Bloomsbury Academic, the recently-launched academic publishing imprint of Bloomsbury Publishing, just announced their first series publication, Science, Ethics and Innovation. The series will be edited by Nobel Laureate Sir John Sulston and professor John Harris.
The series will be released online as free, CC-licensed downloads with hard copies available for sale. More from The Guardian:
The series will be the first from Bloomsbury’s new venture, Bloomsbury Academic, launched late last year as part of the publisher’s post-Harry Potter reinvention. Using Creative Commons licences, the intention is for titles in the imprint to be available for free online for non-commercial use, with revenue to be generated from the hard copies that will be printed via print-on-demand and short-run printing technologies.
In related news, Bloomsbury Academic’s digital publication of Lawrence Lessig’s Remix: Making Art and Commerce Thrive in the Hybrid Economy has now been downloaded for free in over 105 countries, while hard copies have also been selling well.No Comments »
Lawrence Lessig‘s latest book Remix: Making Art and Commerce Thrive in the Hybrid Economy is getting the CC treatment from Bloomsbury Academic (CC coverage here and here). Starting today, the entire book is available for free download under a CC BY-NC license from Bloomsbury Academic’s website.
We are incredibly excited that a text devoted to the art and value of remixing is being released under a license that allows free and open sharing and reuse – it turns out we aren’t the only ones. To celebrate the launch, Bloomsburry is holding a contest titled Remix the Remixer:
To celebrate the Creative Commons release of Lawrence Lessig’s latest book, Remix, Bloomsbury Academic are hosting a competition you have the chance to win an original remixed item created by Cory Doctorow on the 1st of May (with a video of the event), £200 (about 300 USD) worth of Bloomsbury books and a copy of Remix signed by Lessig himself.
The competition is called Remix the Remixer. Just remix any of Lawrence Lessig’s existing work and create something that is new, unique and creative.
Here’s how it works: Find any video, interview, or written work of Lessig’s, mash it up with another piece of Lessig’s work and create something new. It can be a video (3 min max), photo (nothing offensive, please) or text.
Be sure to upload your remixes between now (May 1) and May 31 to be considered for the prize drawings.3 Comments »
Creative Commons and Snowflake are proud to announce a call for remixes in honor of Earth Day 2009. Singer, musician and poet Snowflake has put all the stems, including the a cappella for her song Apologize into the Commons under an Attribution NonCommercial license, hosted on ccMixter, and is looking for remixes to be featured on her site on April 20th.
After all the remixes are posted, Snowflake will pick her favorite remix and include it as a surprise 11th track on her FanClub release “One or Ten” on April 20th. She tells us the remixer will be awarded producer royalties for the track as well.
In addition, Snowflake has generously offered to donate $200 to a green non-profit, to be chosen by the producer of her favorite remix of Apologize.
Snowflake is a long time and popular contributor to ccMixter and thinks “ccMixter embodies a significant evolution in synergistic sound. With creativity expanding from its source, our musical compositions gain color, speed and strength as we share, mix, and mash.”
Make sure to check out Snowflake at her new website that features both her ccMixter source tracks and five favorite remixes.
There’s not a lot time left to crank out the tunes so read more and download the sources at Snowflake’s Earth Day Call for Remixes.4 Comments »
New Yorkers – next Thursday, February 26, Wired and Live from the NYPL will bring together Lawrence Lessig, Shepard Fairey, and Steven Johnson for a discussion about Lessig’s new book, Remix: Making Art and Commerce Thrive in the Hybrid Economy. The conversation will take place at 7:00pm at the Celeste Bartos Forum at the New York Public Library (5th Avenue and 42nd Street). Tickets are $25 for general admission and $15 for library donors, seniors, and students. This is Lessig’s final planned public discussion of remix and copyright issues, before he he heads to Harvard to direct the Edmond J. Safra Foundation Center for Ethics. Lessig, Fairey, and Johnson will be on hand after the talk to sign their respective books and posters.
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LIVE from the NYPL and WIRED Magazine kick off the Spring 2009 season with a spirited discussion of the emerging remix culture. Our guides through this new world—who will take us from Jefferson’s Bible to André the Giant to Wikipedia—will be Lawrence Lessig, author of Remix, founder of Creative Commons, and one of the leading legal scholars on intellectual property issues in the Internet age; acclaimed street artist Shepard Fairey, whose iconic Obama “HOPE” poster was recently acquired by the National Portrait Gallery; and cultural historian Steven Johnson, whose new book, The Invention of Air, argues that remix culture has deep roots in the Enlightenment and among the American founding fathers.
The winners of last year’s Sparky Awards are now officially up online (see today’s press release). The Sparky Awards is “a contest organized by SPARC (the Scholarly Publishing and Academic Resources Coalition) and adopted by campuses nationwide that calls on entrants to creatively illustrate in a short video the value of sharing ideas.” The student winners were announced on January 24th in a public screening in Denver. The theme for 2008 was “MindMashup: The Value of Information Sharing”, and all four winning teams’ videos do a great job of expressing this value in the internet age via online videos, all CC licensed.
My personal favorite, and the grand prize winner, is:
“To Infinity and Beyond”
by Danaya Panya, Sebastian Rivera, Hemanth Sirandas, Uriel Rotstein, and Jaymeni Patel, University of Illinois at Chicago Honors College
Coincidentally, or fittingly, the winning video was the only video licensed under the attribution-only license (CC BY), the most open license encouraged for open educational resources (since you can remix it with most anything as long as you credit the original creators—what the Sparky Awards are all about!). “To Infinity and Beyond” also had the most student collaborators, demonstrating the value of teamwork and collaboration—an integral component of effective information sharing.
The first and second runners up are also very compelling (and dare I say funny). Licensed CC BY-NC-SA, they are available for you to remix with similarly licensed works:
How to Make Things Easier by Taejin Kim, Savannah College of Art and Design (CC BY-NC-SA)
Brighter by Christopher Wetzel, Ohio Northern University (CC BY NC-SA)
The fourth video, GrowUp, received the Special Merit Award and is licensed CC BY-NC-ND (ironically, you can’t mash this one up!) by Cécile Iran, Laurie Glassmann, Christophe Zidler, and Aldric de Villartay (University of Versailles-Saint Quentin, France)
Do check them all out on your lunch breaks; they are only two minutes or less! Perfect for internet age attention spans.No Comments »
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After discovering the dozens of unauthorized and possibly infringing remix videos that resulted from his adamant calls not to remix his interview with CC founder, Lawrence Lessig, Stephen Colbert is mad. He’s so mad he featured a new segment and music video challenging fans not to remix his show any more. He reiterated this demand in a staccato a capella, so that fans could clearly understand what he was saying and not sample his words. If someone were to remix his show or audio book, they certainly shouldn’t upload it to the special section of Colbert Nation soliciting uploads, either.
CC founder Lawrence Lessig appeared on the Colbert Report last Thursday talking about his latest book, REMIX. The segment was great, and hilarious, as is typical for Colbert — and double plus fun for copyright geeks and activists, as Colbert challenged the audience to not remix the interview “with some great dance beat, and then it starts showing up in clubs across America.”
Lessig pointed out on air that because he didn’t waive his joint copyrights to the segment, he and Colbert are joint owners, and either can exploit the work freely. In this case Lessig has published the interview under CC BY, allowing anyone to remix or even commercially exploit the work for free.1 Comment »
Creative Commons’ founder, Lawrence Lessig has been recently talking about his new book, REMIX but tonight he’ll be appearing as the special guest on The Colbert Report, airing on Comedy Central at 11:30pm / 10:30c.
UPDATE: Here’s the streaming video of Larry’s appearance last night.8 Comments »
No plans for this evening? If you’re in the SF Bay Area, consider stopping by and hearing Lawrence Lessig give a reading from his latest book, REMIX, TONIGHT at 7PM at the Barnes & Noble in San Mateo. This will be a great time to meet the founder of Creative Commons and hear more about participatory culture in a digital age.
If you haven’t already secured your copy of REMIX, remember that donors who give $500 or more to CC’s Annual Fundraising Campaign will receive their very own signed copy of REMIX.No Comments »
Over a year and a half ago the ccMixter community decided to stop having formal remix contests in part because in a CC context, the traditional format seemed outdated. In a typical remix contest an artist would post the stems to one song, retaining all the rights to the samples as well as the remixes produced by the entrants. After the contest deadline, the samples are typically taken off the web site in order to take them out of official circulation.
By contrast, on ccMixter, we’ve turned to a ‘call for remixes’ model where we get the artist to put the stems for an entire album into the Commons and keep it there. Therefore the concept of a ‘deadline’ seems mute. The best part is that the rights to the remixes are retained by the artist. This has proven to be much more amenable to the community and it has responded with 1,000s of remixes to calls by DJ Vadim, Bucky Jonson, Trifonic,Calendar Girl, Brad Sucks and Shannon Hurley.
Shannon exemplifies the new hybrid sharing+business model because when we she was ready to put together an album of remixes she licensed, for a fee, the remixes from the producers for the album “Second Light: The Ready to Wake Up Remixes” (AMIE Street, CD Baby and iTunes).
She will be performing the remixes with Ben Eisen on bass, Sam Cunningham on drums, and “my apple notebook” in Los Angeles on December 10th. This gig will be quite the party as ccMixter producer DJ Doughy will be flying from Kansas City, Mo. and I’ll be making a special trip to LA for this event as well. (There is a $12 charge at the door.)
Our latest call has special significance because we’ve been trying to get indie star State Shirt for a while and he’s come through in a big way. Not only did he put his entire “This is Old” album, stems, a cappellas and all, into the Commons but his plan is to use the remixes themselves as source material for a new album of original music. State is a master songwriter who writes and performs in an “energetic and ridiculously catchy” way according to DoKashiteru who should know: his DnB smasher remix was an Editor Pick minutes after upload.
The State Shirt call is: “Remix Me So I Can Remix You”
He says: “Creative Commons is the perfect antidote for a collapsing landscape still clinging to traditional copyright. I hope more artists discover that freedom, flexibility, collaboration and community are now an option. I also hope that my fellow ccMixters would want to get involved with me, in both the creation and re-creation of music.”No Comments »