Wiki Loves Monuments is one of the most successful free culture events worldwide. A global photo competition organized by local Wikimedia chapters and groups, it has been running since 2010 and has grown larger each year. For 2014, we speak to Saqib Qayyum from Wikimedia Pakistan about how the event will help promote the commons to new communities.
Tell us about Wikimedia in Pakistan, and Pakistan’s open community.
Wikipedia is the 7th most most visited website in Pakistan and is known by the vast majority of the more than 30 million Internet users in the country. Despite having financial and social challenges, Pakistani people are embracing the Internet and the growth rate of internet users is on the rise.
Surprisingly, however, the English language edition of Wikipedia has only a thousand or so registered volunteer editors from Pakistan. When you compare it with the overall number of internet users in the country, this figure is miniscule. The most disappointing fact is that out of those thousand or so registered editors, less than 100 – mostly students – actively contribute to the world’s largest free encyclopedia. The people of Pakistan are not contributing as much to Wikipedia as they should.
The national language Urdu is also underrepresented on the internet and is experiencing an online stagnation. The Urdu edition of Wikipedia has more active editors from India than from Pakistan. There’s a strong need to encourage people to get involved with Wikipedia and push them to collaborate and exchange useful digital materials freely online.
With regards to the open source community in Pakistan, the situation is analogous to that on Wikipedia. Outside of a core group of members of Mozilla Pakistan and Linux Pakistan, the majority of internet users are not familiar with the free culture and open movements. This, in all likelihood, is due to a lack of widespread awareness of the movements.
Even as Pakistan is experiencing a widespread internet penetration amongst the public, unfortunately the country has not yet adapted well to the ideas of free culture and open. Copyright protection in Pakistan is a critical issue and copyright infringement and online piracy has always been a concern. With Wikimedia Pakistan, we can help to raise awareness of the advantages and benefits of having open and free platforms, and the major role this could play in developing our market and economy.
We all need to play our part in ensuring a bright future for the open and free internet. I think the success of the movement globally depends on participation of people from not only the developed countries but also from the Global South.
How did you get involved with the open source and Creative Commons movements?
When I wonder why people are not very interested in open educational resources such as Wikipedia or other movements that promote free and open content, I imagine one factor might be due to the low literacy rate in Pakistan, or the deficiency in human rights educational initiatives in the country.
Many people who know me over the internet assume I am a university student or a professional in the information technology sector, but the fact is I’m actually a college dropout and work part-time in my family-owned manufacturing company and deal with overseas clients. Therefore, I am able to be connected to the internet for most of the time, and am able to keep active on Wikimedia projects as a result. So my devotion to the free culture and open movements isn’t a professional pursuit, but one I indulge in because it is fun.
Many people, and even my family, ask why I’m involved in the Wikimedia movement, as it doesn’t play a role in building my career and is not connected to my line of work. In short, they think I am wasting my time. I disagree. I believe in the free exchange of ideas and knowledge in this ever changing world and vehemently advocate for the principles of collaboration, openness, transparency and consensus which lay the groundwork for innovation and growth.
Since discovering Wikipedia and Creative Commons as a teenager, I have made it a point to actively promote the concept of free knowledge and open content as I believe the free culture movement can bring broad and positive social change in Pakistan.
Right now, I’m involved with the free web-based travel guide project, Wikivoyage, and am planning to publish a travel guide book for Karachi, my hometown, drawing upon materials I and others have contributed to the Creative Commons licensed Wikivoyage project. There is the possibility this could be the first Creative Commons-licensed book in Pakistan.
What is the history of Wiki Loves Monuments?
Wiki Loves Monuments is an international photographic competition held worldwide each year during the month of September, and organised by the volunteer Wikimedia community members. The first Wiki Loves Monuments competition was held in 2010 in the Netherlands as a pilot project. In 2011, it spread to around 18 countries in Europe and more than 170,000 photographs of cultural heritage sites were uploaded to Wikimedia Commons. According to the Guinness Book of Records, the 2011 edition of Wiki Loves Monuments broke the world record for being the largest photography competition in the world. In 2012, the competition was organised on much bigger scale and extended beyond Europe, with a total of 35 participating countries and more than 363,000 photographs were contributed by more than 15,000 participants from around the globe. Last year, the Wiki Loves Monuments competition was held across six continents including Antarctica and had official participation from more than fifty countries.
What do you hope to achieve with the Wiki Loves Monuments Pakistan competition?
Wiki Loves Monuments is one of the most successful initiatives of the Wikimedia movement. Over the past three years, more than 15,000 people, who have never contributed to Wikimedia projects, participated in Wiki Loves Monuments for the first time.
With Wiki Loves Monuments Pakistan, I’m trying to encourage people in Pakistan to contribute to Wikipedia and motivate them to use Creative Commons licensing. It takes a lot of time and energy to edit an article on Wikipedia, but it’s pretty simple, fun and easy to take a photograph and upload it.
I believe once people participate in Wiki Loves Monuments Pakistan they will eventually start to contribute to Wikipedia, which is amongst the most successful products of the open and free internet. Thus, they will eventually come to learn about the concept of a free culture movement. Wiki Loves Monuments Pakistan, in my opinion is the best, quickest and easiest way to introduce the free culture movement to the country. I think Wiki Loves Monuments Pakistan will bring a change in mindset of Pakistani people as to how they see the Internet. It will also spread awareness of free licensing and copyright amongst the people and will hopefully encourage a change in the mindset that knowledge should be freely accessible to anyone that we all should play our part to make this possible.
Why is Creative Commons licensing important to the competition?
Creative Commons is central to the competition in the same sense that it is important to the world’s largest encyclopedia Wikipedia, the most-used search engine on the web Google, and the largest and popular photograph database Flickr. I don’t think there’s really a good reason why one shouldn’t use Creative Commons licenses. Creative Commons licenses were specifically designed for creative works and photography is a creativity, an art. It gives freedom for sharing information and knowledge and aims to encourage creative sharing. Many professional photographers in Pakistan might feel uncomfortable about releasing their photographs under a free license but it’s worthwhile to release at least part of your work under a Creative Commons license. Even a small part would work and be more than enough.
The Creative Commons license provides an easy and flexible way to share, and enable reuse of, photographs which enables maximum public exposure, at no cost, for both the photographer and their work. Creative Commons licensing also gives the photographer control on how they want to distribute their works whilst still receiving credit for the work.
How do people get involved?
Participating in Wiki Loves Monuments Pakistan is really straightforward. Lists of eligible sites to be photographed have been made available online on Wikipedia. All you need to do is register an account on the Wikimedia Commons media repository, choose the sites from the list to photograph, take photographs of your chosen sites and upload the photographs to Wikimedia Commons. That’s it!
By getting involved in the competition you are helping to document Pakistan’s rich cultural heritage for current and future generations, and helping to contribute towards the expansion of free knowledge for all. Additionally, by participating in the Wiki Loves Monuments Pakistan competition, you may be eligible to win a fantastic cash prize and even become part of a growing community that believes in making knowledge freely available to all.
The Wiki Loves Monuments Pakistan website gives detailed instructions on how one can participate. I’m very excited to welcome everyone to participate in the first edition of the Pakistani competition; whether you’re a professional or amateur photographer or someone who has never engaged in photography before.Comments Off
The following is a guest post by Beck Pitt, researcher at the Open University’s OER Research Hub. We are collaborating with Beck and her team to investigate attitudes towards sharing educational resources online and the impact of School of Open courses.
Are you curious about what it means to research openly and what benefits it could have? Interested in how you can be open and ethical when conducting research? Wondering how openness could help raise the profile of your research? Thinking about the benefits of sharing reflections on your research?
The award-winning, Hewlett Foundation-funded OER Research Hub based at The Open University (UK) is pleased to announce its very own School of Open course in collaboration with the Peer 2 Peer University and Creative Commons. It opens for sign-up today at https://p2pu.org/en/courses/2377/open-research/.
Over six months in the making and peer-reviewed by the community, this new School of Open course offers the opportunity to explore the concept and practices of open research with participants from around the world. The course has been designed for any researcher who has an interest in utilizing open techniques and practices in their own research.
Join researchers Bea de los Arcos, Rob Farrow, Beck Pitt, and project manager Natalie Eggleston for this four-week course that explores what open research is and the issues involved around it, including: ethics, dissemination, reflection, and evaluation. The course starts Monday, 15 September 2014 and features its very own “Open Research” badge for course completion and participation.
To sign up, simply click the “Start Course” button on the lower left of the course page once you have signed into or registered for a p2pu.org account. Sign-up will remain open through Friday, 12 September.
About the OER Research Hub
The OER Research Hub is an international open research project examining the impact of open educational resources (OER) on learning and teaching practices. It works collaboratively with initiatives, projects and organisations around the world, disseminating its research and curating evidence for the impact of OER on its Impact Map.
About the School of Open
The School of Open is a global community of volunteers focused on providing free education opportunities on the meaning, application, and impact of “openness” in the digital age and its benefit to creative endeavors, education, and research. Volunteers develop and run online courses, offline workshops, and real world training programs on topics such as Creative Commons licenses, open educational resources, and sharing creative works. The School of Open is coordinated by Creative Commons and P2PU, a peer learning community for developing and running free online courses.Comments Off
Creative Commons and the Open Policy Network are pleased to announce the first round of fellows for the Institute for Open Leadership. The Institute is a training program to develop new leaders in education, science, public policy, and other fields on the values and implementation of openness in licensing, policies, and practices. We received over 90 applications from around the world and representing a broad diversity of fields. Here are the fellows for this year.
- Dairo Alexander Escobar Ardila; Instituto Humboldt – SiB Colombia; Bogotá, Colombia
- David Ernst; University of Minnesota; St. Paul, Minnesota, USA
- Eric Phetteplace; California College of the Arts; Oakland, California, USA
- Fátima Silva São Simão; UPTEC – Science and Technology Park of the University of Porto; Porto, Portugal
- Georgia Angelaki, National Documentation Center/Hellenic Research Institute; Athens, Greece
- Jagadish Chandra Aryal; Social Science Baha; Kathmandu, Nepal
- Jane Gilvin; National Public Radio; Washington, D.C., USA
- Julian Carver; Land Information New Zealand; Christchurch, New Zealand
- Klaudia Grabowska; Polish History Museum; Warsaw, Poland
- Mohamud Ahmed Rage; Ministry of Higher Education & Culture, Somalia; Mogadishu, Somalia
- Nasir Khan; Management Information Services, Directorate General of Health Services, Bangladesh; Dhaka, Bangladesh
- Paul UE Blackman; Barbados Community College; St. Michael, Barbados
- Vincent Kizza; Open Learning Exchange Uganda; Kampala, Uganda
- Werner Westermann Juarez; Instituto Profesional Providencia, Santiago, Chile
The in-person portion of the Institute will take place in San Francisco, California in January 2015. The fellows will be develop, refine, and work to implement a capstone open policy project. The point of this project is for the fellow to transform the concepts learned at the Institute into a practical, actionable, and sustainable initiative within her/his institution.
Congratulations to the fellows, and thank you to all the applicants.Comments Off
Whether patients, or part of traffic, or exercising or simply walking with one of the behavioral trackers du jour, we are constantly giving data about ourselves and our surroundings to data collecters with few returns. From privacy regulations to bureaucratic barriers to collecting and locking up information just in case it might create monetary value in the future, there are a multitude of barriers between those who collect information and those who want to use it.
With support from Robert Wood Johnson Foundation (RWJF), we are launching two projects exploring different aspects that often get in the way of easy sharing of citizen-sourced information.
In collaboration with the Institute for Human Genetics and EngageUC at UCSF, and Personal Genome Project at Harvard University, we will explore the practical, ethical and legal implications of emphasizing benefits of sharing over the need for privacy at a workshop planned for Spring 2015 in Washington DC. A few of the questions to be tackled at the workshop: What if, instead of emphasizing the imperative of protecting privacy, we emphasized the potential benefits from sharing? Would most patients agree to let their information be shared? more →
Partnering with Manylabs, a San Francisco-based sensor tools and education nonprofit, and Urban Matter, Inc., a Brooklyn-based design studio, and in collaboration with the City of Louisville, Kentucky, and Propeller Health, maker of a mobile platform for respiratory health management, we will design, develop and install a network of sensor-based hardware that will collect environmental information at high temporal and spatial scales and store it in a software platform designed explicitly for storing and retrieving such data.
Further, we will design, create and install a public data art installation that will be powered by the data we collect thereby communicating back to the public what has been collected about them. more →Comments Off
If you’re a fan of photo-and-knowledge-sharing community Fotopedia, you’ve likely heard that the site is closing this Sunday, August 10. When Creative Commons heard the news, we contacted Fotopedia to ask if there were some way that we could help save all of the Creative Commons–licensed photos on the site. Now, we’re working together with the staff at Fotopedia to create a new archive of all of that content. At the same time, our friends at Archive Team are creating a copy of the entire Fotopedia website.
Here at CC, we’ve been big fans of Fotopedia for a long time. The site elegantly mixes together content from Flickr, Wikipedia, and other sources in a way that’s only possible thanks to CC licenses. And over the years, Fotopedia developed an amazing community of people curating all of that content into highly entertaining, visually rich albums.
It’s fitting that all of that work will live on in the new archive. Fotopedia has always been a great example of the power of the decentralized web. Just like Fotopedia brought new life to great photos from Flickr, the archive will bring new life to great photos from Fotopedia.
Creative Commons salutes Fotopedia for its work as a leader in online content-sharing. We wish Jean-Marie Hullot and his team all the best on their future projects.6 Comments »
The keys to an elegant set of open licenses are simplicity and interoperability. CC licenses are widely recognized as the standard in the open access publishing community, but a major trade association recently published a new set of licenses and is urging its members to adopt it. We believe that the new licenses could introduce unnecessary complexity and friction, ultimately hurting the open access community far more than they’d help.
Today, Creative Commons and 57 organizations from around the world released a joint letter asking the International Association of Scientific, Technical & Medical Publishers to withdraw its model “open access” licenses. The association ostensibly created the licenses to promote the sharing of research in the scientific, technical, and medical communities. But these licenses are confusing, redundant, and incompatible with open access content published under other public licenses. Instead of developing another set of licenses, the signatories urge the STM Association to recommend to its authors existing solutions that will truly promote STM’s stated mission to “ensure that the benefits of scholarly research are reliably and broadly available.” From the letter:
We share a positive vision of enabling the flow of knowledge for the good of all. A vision that encompasses a world in which downstream communicators and curators can use research content in new ways, including creating translations, visualizations, and adaptations for diverse audiences. There is much work to do but the Creative Commons licenses already provide legal tools that are easy to understand, fit for the digital age, machine readable and consistently applied across content platforms.
So, what’s really wrong with the STM licenses? First, and most fundamentally, it is difficult to determine what each license and supplementary license is intended to do and how STM expects them each to be used. The Twelve Points to Make Open Access Licensing Work document attempts to explain its goals, but it is not at all clear how the various legal tools work to meet those objectives.
Second, none of the STM licenses comply with the Open Definition, as they all restrict commercial uses and derivatives to a significant extent. And they ignore the long-running benchmark for Open Access publishing: CC BY. CC BY is used by a majority of Open Access publishers, and is recommended as the optimal license for the publication, distribution, and reuse of scholarly work by the Budapest Open Access Initiative.
Third, the license terms and conditions introduce confusion and uncertainty into the world of open access publishing, a community in which the terminology and concepts utilized in CC’s standardized licenses are fairly well accepted and understood.
Fourth, the STM licenses claim to grant permission to do many things that re-users do not need permission to do, such as describing or linking to the licensed work. In addition, it’s questionable for STM to assume that text and data mining can be regulated by their licenses. Under the Creative Commons 4.0 licenses, a licensor grants the public permission to exercise rights under copyright, neighboring rights, and similar rights closely related to copyright (such as sui generis database rights). And the CC license only applies when at least one of these rights held by the licensor applies to the use made by the licensee. This is important because in some countries, text and data mining are activities covered by an exception or limitation to copyright (such as fair use in the United States), so no permission is needed. Most recently the United Kingdom enacted legislation specifically excepting noncommercial text and data mining from the reach of copyright.
Finally, STM’s “supplementary” licenses, which are intended for use with existing licenses, would only work with CC’s most restrictive license, Attribution-NonCommercial-NoDerivatives (BY-NC-ND). Even then they would have very limited legal effect, since much of what they claim to cover is already permitted by all CC licenses. As a practical matter, these license terms are likely to be very confusing to re-users when used in conjunction with a CC license.
The Creative Commons licenses are the demonstrated global standard for open access publishing. They’re used reliably by open access publishers around the world for sharing hundreds of thousands of research articles. Scholarly publishing presents a massive potential to increase our understanding of science. And creativity always builds on the past, whether it be a musician incorporating samples into a new composition or a cancer researcher re-using data from past experiments in their current work.
But to fully realize innovations in science, technology, and medicine, we need clear, universal legal terms so that a researcher can incorporate information from a variety of sources easily and effectively. The research community can enable these flows of information and promote discoveries by sharing writings, data, and analyses in the public commons. We’ve already built the legal tools to support content sharing. Let’s use them and not reinvent the wheel.
Questions should be directed to firstname.lastname@example.org Comment »
Creative Commons is happy to announce the launch of CC Belarus. Youth organization Falanster is now the belarusian Creative Commons affiliate team!
On August 29, the official launch of CC Belarus will take place in Minsk. For now, CC Belarus will focus on the following topics:
- researching the applicability of Creative Commons licenses in Belarusian legislation
- connect with foreign teams to exchange experiences
- organizing open discussions on adding Creative Commons licenses to Belarusian law
- create a platform to discuss the reform of Belarusian Copyright Law
- inform the Belarusian public about Creative Commons
Falanster began using Creative Commons licenses on its own sites (falanster.by, pirates.by, drupal-sliot.by), has been hosting meetings to endorse the open source principles, organised the Minsk Open Data Day in 2014, and has hosted several summer courses with lectures and panel discussions about copyright law and necessary reforms. Since 2013, Falanster has been holding Wiki-Days periodically, encouraging participants to add articles and photos to Wikipedia (Belarusian, Russian, English). The team has also been spreading information about Creative Commons through leaflets.Comments Off
After months of discussions, deliberations, and planning between CC staff, African Regional Coordinators, African Affiliate teams, and others in the open space, Creative Commons Africa is set to storm Africa by having a continent-wide launch for School of Open in September.
School of Open is a global community of volunteers providing free online courses, face-to-face workshops, and innovative training programs on the meaning, application, and impact of “openness” in the digital age. Through School of Open, you can learn how to add a Creative Commons license to your work, find free resources for classroom use, open up your research, remix a music video, and more!
School of Open programs will be launched in Kenya, Tanzania, Nigeria, and South Africa in September on a series of topics ranging from Creative Commons licensing, intellectual property protection, open society concepts, and the Linux operating system .
Strategic collaborations are underway with the Mozilla Foundation, Nigerian Institute of Advanced Legal Studies, WikiAfrica, University of Lagos, University of Tanzania, and the Institute of Educational Management Technology of the Open University of Tanzania to make the launch a success.
School of Open Kenya
School of Open Kenya already started out as a trail blazer by organizing a two-week after school program that introduces high school students to open culture through the use of online School of Open courses and related open educational resources (OER). The training was designed to satisfy the academic needs of the students and to enable the students to use open tools such as Creative Commons licenses to create and share knowledge, as well as learning required subjects in new and creative ways. The students integrated the School of Open training into their school work and were able to produce projects such as this Titration Demo video by the Lenana School under CC BY. Despite its long strides, Jamlab and CC Kenya are not resting their oars; they will be launching a Train the Trainers program this September where they will train 10+ community members to organize and run SOO workshops in more high schools and in neighboring countries. SOO Kenya will also host a SOO Africa launch event and Maker Party entitled PopJam. Jamlab + CC Kenya, in collaboration with Mozilla Kenya and Wikipedia Kenya, will host the event for 5 high schools in the region. Stay tuned for details!
School of Open South Africa
CC South Africa hosts three projects under the School of Open initiative. The first is the #OpenAfrica project where in conjunction with WikiAfrica, open advocates from Cote d’Ivoire, Ethiopia, Malawi, Uganda and Ghana were put through an “open” bootcamp. The month-long camp covered Creative Commons, Wikipedia, Open Street Maps, Open Educational Resources (OER), Open Data, Open Government, and related fundraising and community building skills. Advocates returned equipped with “open” knowledge and skills to their home countries to influence and spur their communities into action. This has resulted in the creation of new CC affiliate teams in Ethiopia and Cote d’Ivoire and the launch of open mandated tech hubs in these communities.
Launching off #OpenAfrica, participants were invited to compete for the first Kumusha Bus stop. The Kumusha Bus is an African adaption of the South American Libre Bus. Ethiopia ‘won’ the first Kumusha Bus stop. The team spent four days inspiring, teaching and sharing at GIZ Headquarters in Addis Ababa. Participants from Sheger Media, AIESEC and Addis Ababa University were in attendance. The four days resulted in the launch of Project Luwi. Luwi is an open source project, aiming to increase the application of open source information and communication technologies (ICT). Luwi intends to create a local community of interested volunteers that is able to foster motivation and creativity around Open Educational Resources (OERs) and supports a culture of sharing information freely in Ethiopia.
The third project is the Creative Commons for Kids program (CC4Kids). CC4Kids was built with Obami, a South Africa-based social learning platform. The course is self-taught and takes about 45 minutes to complete. CC South Africa was invited to teach its first course as part of a Maker Party at the Code for Cape Town project (Code4CT) with 24 grade 10 and 11 girls from the Centre for Science and Technology (COSAT) in Cape Town, South Africa. For three weeks the girls were trained on how the web works and actively participated in building web content. Instead of policing students’ actions, CC4Kids teaches youth how to open and share their creative and educational works legally through the use of CC licenses. All the girls now have simple web pages they created. CC4Kids’ next Maker Party will be held at RLabs in August. Stay tuned!
School of Open Tanzania
CC Tanzania is planning to host three sets of trainings. The first will be an ICT empowerment training for unemployed youth, the second will focus on teaching persons with disabilities how to use computers, and the third will focus on training educators on using ICT to improve how they teach their students. Participants will become new School of Open volunteers, improving and running future training programs as a way to give back to and grow their community. Development will be led by CC Tanzania volunteers with expertise in law, journalism, and information technology. CC Tanzania will host a joint SOO Africa launch event + Mozilla Maker Party, date and location TBD.
School of Open Nigeria
CC Nigeria will, in five weekends, train participants on Nigerian copyright law, intellectual property protection, and the Linux operating system. The training will have two tracks: the first track being copyright law and the second being the Linux operating System. Participants will have the opportunity to choose either or both tracks. CC Nigeria also plans to host a joint SOO Africa launch event + Mozilla Maker Party during the training. During the event, experienced web users will train participants on easy ways to creating content using Mozilla tools.
SOO Nigeria links:
- Courses schedule: http://creativecommonsng.org/school-of-open-nigeria/
- SOO Nigeria Launch Event & Maker Party: https://events.webmaker.org/#!/events/4526
- Registration form for all SOO Nigeria activities: http://creativecommonsng.org/school-of-open-nigeria/soo2014/
After the continent-wide launch, participants who attended the courses will have together obtained and built knowledge of open culture, IP protection and ICT skills.
Stay tuned to this blog or sign up for School of Open Announcements to be notified when each program launches in September! Learn more about how you can get involved with the School of Open at http://schoolofopen.org.
About Maker Party
School of Open and Creative Commons is excited to be partnering with Mozilla to celebrate teaching and learning the web with Maker Party. Through thousands of community-run events around the world, Maker Party unites educators, organizations and enthusiastic Internet users of all ages and skill levels.
We share Mozilla’s belief that the web is a global public resource that’s integral to modern life: it shapes how we learn, how we connect and how we communicate. But many of us don’t understand its basic mechanics or what it means to be a citizen of the web. That’s why we’re supporting this global effort to teach web literacy through hands-on learning and making with Maker Party.
About the School of Open
The School of Open is a global community of volunteers focused on providing free education opportunities on the meaning, application, and impact of “openness” in the digital age and its benefit to creative endeavors, education, and research. Volunteers develop and run online courses, offline workshops, and real world training programs on topics such as Creative Commons licenses, open educational resources, and sharing creative works. The School of Open is coordinated by Creative Commons and P2PU, a peer learning community for developing and running free online courses.1 Comment »
Rijksmuseum case study: Sharing free, high quality images without restrictions makes good things happen
Girl in white kimono, George Hendrik Breitner, 1894; CC0
Yesterday Europeana published a great case study documenting the experiences of the Dutch Rijksmuseum in opening up access to their collection of digital public domain images. The case study was written by Joris Pekel, community coordinator for cultural heritage at the Europeana Foundation. Over the last few years, Europeana has worked with the Rijksmuseum in order to make available at the highest quality possible images of public domain artworks held by the museum.
The report discusses the Rijksmuseum’s initial apprehension to sharing these high quality images of public domain works. The museum originally planned to share the digital reproductions of public domain works under an open license, such as the Creative Commons Attribution license (CC BY). But after some convincing by organizations that advocate for unrestricted access to the public domain, the Rijksmuseum began to open its collections more by choosing to use the CC0 Public Domain Dedication for the digital reproductions.
The Rijksmuseum began to experiment with how it would offer high quality reproductions of the public domain artworks. The museum adopted a mission-driven approach, and staff understood the opportunity to showcase the best of the museum’s collection as a promotional tool. The marketing department argued that “…The core goal of the museum is to get the collection out and known to the public as much as possible…[and] the digital reproduction of an item would pique public interest in it, leading them to buy tickets to the museum to see the real deal.” The Rijksmuseum also realized that by releasing high quality digital reproductions of works out of copyright, it could help educate the public by providing true-color images and accurate metadata about the works.
Instead of worrying that making available high quality digital reproductions of public domain artwork for free would destroy a piece of the museum’s revenue stream, the Rijksmuseum initially adopted a hybrid approach. They made images available in two sizes: .jpg images at approximately 4500×4500 pixels were free, while the huge 200MB master .tiff files were made available for €40. The museum saw a steady increase in revenue from image sales, but eventually decided to discontinue the tiered offerings. Since October 2013 the Rijksmuseum has been releasing their highest quality images for free.
The Rijksmuseum has found a way to support broad access to its rich collection of cultural heritage resources. And it’s done so in such as way that promotes interest by new audiences, recuperates costs, and upholds the principles of supporting unrestricted access to the digital public domain.
Take a look at the full case study.Comments Off
Project 365 #303: 301009 Blink And You’ll Miss It! / Pete / CC BY
Another run of School of Open courses is starting up in August, September and October! The first course to kick things off is a second iteration of “Why Open?” “Why Open?” was collaboratively developed and facilitated one year ago in August 2013; now the facilitators are back to run it a second time from 10 August to 5 September 2014. What is “Why Open?” From its About page,
Why Open? What does open mean? Does it mean free? Does it mean without restriction? What is the role of the producer? What is the role of the consumer? Why is open important? How does open relate to you and your area of expertise?
In this course, we will discuss and answer these questions. With your help, we will explore the different meanings of open in various contexts as well as its benefits and issues. Participants will use open practices to complete a series of open activities that builds into a final project.
Facilitators include Christina Hendricks (Philosophy lecturer at the University of British Columbia), Simeon Oriko (School of Open Kenya Initiative), Jeanette Lee (English lit and writing teacher), and myself.
Read more about the course over at the School of Open blog.
Sign-up is open now through 10 August; to join, simply click the ‘Start Course’ button on the lower left of the course page.Comments Off