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Classical Music Goes Digital (& CC)

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John Buckman from Magnatune drew our attention to recent press coverage about the Philharmonia Baroque Orchestra’s decision to eschew traditional music distribution methods and release their performance of Handel’s 1736 opera “Atalanta” exclusively through Magnatune. Apparently, the Orchestra’s decision was prompted by disappointing CD sales. Now the music can be enjoyed either by streaming at…

Reopening the Sundman files

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Gonzo SF novelist John Sundman was an early adopter of Creative Commons and of publishing books on the web before Creative Commons existed. About three years ago I read his first two books, Acts of the Apostles and Cheap Complex Devices (both highly recommended) and intended to interview him shortly after. The interview didn’t happen…

Beatpick flatters Magnatune business model

Uncategorized post

If imitation is the best form of flattery, London-based record label BeatPick is handing it to Berkeley and London-based label Magnatune in spades. Similarities include CC license used (Attribution-NonCommercial-ShareAlike), a 50/50 artist/label revenue split, a menu of commercial licensing options and availability of wav, mp3 and ogg downloads. Of course it’s about the music and…

CC in Review: Lawrence Lessig on Important Freedoms

Copyright post

[This email is part of a weekly series written by Lawrence Lessig and others about the history and future of Creative Commons. If you would like to be removed from this list, please click here: https://creativecommons.org/about/lessigletter#unsubscribe Alternatively, if you know others who might find these interesting, please recommend they sign up at https://creativecommons.org/about/lessigletter ] From…

CC in Review: Lawrence Lessig on Compatibility

Copyright post

[This email is part of a weekly series written by Lawrence Lessig and others about the history and future of Creative Commons. If you would like to be removed from this list, please click here: https://creativecommons.org/about/lessigletter#unsubscribe Alternatively, if you know others who might find these interesting, please recommend they sign up at https://creativecommons.org/about/lessigletter ] From…

Kembrew McLeod

Open Culture post

Kembrew McLeod is currently an Assistant Professor, University of Iowa, Department of Communication Studies. In addition to being an academic, Kembrew is a self-professed prankster. In 1998 he trademarked the phrase “Freedom of Expression®” as a comment on how the intellectual property law is being used to fence off culture and restrict the way in…

Illegal Art

Open Culture post

A museum exhibit called “Illegal Art” might sound like a history of naughty pictures. Turns out that the exhibit (through July 25 at SF MOMA Artist’s Gallery) is more innocuous than most primetime TV: A Mickey Mouse gasmask. Pez candy dispensers honoring fallen hip-hop stars. A litigious Little Mermaid. Not kids’ stuff, exactly—but illegal? Copyright…

Interview with Flickr

Open Culture post

Flickr is a new photo management application that lets you annotate photos, share them with friends and family, and now, apply Creative Commons licenses to your shared photos. Flickr’s co-founder, Stewart Butterfield, talked to Creative Commons about this interesting application. Creative Commons: Can you tell us how flickr came to be? Stewart Butterfield, Flickr: That’s…

Independent Musicians

Open Culture post

Scott Andrew LePera founded the lo-fi folk-rock project the Walkingbirds in 1998, around the same time he discovered the Web. Since then he’s actively recorded and released songs in MP3 format directly onto the Web from his little bedroom studio in Northern California. The Walkingbirds’ website sees several hundred downloads each month from all over…

Opsound's Sal Randolph

Open Culture post

Meet Sal Randolph, the New York-based artist behind Opsound, a new online record label that has adopted the concepts of open source and copyleft and adapted them to music production. Opsound invites musicians to contribute sounds to a “sound pool” licensed under a Creative Commons Attribution Share-Alike license. Others can then take sounds from the…