Rhizome, the digital art and media outlet of the New Museum in New York (and CC supporter), posted a fantastic interview today with Jason Sigal of the Free Music Archive. The whole interview is worth a read, but Sigal’s discussion of how CC licensed music can help U.S. radio stations is of particular note (Rhizome question in bold, Sigal’s answer follows):
Was the move to bring together an international group of curators intentional? I ask this only because I feel the model of FMA is not only informed by the direction presented by web 2.0 technologies but it is also a response to outdated US copyright law and its impact on American radio stations. The reason why so many American broadcast stations are now turning to talk radio is because they are also trying to podcast their content online, and talk radio allows them to side step restrictions regarding music licensing and podcasts.
Exactly. (I just snapped my fingers in agree-ance!) Of course it’s going to be international, that’s the nature of the web. And that’s one reason we offer Creative Commons licenses — they adapt out-dated copyright law to fit the world wide web.
The FMA has already become a fantastic resource for curated CC-licensed music and is a database that looks to continue to grow in quality and quantity over time – see featured curators dublab and CASH Music for two prime examples. Also, be sure to check out our initial coverage of their launch for more information.Comments Off on Rhizome Interviews Free Music Archive
Comments Off on Earn £3500 Creating Copyleft Art for Lancashire County
This “Digital Engagement Commission” will question the role of digital arts and its meaning and benefits for audiences in Lancashire – people who live or work in the county, visitors and those who have an interest in engaging with it virtually.
… The artist will make the consultation process publicly visible in an engaging and creative online platform. The participatory consultation activities should take the form of both unique and engaging physical sessions and virtual engagement via the publicly accessible online platform. This platform could be developed especially by the artist or could make use of existing social networks. Any software developed for the project would be licensed under the latest general public license and any other works developed as part of the project would be licensed under creative commons attributions share alike. (emphasis added)