Seattle Times

“Digital art forming new battleground over royalties, by Sarah Lai Stirland

A Metamorphosis?

“A Kafkaesque state of affairs has effectively closed off access to thousands of old movies, books and pieces of music because the copyright owners can’t be located.” From a nice article about Creative Commons and content licensing by Sarah Lai Stirland in the Seattle Times.

Signs of the Times

The New York Times profiles our very own Matt Haughey’s Ticketstubs project today, and the Times’s Amy Harmon has a nice piece about the potential for positive developments in the wake of Eldred.

After Eldred

The Supreme Court has ruled 7-2 against the petitioners in Eldred v. Ashcroft. (See Lessig’s blog and the Eldred site for official news and responses.) What now? Creative Commons marches on as before, but with a pronounced sensitivity to the need to offer copyright holders who want to forgo long or broad copyright protections a … Read More “After Eldred”

Take This Piece . . .

Arnold Kling of Tech Central Station meditates upon the scatology of the commons in “Content is Crap”. Dan Gillmor, Siva Vaidhyanathan, and folks on Slashdot respond.

Down and Out Up and Away

Wired News says Cory Doctorow “walks the walk” with the Creative Commons licensing of his Down and Out in the Magic Kingdom. An excerpt from the story: “I don’t believe that I am giving up book royalties,” Doctorow said about persuading his publisher, Tor Books, to make Down and Out available digitally for free under … Read More “Down and Out Up and Away”

Come Together

Richard Koman has a nice first-hand account of our license release party on the O’Reilly Network. (This slipped past our radar last week.) Koman describes the event as an Eldred v. Ashcroft “reunion night,” which is somewhat accurate, though we’ll take the opportunity to remind folks that Creative Commons has no official ties to the … Read More “Come Together”


“Who Controls Information?,” ” By Kevin Werbach.