newspapers and magazines, the book would have sunk without a trace.”
Also Mediactive “isn’t just a book; at least, not in the way most publishers understand books, even as they dabble online. And if a principle means anything to you, you stick by it when doing so is inconvenient, not just when it’s easy.”
Sticking by his principles seems to have paid off, as just three days after publishing Mediactive under CC BY-NC-SA online, 1,500 visitors to his site downloaded the book, and more viewed pieces of it online. At this point, Dan notes that “Far few have purchased the book, of course, but it’s selling — and I’ve barely begun the real marketing process, which will take place in the new year.”
Without Creative Commons and the internet, Mediactive would still be on the publishing floor somewhere:
“Incidentally, had I signed with a traditional publisher, the book would not have reached the marketplace for a year or more from the date when I signed. With a company like Lulu, you wrap up the project and you’re off to the races. In a fast-moving area like media, that’s a huge benefit to foregoing the standard route.”
As we come to the end of this year’s fundraising campaign, I asked the organizers to let me write you to tell you about an extraordinary birthday present that Creative Commons received on its 8th birthday last Thursday.
You probably know that for the past two years, Creative Commons has been incredibly fortunate to have the pro bono leadership of our CEO, Joi Ito. Joi is a successful internet investor. He has been at the birth of companies such as Moveable Type, Technorati and Twitter. For the past 7 years, he’s also been a key leader on our board. But by far his most important contribution began two years ago when my own commitments made it necessary for me to step down as CEO. With the organization in a pinch, he volunteered to take the lead, again, as a volunteer.
Everyone recognized at the time that this sort of sacrifice could only be temporary. Yet from the time he stepped up, my biggest fear was that when he could no longer make this sacrifice, we would have no one comparable to tap. Last Thursday, I was proven wrong.
One of the most important moments in the history of Creative Commons happened on the day the Supreme Court upheld (incorrectly, in my view, but let’s leave that alone) the Copyright Term Extension Act in Eldred v. Ashcroft. After reading the decision, I had my head in my hands, buried in sadness, when my assistant reminded me that I had a 10am meeting with two people from the Hewlett Foundation. This was exactly one month after we had launched Creative Commons. I was surprised a foundation as prominent as Hewlett even knew about us, let alone had an interest in talking to us. So I put aside my sadness, and walked down to the conference room at Stanford Law School, to meet with Cathy Casserly and Mike Smith.
Cathy and Mike had heard about the Supreme Court’s decision. They recognized I wouldn’t be in much of a mood to chat. So they launched right into the reason for the meeting: The Hewlett Foundation had decided to help launch Creative Commons with a grant of $1 million dollars.
I won’t say that after I heard that news, I forgot about the Supreme Court. But from that moment on, it was much more important to me to prove Hewlett’s faith right than to worry about what the Supreme Court had gotten wrong. And I was especially keen to get to know these two people who understood our mission long before most had even recognized the problem that CC was meant to solve.
Now eight years later, after completing her term at Hewlett and a stint at the Carnegie Foundation as well, I am enormously happy to announce that Cathy Casserly has accepted our offer to become the CEO of Creative Commons.
Cathy has an extraordinary reputation among foundations and the Open Educational Resources community. She has had extensive experience coaxing creators and educators into a more sensible and flexible manner for creating and sharing their work. That was her job at Carnegie and Hewlett. Before Hewlett, she was a program officer at the Walter S. Johnson Foundation. Before that, a teacher of mathematics in Jamaica. She has a PhD in the economics of education from Stanford, and a BA in mathematics from Boston College.
Joi will stay in the hot seat as Chair of the Board. But early in the new year, he will pass his CEO responsibilities to Cathy. Between him and Cathy, we will then have the very best leadership Creative Commons has known.
So then here’s my ask: Creative Commons has been enormously fortunate to have had Joi as an interim CEO, and extremely fortunate now to have found Cathy to fill that role permanently.
Let’s show them how happy we are about both.
We are in the last laps of a very difficult fundraising year, with just two weeks to go and still about $200,000 to raise. Please reach deep in your pocket, and click here to pledge whatever you can find. We have never needed the support of our community more than we do this year. And though I am happy beyond measure about our future, I am extremely concerned about the cuts we will have to make if we don’t meet our goals.
You have supported us throughout these 8 years. We need your support this year especially. Please thank Joi and welcome Cathy in every way, including a pledge to support Creative Commons again.2 Comments »
A huge THANK YOU to everyone who donated in the past two days and had your gift doubled by Tucows! We are thrilled to announce that we met their generous gift and your $10,000 in donations has now become $20,000 thanks to their generosity. What a wonderful birthday week for CC!
Tucows is a company that started offering free downloads of shareware and freeware on the Internet in 1993, will take part in a matching challenge of up to $10,000. This means that whatever you donate right now will automatically be doubled. We need your help to meet their challenge and turn $10,000 into $20,000 for CC.
Here’s why Tucows supports CC:
“We support Creative Commons because all of our business philosophy is based on the open Internet. For the Internet to really flourish and remain an open, healthy, and great platform for innovation, we need to adapt old sets of rules to new paradigms. Creative Commons is one of the first and best examples of that.” -Elliot Noss, President and CEO
Will you join with Tucows and show your support for openness and creativity online by donating today? We still need your help to reach our goal and ensure a bright 2011. Donate today!
In 2004, designer and animator Justin Cone created “Building on the Past” as part of our Moving Images Contest and won. Justin originally made the video, which demonstrated Creative Commons’ mission in two minutes, available under CC BY-NC. At the encouragement of Wikieducator’s Wayne Macintosh, Justin decided to re-release “Building on the Past” under the most open CC license, CC Attribution (CC BY) and made a short video explaining why (also under CC BY). Both videos are featured in Creative Commons unplugged, a part of Wikieducator’s Open content licensing 4 educators workshop (a work in progress).
In the video, Justin talks about why CC is so important to him:
“Creative Commons is important to me for two reasons: The first reason is that it just makes life easier. I don’t have to worry about law suits or trying to secure permissions from people who might be impossible to get in touch with. It just makes creation easier and encourages the exchange of ideas; it encourages discussion and education. The second reason is a little more symbolic. By putting the CC license on my work, it basically says I care enough to share. I feel like I’m taking part in a community just by licensing my work with CC.”
He goes on to explain why he changed the license of his film:
“Originally I licensed my “Building on the Past” video with an Attribution-Noncommercial license. And I think the noncommercial part was there because I was just generally suspicious about corporate interest or something. It wasn’t very well thought out, but I think I was worried that somebody would take the video, re-contextualize it in a way that wasn’t appropriate for the video. Since then, I’ve kind of changed the way that I think about things. The video has been showed around the world; it has been translated and subtitled in different languages and it has taken on a life of its own. And I think that it deserves to be a little freer. There’s no reason to keep it from being used by a commercial interest because I think it has some educational value. I think it has a message that can be debated, discussed, disagreed with or agreed with, and by removing the noncommercial part of my license, it’s easier for people to now do all those things.”
At the end, he offers tips for other creators, saying we should ask ourselves two questions: “Is this project bigger than me?” and “When you finish a project, is this really the end of the project, or is this the beginning?” If your answer is affirmative in both cases, Justin notes that CC “makes it so much easier for your project to expand beyond you”:
“I like to think of projects as stories. So if you choose a traditional copyright, then the story of your project has just a limited number of possible endings. And sometimes those endings are fine and they work for the story. But a lot of times it’s more interesting to choose a different path for your story. And if you go with a Creative Commons license you’re basically saying, I don’t want this story to end. I want it to go on and on. I want it to have different endings, different twists and turns rather, and I want other people to tell this story. I think that’s a better story, it’s a more exciting story; it’s epic.”
Wish CC a happy birthday by showing your support today!2 Comments »