Joshua has offered his songs under an Attribution-Noncommercial-ShareAlike license. If you buy a song for 50 cents, or the entire album for $3.50, you’re then free to copy, distribute, and make derivative works — as long as you give Joshua attribution, don’t make commercial uses, and release all derivative works under an Attribution-Noncommercial-ShareAlike license. Joshua says he’s sold over $100 of content within a few days.
Anyone interested in mixing these songs, or putting them into your student film?Comments Off on BitPass + Creative Commons
Our licenses make another appearance on the campaign trail. Check out AmericansForDean.Comments Off on Commons on the Hustings, II
You’ve got to hear this. This week’s featured content is exactly the sort of innovative co-authorship that Creative Commons, and good folks like Opsound, make possible.
Colin Mutchler explains:
About a month after submitting a few acoustic guitar tracks to
Opsound‘s sound pool [and thus releasing the song under an Attribution-ShareAlike license], I got an email from a violinist named Cora Beth, who had added a violin track to one of the guitar tracks, “My Life.” She called it “My Life Changed,” and I think the track is definitely more beautiful now. Maybe eventually we’ll add drums and words.
This is collaboration across space and time, as our Flash movie puts it — with no rights-clearing needed. Great stuff. We’d love to hear more of this sort of thing, so tell us if you have a similar story.4 Comments »
This week’s featured content is Philadelphia-area rock band The Phoenix Trap. All their songs at MP3.com are available under a Creative Commons license (which also has streaming versions). Fans can purchase a CD of their full set of songs as well. “Not Me” and “You’re on Fire” were definitely my favorites.1 Comment »
Right now we’re just showing people how to associate verifiable license links with files. But we want to encourage the developer community and various file-sharing and media player companies to build tools that take advantage of the embedded links to make our licenses useful in the P2P and other non-web contexts.
(3) Verification link: also a traffic engine
(4) Geek-readable version of embedding strategy
Please give us your feedback below, or on the metadata discussion list.6 Comments »
Today, the OYEZ Project announced the first-stage, 100-hour release of MP3s from their 2000+ hours of Supreme Court recordings using Creative Commons’ licenses.
The release also marks the debut of our new metadata tagging and verification strategy, which explains how to attach and verify license information to MP3s (and soon, other files) for distribution on the Net.
Read the Featured Commoner interview of OYEZ director and founder Jerry Goldman, by Creative Commons’ Laura Lynch.
Read the press release.Comments Off on Supreme Court Audio Classics Enter P2P Zone Thanks to Creative Commons Licenses
(I’ve worked with Aaron, our metadata advisor, for over a year now, and this isn’t the first time I’ve followed his lead. You should try it if you haven’t.)Comments Off on Adelante con Swartz
In a newly posted interview on the Apple site, “O’Reilly in a Nutshell,” Tim O’Reilly discusses how his publishing company came to be, how it follows open source trends, and how it publishes many titles under a Creative Commons Founders’ Copyright license.
We should note that the Founders’ Copyright isn’t just for big publishing houses. Anyone can apply for a license to release their works after 14 (or 28) years.Comments Off on Help! I’m in a nutshell!
David Wiley, Assistant Professor of Instructional Technology at Utah State University and founder of the trailblazing OpenContent, is Project Lead for development of an educational use Creative Commons license, which begins today.
Welcome, Professor Wiley.
Read the first draft.
Review our earlier discussion on the subject.
Join the current discussion.
Read the press release.Comments Off on OpenContent’s David Wiley, Educational License Project Lead
“Advanced Marketing Services, a San Diego-based distributor that expects to handle about 2 million [fortcoming Harry] Potter books between Saturday and January 2004, has hired security guards in the United States and added guard dogs for a Canadian distributor it partially owns. . . .
‘I cant let you touch the book,’ warned Bill Carr, Amazon.coms director of books, music, videos and DVDs. He gestured toward some of the more than 200,000 books — about 150 tons worth — that will be shipped to West Coast destinations.
Similar operations are under way at Amazon.coms four other major regional distribution centers in Newcastle, Del.; Coffeyville, Kan.; Campbellsville, Ky.; and Lexington, Ky.
The 896-page books were locked in special rooms when they arrived at the warehouse. They were cordoned off from the rest of building by a pair of security guards, who were not allowed to talk to reporters. Reporters were searched on their way out of the building.”
–From MSNBC (thanks to Creative Commons intern Ben O’Neil).4 Comments »