If I hadn’t interned for Clarity Films one summer, I would never have learned most of what I know now about the apartheid, Nelson Mandela, and Desmond Tutu. I spent hours transcribing interviews and condensing documentary footage into some type of digital package that I don’t recall the name of (nor do I remember the outdated technology I used). What I do remember: the world’s reactions to the tumult that surrounded South Africa within the past fifty some odd years.
Now, anyone can learn about South Africa and its rich heritage with the recent launch of OpenSA, “a pilot project to make South African heritage more accessible for remixing and re-publishing by online creators.” From the announcement at The African Commons Project:
“In collaboration with SA Rocks and the African Commons Project, OpenSA! is collecting, tagging and managing donations from people who are willing to make their material freely available online. OpenSA! will also be helping to coordinate outreach to South Africa’s young creators to enable them to learn more about how to find open content that they are free to remix and share.
As access to the Internet grows in South Africa, so too does the range of creative activity by a new generation of active online citizens. Internet publishing in the form of blogging and citizen journalism, online publishing of photographic, video and music publishing are all part of a wide range of democratic speech that we as a young nation are trying to encourage and nurture.”No Comments »
We’re delighted to announce that the next CC Salon SF (Wednesday, February 11, from 7-9pm) will be held at PariSoMa, located at 1436 Howard Street, San Francisco (map and directions). We extend our sincerest thanks to the generous folks at PariSoMa for offering up their lovely space! We hope you’ll join us in making our first evening in these new surroundings a warm and lively one. Light refreshments will be served.
We’ll have the entire CC staff under one roof, and the evening’s program includes brief presentations from:
Mike Linksvayer, Vice President
Eric Steuer, Creative Director
Catharina Maracke, Director, Creative Commons International
John Wilbanks, Vice President, Science Commons
Ahrash Bissell, Executive Director, ccLearn
Joi Ito, CEO
Following the presentations, we’ll open the floor to questions and discussion. Whether you’ve been a fan of CC from the start or you’re new to the world of free culture, this salon is not to be missed!
You can also check it out on Upcoming!
We rely on the generosity of our community to keep us afloat, so we’ll be accepting donations for CC at the door. If you didn’t get a chance to support us during our fundraising campaign, now is your chance.
CC Salons are global events, and anyone can start one, no matter where you live. We encourage you to check out our resources for starting your own salon in your area.No Comments »
Clivir, a learning community site that allows users to post lessons of any and all types, just added support for CC licensing. The site already has amassed a large amount of teachable knowledge and by adding CC licensing options Clivir are giving users the ability to keep this knowledge open, shareable, and reusable (depending on which license is indicated).
Clivir have a released all of their own lessons under a CC BY-SA license, setting a strong example for the rest of their community to follow suit. While the ability to filter lessons by license choice is unfortunately not available yet, it is still great to see CC licenses integrated into communities like Clivir that pride group collaboration and collective knowledge.No Comments »
Macedonia Timeless is the name of a recently produced Macedonian tourist video written and directed by Milcho Manchevski. There is nothing new about these sort of videos being produced, but what is novel is that the video is being released under a CC BY-ND license, a decision that encourages the legal sharing of the video.
If the point of Macedonia Timeless is to drive tourism to Macedonia, then licensing the content in a way that allows legal re-posting shows foresight – fans of the video can upload it to whatever video sharing site they like as long as the provide proper attribution. You can watch the video on YouTube or download it here. Be sure to read Global Voices’ nice analysis of the video as well, which touches upon a variety of issues beyond CC licensing.6 Comments »
The Legal Education Commons launched yesterday with open access to over 700,000 federal court decisions. The LEC is an “open, searchable collection of resources designed specifically for use in legal education.” It is made possible by a collaboration between the Center for Computer-Assisted Legal Instruction (CALI) and Harvard’s Berkman Center for Internet and Society. From the press release:
“All teachers of law have materials and notes they use in teaching,” says John Mayer, CALI Executive Director. “Many freely share their materials with colleagues, but there has never been a singular searchable, taggable space to serve that function for the entire legal academy,” he explains, “until now.”
While the LEC opens with an extensive collection of court cases and images, it can expand its collection of resources only through contributions and donations from the legal education community.
CALI implores faculty and staff at CALI member schools to share any files from personal collections that may facilitate learning amongst the legal education community. “Especially as we increasingly garner more participation and sharing from legal educators,” says Mr. Mayer, “the Legal Education Commons will be a great, non-commercial tool for those who are both teaching and learning the law.”
All material in the Legal Education Commons is licensed under the Creative Commons Attribution Share-alike license (CC BY-SA), making it interoperable with a great deal of other open educational resources.1 Comment »
Runes of Gallidon is a “user-generated online fantasy world of swords, magic, adventure and mystery” that just launched in public beta. Distinguishing Runes of Gallidon from other virtual worlds is the decision to license all the content in the ROG universe under a CC BY-NC-SA license. Any work that the community creates is kept free and open for the rest of the community to use and build upon, a choice that allows the plot lines and characters of Runes of Gallidon to evolve naturally and legally.
While the ROG universe evolves through user-submitted content, Brain Candy, LLC (the group behind Runes of Gallidon)
will be doing legwork to turn Rules of Gallidon into a source of potential revenue, namely in film/TV and merchandise will be marketing the website to help audiences find the creative community’s Gallidon works (content creators have the ability to shop their ideas to interested parties as well). The monetary gains from these endeavors will be split between community and Brain Candy in two distinct ways:
If Brain Candy, LLC, prints your story in a book, prints a poster, a T-shirt, etc. and makes any money directly from your Work, you receive 50% of the money. If you sell your Work set in Runes of Gallidon (a published book, album cover art, posters, etc.), we ask that you contribute to Brain Candy, LLC 10% of the money you receive.
That is the basic formula: each Artisan owns the Work they create, but the world of Runes of Gallidon and everything in it is shared by the entire Gallidon creative community.
This is a unique implementation to our CC+ protocol and a fresh approach to crafting an online fantasy world. By using CC licenses, the group behind Runes of Gallidon have created a hybrid-economy where the sharing of content (enabled by CC licenses) is monetized based on an additional set of legal guidelines, in turn encouraging growth through legal protection and an opportunity for monetary gain.2 Comments »
Chicago-based record label Rock Proper just added another impressive notch to their discography with today’s release of Jitney’s 86-300. The work of musician Casey Meehan, 86-300 is released under a CC BY-NC license, making the experimental rock songs therein freely sharable/remixable as long as Jitney is properly attributed and reuses are noncommercial in intent.
This is the second featured release from Rock Proper, who previously put out Jay Bennett’s CC-licensed Whatever Happened I Apologize. Of interest to those in the CC community is a remix from artist Fabakis who took Bennett’s stripped down I’ll Decorate My Love and transformed it into a song complete with drums, organ, electric guitar/bass, piano, and a slew of instrumental treats. All of this was legal and encouraged through the album’s CC BY-NC license, and if comment sections are to be trusted, might even result in an unexpected collaboration between the two artists in teh future.No Comments »
Public Knowledge cofounder David Bollier‘s new book Viral Spiral published by The New Press is not only available as free Creative Commons (BY-NC) download, but it will likely establish itself as a definitive guide for those seeking to understand and discover the key players and concepts in the digital commons. From the beginnings of the Free Software Movement, to Wikipedia’s Inception, to Lessig founding Creative Commons at Harvard Law School, Bollier thoughtfully examines the principles and circumstances that helped nurture our digital commons from idea to (meta)physical reality.
If you are looking for a book that both serves as an introduction to and argues for the ideals behind a digital commons, look no further. And if you’re planning on reading the book in the bed, bath or beach, purchase a hard copy at Amazon or other fine bookstores..No Comments »
The Global Lives Project is a project that aims to “record 24 hours in the lives of ten people that roughly represent the diversity our planet’s population.” Accomplishing this via a volunteer-network dispersed through out the globe, GLP aggregates video for these subjects based on a unique spreadsheet approach to understand global demographics. All of the work produced by GLP is released under a CC BY-NC-SA license, a decision explained in the following interview with Global Lives founder David Evan Harris. Read on to learn more about the project, how CC licenses are being used, and how to get involved yourself as a volunteer/contributor.
Give us a bit of background on the Global Lives project. How did you begin? What is your mission?
Global Lives’ mission is to reshape how people around the world perceive cultures, nations and people outside their communities by collaboratively building a video library of human life experience. The content of our video library “lives” online and is regularly presented to the public in unique open-source video installations and screenings. Our shoots so far have taken place in Malawi, Brazil, Japan, China, Indonesia and the US, and we’ve shown our work publicly in most of those countries and a few others.
The Global Lives Project all got started in 2002, during my third year in college, when I was lucky enough to spend eight months living and studying international development in Tanzania, India, the Philippines and the UK as part of the International Honors Program. For the majority of these eight months, I lived with host families. I stayed in a bamboo house in the Philippines, a squatter settlement in Mexico City, and a rural village in northern India, among other places. While I learned a ton during the year about the politics, economics, history and ecology of these countries, the part of the experience that stuck with me the most was sharing the experience of daily life with the families and individuals from these countries.
Today, I can’t read a newspaper article about rice without thinking of my host mother Violeta in Barangay Daja and her rice paddy and water buffalo. The experience forever changed the way I understand people from other cultures and nations and my own role in the world. And I wanted to bring that experience to people who didn’t have the same opportunities to travel abroad as I did. So I came up with the idea of Global Lives. What I didn’t expect was that so many other people would find the idea to be so interesting, and that it would resonate so well with people from all over the planet.
You may have heard about Gatehouse Media suing the New York Times Co. over the linking of Creative Commons licensed news stories on the Times’ Boston.com. Zachary Seward over at the Nieman Journalism Lab has been covering the various developments of the case and most interestingly, an e-mail from Howard Owens (whom we highlighted in our original post on Gatehouse media adopting CC) where he points out that:
… a few graphs and a link back to our site isn’t a Creative Commons issue, but a fair use issue, and they would probably win on that one.
Today, however, Seward posted a piece on how CC’s NonCommercial license plays into the case. Featuring an interview with David Ardia of The Citizen Media Law Project at Harvard’s Berkman center, Seward suggests that the issues CC is currently investigating surrounding NonCommercial complicate the case.
We respectfully disagree.
Put simply, we do not believe that CC licenses, or our research on the definition of NonCommercial are relevant to Gatehouse’s complaint. The real debate is about fair use — just as Howard Owens pointed out in his e-mail to other Gatehouse staff. Creative Commons licenses do not prohibit fair uses of CC licensed content. This means that a NonCommercially licensed work (such as Gatehouse’s) can be used commercially so long as the use is fair.
Is The NY Times Co. using Gatehouse’s content fairly by linking to it using snippits and headlines? We’ll leave that up to the courts to decide, but if the famous Perfect 10 v. Google Inc. case is any indicator, condensing and linking content by third parties has been upheld as a fair use in court already. There are obviously differences between the Perfect 10 case and this one, but if the Gatehouse claim were upheld, it would do far more damage to fair use than Creative Commons ever could.
The EFF reports that the trial is set to begin on Monday. Watch their page dedicated to the case for further developments.
UPDATE: The suit has been settled, download the joint statement here. Also, it should be noted (as Gatehouse counsel has pointed out below), that Howard Owen’s original e-mail was not in fact referencing the NYTimes’ usage of Gatehouse CC’d content, but another party’s use of it.7 Comments »