Can’t make it in person to tonight’s salon at PariSoMa in San Francisco? Not to worry, you’ll be able to participate virtually thanks to VidSF, who will be broadcasting the event. Tune in at 7:30pm PST to hear panelists CEO Joi Ito, Arab World Media & Development Manager Donatella della Ratta, International Project Manager Michelle Thorne, and Global Voices Outreach Director, David Sasaki discuss how globally diverse communities use Creative Commons, as well as challenges faced in various regions and projects around the world.
CC Salons are global events, and anyone can start one, no matter where you live. We encourage you to check out our resources for starting your own salon in your area.No Comments »
Last time we checked in on FrostWire, an open-source Bit Torrent and Gnutella client, we noted a distinct promotion of CC-licensed music and content to their community. This push has grown drastically in the months following with FrostClick, FrostWire’s curated blog/directory, constantly featuring new and exciting work released under the full spectrum of our licenses.
Two recent releases in particular highlight the FrostWire community’s appetite for open and free music. Female rapper Kellee Maize’s Aligned Archetype, a CC BY licensed hip-hop record, has already received over 100,000 downloads from the FrostClick community since its debut last week. Derek Clegg’s KJC, a CC BY-SA licensed indie-folk effort, has received over 25,000 downloads in just three days of promotion. These numbers are inspiring to say the least, illuminating the power of curation within communities.
FrostClick is constantly featuring fantastic content, so be sure to check their blog for regular updates.11 Comments »
Like code and numbers? Creative Commons is working to make its websites more metrics-driven and data and reporting on CC adoption globally and within fields such as Open Educational Resources and Open Access publishing more available and regular.
Yesterday, Bing Maps pointed out a new application—Streetside Photos—that it added to its spatial search. Streetside Photos pulls CC licensed images from Flickr to use them in a transformative way—as part of mapping tools that help you navigate the world on different visual levels. Chris at Bing Maps says it best,
“So, you have all these killer photos of different cities around the world just sitting on some hard drive or server and the best you can do with them is send them to friends as is, right? Isn’t it funny that the photos you tend to zip through are the ones with no people in them, but when you were there man it was a cool shot that you just HAD to capture? Well, we’re giving those photos some love (and context) with our latest mash-in to the Bing Maps Application Gallery. We’ve just rolled out a new application that is currently in a tech preview phase that pulls photos from Flickr®, associates them with Bing Maps Streetside photos and then overlays them by stretching the photo to form fit where in the world it belongs. The new application called Streetside Photos is currently available in Seattle, San Francisco and Vancouver (Canada) – (hello, Olympics!!) to view your Flickr photos in a whole new way.”
Bing Maps is a great example of leveraging what CC licenses enable—in this case the ability to reuse and repurpose photos in creative ways that also serve a functional purpose, to better inform people about the cultural landscape of a place. Who doesn’t want to see the awesome orange skeleton from a past Carnaval in SF?1 Comment »
Continuing our guest curation series at the Free Music Archive is Machtdose, a German podcaster with an incredible ear for CC-licensed music. A feature in Phlow Magazine gives some welcome background on the Machtdose team, framing the influences – musically and otherwise – at work in their mix. Check it out at our Free Music Archive portal:
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We discovered the wonderful world of netaudio and netlabels some years ago. From the start we were fond of the idea of freely distributed music and how Creative Commons gave license models for it. Since 2005 we have done a monthly podcast, presenting our favorite tracks from netlabels all over the world. The netlabel scene is so rich in terms of sounds, styles and personalities that we’re always coming back for more.
Regarding openness and sharing, the Brooklyn Museum is an exemplary institution. They are major contributors to The Commons on Flickr, license their online image collection under a CC Attribution-NonCommerical license license, provide API access to this collection, and recently ran a CC-licensed remix contest with Blondie‘s Chris Stein. Needless to say, we were eager to catch up with Shelley Bernstein, Brooklyn Museum’s Chief of Technology, and learn more about how they are using our licenses to open up their catalog of amazing work, shaping the role museums play in a digital age in the process.
Can you give our readers some background on your role at the Brooklyn Museum? BM’s Twitter page describes you as the “Museum’s Chief Geek” – what does that entail?
Officially, I’m the Brooklyn Museum’s Chief of Technology, which means I work with a team of folks here to manage the Brooklyn Museum’s web presence, our gallery technology, and our computer network.
BM’s digital stamp is impressive – an active blog, social network presence, and the 1stfans program in particular all point to an organization that uses technology to better engage its community. What is the benefit, from your end, to this sort of interaction?
A big part of the Brooklyn Museum’s mission is about growing community and visitor experience, so much of what we do online closely ties into that. The blog, the social networking and 1stfans all help put a personal face on the institution and, we hope, allow visitors a chance to see what goes on here direct from staff and interact with us on a very personal level. This kind of engagement grows a more natural relationship with our constituents and one that we hope makes the institution very accessible.
BM licenses all of its images under a CC Attribution-NonCommerical license. Why did you choose this license and what has the experience been like? Have there been any interesting cases of re-use?
Chuck Severance, clinical professor at the University of Michigan’s School of Information, recently published a new textbook in 11 days because he was able to remix an existing textbook. The book, Python for Informatics: Exploring Information, is currently being used in his winter semester Networked Computing course. The textbook is based on the openly licensed book Think Python: How to Think like a Computer Scientist by Allen B. Downey. Students are able to take advantage of the University Library’s Espresso Book Machine to print on-demand copies for approximately $10. Python for Informatics is available under a CC BY-SA license.
Severance explains, “the book is a cool example of a situation where I’ve finally got to the ‘remixing’ bit of the Open promise.” The first 10 chapters are done and eight more are planned for completion by April 2010. Read more of Chuck’s thoughts about remixing an open book.
Creating this open textbook was a part of a larger effort by Chuck to support his course with openly licensed content, and current versions of lecture slides and videos are published via the PythonLearn website. In a past iteration of the course, Chuck went through the dScribe process developed by Open.Michigan to create an OER version of SI 502, available under a CC BY license.1 Comment »
The UK government recently made a splash with its move towards opening government data. Now CC Australia’s Jessica Coates shares a promising government initiative in her home country. The Victorian Government has become the first Australian government to commit to using Creative Commons as the default licensing system for its public sector information (PSI). Many of its reports and other works will use CC BY, which she explains is becoming the preferred license for Australian PSI.
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The commitment is part of the Government’s response to its Economic Development and Infrastructure Committee’s Inquiry into Improving Access to Victorian Public Sector Information and Data, which recommended that the Victorian Government adopt a “hybrid public sector information licensing model comprising Creative Commons and a tailored suite of licences for restricted materials.”
Specifically, the response (which is under CC BY-NC-ND) states at p.8 that:
he Victorian Government endorses the committee’s overarching recommendation that the default position for the management of PSI should be open access. The Victorian Government further commits to the development of a whole-of-government Information Management Framework (IMF) whereby PSI is made available under Creative Commons licensing by default with a tailored suite of licences for restricted materials.
As far as we are aware, this is the strongest commitment to Creative Commons implementation made by any Australian government. While there have been a number of excellent CC-friendly recommendations coming out of recent government inquiries – notably the Government 2.0 and Venturous Australia reports – these are yet to be officially adopted. And while there are some excellent implementation projects – the Victorian Government specifically mentions the Australian Bureau of Statistics and Queensland’s Government Information Licensing Framework – these are still limited to individual agencies.
We’ll be very excited to see where the Victorian goes from here.
The Creative Commons Salon NYC is back in action on March 3rd at the Open Planning Project‘s uber cool penthouse space from October. The theme for this salon is “Opening Education”, and if you don’t really know what that means, think CC licenses as applied to various learning contexts and you’re off to a good start. To learn more, come by for a good time and free (as in beer) beer. The basic line-up is as follows:
- Eric Frank, founder and Chief Marketing Officer of Flat World Knowledge, a commercial textbook publishing company that is leveraging CC licenses as part of their business model—basically offering free digital textbooks via CC BY-NC-SA, but charging for the prints and supplementary materials. (Is this business model working? Come and find out!) Eric was previously “Director of Marketing for Prentice Hall Business Publishing, a division with annual sales in the hundreds of millions.”
- Neeru Paharia, co-founder of the Peer 2 Peer University (P2PU), a grassroots education project that moves learning outside of institutional walls (for free) by leveraging the internet, social software, and CC licensed content. Neeru is formerly the Executive Director of Creative Commons and is finishing up her doctorate at the Harvard Business School in Behavioral Economics.
- A panel of K-12 technologists/educators on the cutting edge of their fields who incorporate CC licenses and social media into their classrooms. They will give a run-down on what they do, how they do it, and answer questions about the challenges they face from curious folk like you. The panel consists of: Dave Bill, Technology Integrator at the Dwight School and TEDxNYED organizer; arvind s grover, co-host of 21st Century Learning (a podcast about… 21st century learning) and Director of Technology at the Hewitt School (also a TEDxNYED organizer); and Kerri Richardson Redding, Director of Academic Technology at the Brooklyn Friends School.
I’ll also be available as the Communications Coordinator for Creative Commons to give updates on CC in education and answer your general questions. John Britton (Lead Developer at Flat World Knowledge) will also be available to talk about his experience organizing the Mozilla Drumbeat/P2PU course, “Mashing Up the Open Web.”
Wednesday, March 3rd, from 7-10pm
The Open Planning Project
148 Lafayette St
Between Grand & Howard
New York, NY
Beer is courtesy of Flat World Knowledge and we are generously being hosted by Gotham Schools, “an independent news source about the New York City Public Schools” that is “an initiative of The Open Planning Project, a Manhattan-based nonprofit dedicated to empowering civil society through technology.” If you’ve didn’t make it to any past CC Salons, don’t miss this one, and if you did, you’ll know to come early as space is limited.
RSVP to the event via Facebook or by e-mailing me: janepark [at] creativecommons.org.No Comments »
On Febuary 25th the Open Video Alliance will be hosting a wireside chat with CC founding board member Lawrence Lessig to discuss copyright, fair use, and online video. While the talk itself will be taking place at the Berkman Center for Internet & Society at Harvard Law School, it will also be broadcast live online – as such, the OVA are encouraging screenings to be set up around the globe:
This is a talk about copyright in a digital age, and the role (and importance) of a doctrine like “fair use.” Fair use allows limited use of copyrighted material without requiring permission from the rights holders, and is essential for commentary, criticism, news reporting, remix, research, teaching and scholarship with video.
As a medium, online video will be most powerful when it is fluid, like a conversation. Like the rest of the internet, online video must be designed to encourage participation, not just passive consumption. Tune in here on February 25th, 6:00pm US Eastern time (GMT -5), or check out our screening events in cities across the world.
Events are already planned for New York, San Francisco, and Los Angeles with more in the works in Washington DC, Austin, Toronto and Rio de Janeiro. If you are interested in hosting your own, head to the OVA website where you can fill out a registration form and apply for a microgrant to help get your event off the ground.1 Comment »