“Opening up cultural artifacts from African organizations might change how we’re represented in online spaces” says Kirsty von Gogh from Johannesburg. She also shares how increasing production of culturally, linguistically, and contextually aware and relevant content can ensure a more representative digital space for Africans, and how open licensing increases accessibility to this content.…

  “Open Access… is an amplification of the work that these institutions do” Ivan says in this episode. He also shares what unique challenges are faced by cultural heritage institutions in Mexico which has one of the longest copyright terms in the world: 100 years plus the lifetime of the creator or author Open Culture…

  “If you’re considering opening up, start small” says Michal Čudrnák, the Head of Digital Collections at the Slovak National Gallery. When you open up just a small part first you will see what unfolds and can learn in the process what works for your community and what they interested in and how your community…

Laksmi says that “open access…makes it possible to collaborate and reconstruct cultural heritage.” In this episode we learn about cultural heritage in Indonesia and how open access has made it possible for organisations to work together and build out data sets and information about historical collections across the country. Open Culture VOICES is a series…

Shanna shares  how “keeping content locked up and isolated keeps us separate from one another” so opening up collections brings people together and bridges our shared humanity, across cultures and continents. In this episode we learn about how publicly funded institutions should provide online access to the public which is funding it and held accountable…