The legendary mashup DJ Z-Trip has released a new mix under our Attribution license intended to help garner support for Barack Obama’s presidential campaign. Z-Trip’s Obama Mix is a recording of the set he’s been playing at recent fundraisers he’s organized with the artist Shepard Fairey (creator of the ubiquitous OBEY campaign and more recently, the Obama HOPE posters). Z-Trip wants you to push the mix as far and wide as possible so it makes sense he chose our least restrictive license:
I encourage you to download it and pass it along to anyone you think should hear it. Feel free to burn copies, share it with friends, family, co-workers, strangers, and especially anyone you know is on the fence about this election. I’m also putting out a radio friendly version, in case anyone wants to broadcast it.
Regardless of your political affiliation, the mix deserves a listen for anyone interested in political speech and sound. Download Z-Trip’s mix here.1 Comment »
Hi-Q, the hugely successful Romanian pop group, announced the first CC remix competition in Romania. Hi-Q’s unreleased song “Eu+Tu=Iubire” (“Me+U=Love”) will be included on the band’s upcoming album.
It is time for users to engage in this quest and test their talents in order to produce a song just the way YOU would like it to be. The voices are released under the Romanian CC BY-NC-SA 3.0 license, and the challenge is hosted by eOk.ro.
The vocal tracks can be downloaded on Hi-Q’s profile page. The contest ends November 10 with plenty of prizes along the way from Tuatara.ro, Microsoft and Dj Super Store.
Hi-Q was one of the parteners for the CC Romania launch in September. It is the most popular pop band in Romania, known for its twelve year success in combining music, television and radio, and for its sustained support of social campaigns.1 Comment »
Written, performed, recorded and produced entirely by Jono Bacon, the album touches a range of political and social topics, driven by a brutal, thundering style with pounding double bass drumming, grinding guitars and guttural vocals. The album was recorded in Jono’s home studio in central England and combines a range of styles. Pre-release listening sessions have resulted in comparisons to Metallica, Cannibal Corpse, Slayer, Pantera, Decapitated and Hatebreed.
Jono Bacon, the one man band behind Severed Fifth, released the inaugural album Denied by Reign today. This metal album is trying to bring the idea of Free Culture licensing to the world of metal music. We previously discussed here the announcement of the idea back in June of this year. It is a testament to Jono’s enthusiasm for this project how quickly he was able to write, record, and master this first album while also doing his full time job as Community Manager for Ubuntu.1 Comment »
SoundCloud, a new media sharing site aimed at musicians, has been receiving heaps of great press since going live last week. SoundCloud allows musicians to post their works easily, share them securely, interact with other musicians in a collaborative fashion, check stats on song listens/comments, and utilize a bevy of other useful features. Excitingly for the CC-community, SoundCloud announced today that users can now upload their works under a CC license or a public domain declaration. From SoundCloud:
The CC license support on SoundCloud is pretty straight-forward. You can pick a license when you upload a track, and you can set a default license in your settings. There are three main modes; All Rights Reserved, Some Rights Reserved, and No Rights Reserved. The default is All Rights Reserved, which means you own all rights to the works you upload.
You can also select the Some Rights Reserved-option which will give you a nice interface where you can assemble your Creative Commons license. You can select whether Commercial use is ok, whether derivative works are ok, or whether derivative works should be “shared” alike, meaning derivative works should be shared under the same conditions. Read more about CC licenses here.
Lastly, there’s the No Rights Reserved-option if you want to let anybody do anything they like with your music.
A cool thing is that we’ve also got RDFa support so that all license information will be properly encoded for machine-reading directly in the track pages.
We are super excited to see this sort of support happen as it should greatly increase the functionality of SoundCloud for CC-using musicians and open the doors for a new repository of CC-licensed music. That SoundCloud has successfully implemented RDFa (making them one of the first CC-using content directories to do so) is similarly exciting. Learn more about SoundCloud here and if you are CC-using musician, try it out for yourself.2 Comments »
Netwaves Records, a netlabel that focuses on genre-oriented compilations, just released their first album, Electro 1. Focusing on music that ranges from “electro-pop” to “electro-clash”, Electro 1 has been released under a CC BY-NC-SA license. this means it can be freely shared and remixed as long as proper attribution is given, the resulting and original works are not sold, and any derivative works are shared under the same license. Download it here for weekend listening.1 Comment »
RecombinaSOM is a remix contest taking place as part of the São Carlos’s Federal University’s multimedia festival, “Contato“. The festival’s theme is recombination and will feature a number of discussions on new forms of licensing and exchanging content among audiovisual/music producers. RecombinaSOM itself will is being hosted by both ccMixter and overmundo, their collective effort being billed Overmixter:
Contato’s theme and curatorial leading concept in this edition is “Recombination” – a remix contest as well as the Creative Commons initiatives (already part of the daily routines of “Radio UFSCar”, one of the Festival promoters), fit well together. Beyond these facts, the copyright debate (one of the debate’s theme of the Festival) will join participants of the multimedia Brazilian website “Overmundo” (Golden Nica – Ars Eletronica winner) and CTS (Centro de Tecnologia e Sociedade da Fundação Getúlio Vargas), an institution that coordinates Creative Commons in Brazil.
The Contest will be host by ‘Overmixter”, a partnership between CCmixter and “Overmundo”, and will bring samples from the bands that are participating in the festival and material from the festival audio identity. The contest organization also will record and share samples during the festival – live presentations at the radio, live material from the gigs and more. 10 remixes chosen by the public will be part of the “Radio UFSCar” daily programming during he following three months and the first place remix chosen will be part of a compilation the station releases once a year called “Transmissoes Independentes” (its first edition is available on Jamendo). The compilation had 2 thousand copies downloaded this year and the media is distributed free of charge.
To find out more about what is going with Creative Commons in Brazil, click here.Comments Off
Colin Mutchler is one of the original CC success stories. Back in 2003, he posted his song, My Life, to Opsound under a CC BY-SA license. A month later a violinist name Nora Beth added a violin track, calling the new work My Life Changed. It was one of the first instances of CC facilitating unsolicited collaboration, laying the ground work for the amazing remix culture we have seen develop over the past 5 years. Mutchler has since expanded his resume, working on photography and media production as well as his music. We caught up with him recently to find more about what he has been up to since we last checked in – needless to say, it has been a while.
Can you give us some background on yourself and your music? How did you get started as a musician? What are your major influences?
My first 7 years in Bellingham WA were filled with my parents’ sounds from the Grateful Dead and George Winston. But it wasn’t until I first started playing guitar in college that I began to write lyrics, initially inspired by people like Ben Harper, Ani Difranco, and Bob Dylan. Silvio Rodriguez was also an influence ever since I lived in Bolivia in 1998. Then when I saw Saul Williams in the movie Slam in 1999, it became clear that the most powerful voices of our generation would come through Hip Hop and spoken word. Other influential voices for me were Sarah Jones and Alix Olson. For a while I imagined myself becoming a kind of folk-hop version Mos Def and Talib Kweli (still do), but with a full time job in digital marketing and a vision for a crowdfunding media tool for social entrepreneurs, I’m still fighting that daily choice to actually be an artist and musician.
Phlow Magazine, a weblog about netlabel music culture, recently celebrated their one year anniversary by releasing Nivel del Mar, a free compilation of CC BY-NC-ND licensed tracks from various netlabels. Clocking in at one hour, 22 minutes, and 55 seconds (epic), Nivel del Mar is described as a ‘chill out compilation’ that aims to feature the the best sounds of netlabel culture. You can download it here for free.2 Comments »
“The Concert” is a classical music podcast produced by the Isabella Stewart Gardner Museum which is released under our Music Sharing license. Here is what we had to say back in 2006 when the podcast first launched:
The podcast features unreleased live performances by master musicians and talented young artists recorded from the museum’s Sunday Concert Series. “The Concert” includes music by Beethoven, Mozart, Schubert, and Chopin for solo piano, orchestra, string quartet, and voice. A new podcast will be posted on the 1st and 15th of every month; users can subscribe to receive free, automatic updates delivered directly to their computers or mp3 players. With “The Concert,” the Gardner Museum becomes the first art museum to encourage sharing and free distribution of its online programming by using a Creative Commons license.
“The Concert” is now on episode 54 and has reached over 1 million downloads, bringing classical chamber music to people across the globe in an unprecedented fashion. While the content of the podcast – lush arrangements of beautiful compositions recorded by experts – is at the heart of why “The Concert” has done so well, the Music Sharing license employed by ISGM has made that content more immediately sharable, stripping away legal hurdles that might inhibit casual listeners while protecting ISGM’s commercial rights.1 Comment »
Brad Sucks, a CC license using pop/rock musician, recently released his latest album Out Of It for free online and under a CC BY-SA license. Brad is one of the most remixed artists over at ccMixter, runs an active blog, interacts with fans directly, and was recently interview by the Featured Commoners behind The Indie Band Survival Guide. Needless to say we needed to catch up with Brad and ask some questions of our own – read on to learn about Brad’s influences, why he uses CC licenses, and how he feels about his work being remixed and reused.
Can you give our reader’s a bit of background on you and your music? How long have you been creating music? What are your influences?
I started taking classical guitar lessons when I was 10 years old. I hated practicing and was never very good and quit because it was boring. Then when I was 14 or so I got into MOD/S3M trackers (Scream Tracker and then later Impulse Tracker) and was really into industrial/electronic music. I got an electric guitar a few years later and started trying to fit it all together as digital recording matured.
My influences were mostly classic rock as a kid. Pink Floyd, Rolling Stones, etc, the stuff my dad listened to. As a teenager I was into more aggressive stuff: Ministry, Skinny Puppy, Nine Inch Nails, etc. Besides being a lot harder, it had a real DIY ethic to it. There usually wasn’t much of a “band”, just one or two guys working on recordings. That was a huge inspiration because it seemed normal to me to think of doing everything myself. After that I mellowed out and de-gothed a bit but I secretly wish I could take myself seriously enough to rock like Ministry.