Visitors to one of Thailand’s largest digital trade fairs, the Comworld Exhibition, were greeted this year by the CC Team in Thailand. The dedicated Thai team members erected a booth in the Web 2.0 area and spent September 27-30 informing the public about the CC project. The hard working volunteers handed out leaflets with translated material, dubbed videos, and answered questions about Creative Commons.
The CC Booth in the Siam Paragon was joined by Fuse.in.th, a local upload portal for creative works and was supported by CC team members from Dharmniti Law Office, Thai Rural Net, Sirindhorn International Institute of Technology, and other organizations.
Stay tuned to creativecommons.org/international for the upcoming public discussion about the first draft of the Thai CC licenses.No Comments »
Creative Commons is extremely pleased to welcome Virginia Rutledge as Vice President and General Counsel. This is an extraordinary hire. One press release quote, from William Patry, Senior Copyright Counsel at Google:
I applaud Creative Commons for its inspired choice of Virginia Rutledge as Vice President and General Counsel. Virginia’s background in academia, the art world, and the white-shoe corporate law firm environment is unique. Her ability to forge consensus, her love of learning and commitment to the public interest will serve Creative Commons and the rest of us exceedingly well.
Read the press release for more quotes and full details.
Welcome, Virginia!No Comments »
Earlier this month Revver announced that it had paid $1 million to video creators and promoters over the past year. Revver has been a pioneer in combining CC licensing (videos on Revver are licensed under Attribution-NonCommercial-NoDerivatives) and compensation to creators via an ad-based model. Creative Commons used Revver as part of its fall fundraising campaign last year (watch Wanna Work Together).
Congratulations to the video creators and promoters on Revver, and to Revver!No Comments »
A bit late (exactly a month in fact), but in case you missed it the first time as well, Red Hat posted an amazing short about DRM titled “Bird Song: A Cartoon Requiem for DRM”. Its a beautifully made animation and Red Hat has gone the distance in licensing the different elements under a CC BY-NC-SA licence.
By utilizing CC-licences, Red Hat extend “an open invitation to use, share and modify as you wish, as long as you share your production, don’t use it for commercial purposes and give us (and those before you) a nod of recognition for getting it started”. So, as always, get your redistribute/remix/share on, and maybe your bird can sing.No Comments »
MoShang is a sound jeweler living in Taiwan. He collects rough audio diamonds from the streets of Taiwan (be they overheard conversations, street-ads blared from the ubiquitous blue-trucks, street processions or funeral chants) and fuses them with traditional Chinese instruments and laid-back beats to create a unique blend of downtempo electronica he likes to call Chinese Chill.
Asian Variations builds out of this aesthetic, “produced by MoShang in his Chinese Chill style of downtempo electronica, melding deeply laid-back beats with Chinese traditional instruments”. It is a wonder to listen to, and, as the album is released under a CC Music Sharing License, simple to share with your friends and family. Head over to the Asian Variations website to download the album in its entirety, for free.No Comments »
Next Wednesday, Oct. 3rd, Illuminated Corridor is assembling a collision of public art, live music and moving images inspired by the Prelinger Library and Archives‘ collections (which we have discussed extensively before). Everything will take place in the street and parking lot outside the Library, and on the walls of the building, at 8th and Folsom in downtown San Francisco.
The evening will feature many performative projectionists and musicians, including (but not limited to) Craig Baldwin, Cinepimps (Alfonso Alvarez and Keith Arnold), Steve Dye, António Jorge Gonçalves, Killer Banshee, Charles Kremenak, and Gino Robair, who’ll conduct his new score to RP’s movie Panorama Ephemera. Neighborhood Public Radio will be broadcasting the audio live, so bring your FM radios!
This sounds to good to pass up, so if you are in the area, make sure to check it out! More details here.No Comments »
[Public Enemy's] revolutionary grouping of groundbreaking soundscapes with decidedly political lyrics made Public Enemy, beyond the shadow of a doubt, the most controversial, influential, and authoritative hardcore rap formation of the late eighties, early nineties. For many, Chuck D. and his crew to this day remain the most definitive rap group of all time, as they have not only made a massive, cultural impact on black society, but had an almost equally significant, conscience-rousing effect on all people of different colors and backgrounds across the planet.
Public Enemy has long been ahead of the curve in their approach to music in the digital age. They were one of the first hip-hop groups to go live on the web, Frontman Chuck D has debated Metallica’s Lars Ulrich on The Charlie Rose show over file-sharing, and he has appeared on The WIRED CD with Fine Arts Militia. In getting involved with Jamglue (who release the song as separate instrument tracks, all of which are released under a CC BY-NC-SA license), Public Enemy allows their fans the ability to remix their music as they see fit – a wonderful, yet logical, step in their forward-thinking digital endeavors.
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Many people have asked us for information about the lawsuit prepared to be filed in Texas against Virgin Mobile and Creative Commons. The plaintiffs of the lawsuit are the parents of a student whose image in a CC-licensed photograph was used by Virgin Mobile in an advertising campaign and the photographer who took the original picture of the student and posted it on Flickr. We have prepared the FAQ below, which should answer many of your questions. We also recommend that you read Creative Commons CEO Lawrence Lessig’s blog post about the situation.
Outdated FAQs have been removed3 Comments »
From the Science Commons blog …
The latest addition to the series is a piece by Anna Gold, head librarian of the Engineering and Science Libraries at the university. In the podcast, entitled “Making a Difference: Pushing Back on DRM at MIT”, Gold speaks of the university’s recent subscription cancellation of a scholarly journal after learning it was employing digital rights management (DRM) technology its digital collection of research reports. The journal was that of the Society of Automotive Engineers (SAE). [...] “No Comments »
Creative Commons is searching for a full-time accountant to join our team in San Francisco. Please send along anyone who may fit the job description and would be interested in working at our office. We welcome applicants from the Bay area and beyond to apply by emailing materials to me or via fax (415.278.9419).No Comments »