Blog - Page 356 of 397 - Creative Commons

CC-enhanced search engine

Mike Linksvayer, March 1st, 2004

Today we announce a search engine prototype exclusively for finding Creative Commons licensed and public domain works on the web.

Indexing only pages with valid Creative Commons metadata allows the search engine to display a visual indicator of the conditions under which works may be used as well as offer the option to limit results to works available licenses allowing for derivatives or commercial use.

This prototype partially addresses one of our tech challenges. It still needs lots of work. If you’re an interested developer you can obtain the code and submit bugs via the cctools project at SourceForge. The code is GNU GPL licensed and builds in part upon Nathan Yergler’s ccRdf library.

We also have an outstanding challenge to commercial search engines to build support for Creative Commons-enhanced searches.

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Moving Images Contest Winners Announced

Matt Haughey, February 28th, 2004

We’re happy to announce the winners in our GET CREATIVE!: Moving Images Contest. Last fall, we asked aspiring filmmakers and flash artists to create a short film that explained the mission of the Creative Commons. Our panel of judges has selected the top three entries and they’re all terrific. We want to thank everyone that entered, everyone that helped spread the word, our judges for taking time to help us with the contest, and most of all thanks and congratulations to Justin Cone, Sheryl Seibert, and Kuba & Alek Tarkowski.

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No Derivatives — Or Else . . .

Glenn Otis Brown, February 28th, 2004

The New York Times today reports on a surreal U.S. Treasury Department Policy:

Anyone who publishes material from a country under a trade embargo is forbidden to reorder paragraphs or sentences, correct syntax or grammar, or replace “inappropriate words,” according to several advisory letters from the Treasury Department in recent months.

Adding illustrations is prohibited, too. To the baffled dismay of publishers, editors and translators who have been briefed about the policy, only publication of “camera-ready copies of manuscripts” is allowed.

The article does not make clear whether the policy rationale stems from concern for the moral rights of authors in rogue nations.

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Wired News

Press Robot, February 28th, 2004

Copyright Enters a Grey Area,” by Noah Shachtman.

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Wired News

Press Robot, February 28th, 2004

Grey Album Fans Protest Clamdown,” by Katie Dean.

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SF Bay Guardian

Press Robot, February 28th, 2004

Some Rights Reserved,” by Annalee Newitz.

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T-minus a fortnight

Glenn Otis Brown, February 28th, 2004

Just a little over two weeks until South by Southwest, the wonderful tech-film-music conference in Austin, Texas, USA (my beloved hometown). If you’re in town, come check out our two panels on music (Sample, Share, or Both?) and film (Can Copyright Bring the Audience to the Director?) the morning of March 15. That night we’ll have a free party at El Sol y La Luna, a great Mexican spot on South Congress, co-hosted by our friends at the EFF and Common Content. Let us know if you think you’ll make it by.

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Alt.Publishing

Glenn Otis Brown, February 28th, 2004

Annalee Newitz has a nice article in this week’s SF Bay Guardian about independent publishing and the some rights reserved copyright model.

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iCommons expands to Croatia, Spain — plus Catalonia

Matt Haughey, February 26th, 2004

Creative Commons has recently expanded the iCommons project further to include Croatian, Spanish, and Catalan drafts in progress. They join the other jurisdictions in the effort to port Creative Commons licenses to the framework of international law. Every country has an ongoing discussion so if you’re interested in helping bring the licenses to these places, feel free to join in. The associated press releases are also online.

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Creative Commons to Offer Spanish and Catalan Copyright Licenses with University of Barcelona

Matt Haughey, February 26th, 2004

University of Barcelona is spearheading the effort to translate Creative Commons licenses into Spanish and Catalan.

Palo Alto, USA and Barcelona, Spain – Creative Commons, a nonprofit dedicated to building a body of creative works free for copying and re-use, announced today that formal work has begun for expanding its International Commons (iCommons) project to the Iberian peninsula, with both Spanish and Catalan translations in the works.

The University of Barcelona will lead the effort.

“We are thrilled to be working with the University of Barcelona,” said Lawrence Lessig, Chairman of Creative Commons and professor of law at Stanford. “With its rich heritage and linguistic reach, Spain can serve as a model for many countries in expanding the global cultural commons. And we’re excited to begin work on Catalan versions of the licenses in parallel.”

“We think that Creative Commons’ project is very interesting and therefore we have decided to promote it from a public institution as the University of Barcelona,” said Ignasi Labastida i Juan, project lead of the iCommons efforts in Spain and Catalonia. Ignasi Labastida i Juan added, “Since the project of the licenses appeared, we thought that we needed adaptations for our own laws and in our languages. The idea to create iCommons Catalonia was very important to us since we are not well known but we speak the seventh language in the EU in terms of number of speakers – more than ten million.”

First announced in March 2003, iCommons is Creative Commons’ project to make its machine-readable copyright licenses useful worldwide. As the lead institution, University of Barcelona will coordinate a public effort literally and legally to translate the Creative Commons licenses. University of Barcelona will field comments on an archived email discussion at the Creative Commons website:

http://www.creativecommons.org/discuss#spain
http://www.creativecommons.org/discuss#catalonia.

Spain and Catalonia join Brazil, Croatia, Italy, Ireland, Finland, Japan, China, Taiwan, France, and the UK in the iCommons effort. Several other iCommons jurisdictions and languages will soon follow.

More about Creative Commons

A nonprofit corporation, Creative Commons promotes the creative re-use of intellectual works, whether owned or in the public domain. It is sustained by the generous support of The Center for the Public Domain, the John D. and Catherine T. MacArthur Foundation, and the Hewlett Foundation. Creative Commons is based at Stanford Law School, where it shares staff, space, and inspiration with the school’s Center for Internet and Society.

For general information, visit http://creativecommons.org/.

For more information about iCommons, see http://creativecommons.org/projects/international/.

More about University of Barcelona

The University of Barcelona, founded in 1450, is the oldest and largest of the six universities in Barcelona, and of the ten in Catalonia. It has 76,000 students – more than half of the total student population of Catalonia – and is the second largest in terms of students number in Spain. The University of Barcelona has four campuses, in different parts of the city. The University is the main Spanish university research centre, and one of the leaders in Europe, in terms of projects and the quality achieved in this field. One of the aims of the University is to create, transmit and expand the cultural, scientific, and technical knowledge and to contribute to society’s development.

The university is particularly interested in fostering international relations, and for many years has been the leader among European universities in numbers of student exchanges organized as part of the Erasmus program. Since 1995, the UB has implemented a quality program aiming fundamentally to design mid and long term strategies in order to evaluate and improve teaching and research in public higher education.

For more information about University of Barcelona, visit http://www.ub.edu/.

Contact

Christiane Asschenfeldt (Berlin)
iCommons Coordinator, Creative Commons
christiane@creativecommons.org

Ignasi Labastida i Juan (Barcelona)
Project Lead, iCommons Spain
University of Barcelona
ilabastida@ub.edu

Glenn Otis Brown
Executive Director (Palo Alto)
1.650.723.7572 (tel)
1.415.336.1433 (cell)
glenn@creativecommons.org

http://creativecommons.org

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