The ever enthusiastic musician, community leader, and now author Jono Bacon has just announced his next Creative Commons licensed endeavor: a book published by O’Reilly on building, maintaining, and energizing communities called Art of Community.
The announcement posted on artofcommunityonline.org explains the project:
The book covers a wide range of topics designed to build strong community. This includes the structure and social economy behind community, building effective and easy to use infrastructure, setting up community processes, creating buzz and excitement, governance, conflict resolution, scalability and more.
The book won’t just be for people interested in Open Source communities, but instead the principles and concepts can be applied to any community: political campaigns, student groups, or even neighborhood crime watches.
When released the book will be available in print from your favorite supplier of O’Reilly books and will also be available online under a Creative Commons Attribution-NonCommercial-ShareAlike license. Jono is a believer in Creative Commons licensing as can be seen from his music project Severed Fifth and the use of CC licenses for the Ubuntu Free Culture Showcase. Adding this book to his repertoire of CC-licensed content shows just how far one person can go when embracing the ideals of Free Culture.2 Comments »
As you might have heard by now, YouTube has begun to mute videos containing ‘unauthorized’ music or audio. What does ‘unauthorized’ mean? We’ll leave that for the lawyers to decide, but it probably has something to do with negotiating permissions for the right to use music in advance from rights holders.
Instead of dealing with the suits, why not consider using Creative Commons music in your next YouTube video? Here’s a ccMixter playlist of 100 Attribution licensed music tracks that you can download and use freely so long as you give attribution to the original creator. YouTube has even been so kind as to include these tracks inside their AudioSwap feature, thereby enabling you to automatically add a soundtrack to your video even after it has been uploaded to YouTube.7 Comments »
CC CEO Joi Ito notes that we’ve just posted a summary of CC’s December 2008 board meeting:
Highlights included the CC Network, progress with the Free Software Foundation with respect to CC and the GFDL, CC0, integration with additional tools such as Picasa, the “Defining Noncommercial” study, partnership with the Eurasian Foundation, the fall fund-raising campaign, website updates, updates from Science Commons and ccLearn and the launch of four new jurisdictions – Romania, Hong Kong, Guatemala and Singapore.
See our June 2008 board meeting summary, or for more excitement, video of the Berkman/CC event from the night before the December board meeting. Video from the CC tech summit of the same day will be up very shortly.No Comments »
Al Jazeera is releasing 12 broadcast quality videos today shot in Gaza under Creative Commons’ least restrictive Attribution license. Each professionally recorded video has a detailed information page and is hosted on blip.tv allowing for easy downloads of the original files and integration into Miro. The value of this footage is best described by an International Herald Tribune/New York Times article describing the release:
In a conflict where the Western news media have been largely prevented from reporting from Gaza because of restrictions imposed by the Israeli military, Al Jazeera has had a distinct advantage. It was already there.
More importantly, the permissive CC-BY license means that the footage can be used by anyone including, rival broadcasters, documentary makers, and bloggers, so long as Al Jazeera is credited.7 Comments »
1. Figure out what you want and ask for it
Every contract is negotiable. Choose what you want and ask for it. Do not be afraid to ask for it. In our case, we focused on getting Creative Commons licensing into the contract, but we also asked for and received other modifications, including a higher percentage of royalties after a certain number of books sold, a stipend to design the book and ownership of the book layout and design (which we licensed CC).
This is essential reading if you’re talking with your publisher about using CC, so don’t miss the 9 other suggestions.No Comments »
A couple interviews with CC board and staff have surfaced in the last week or two. BBC Radio 4 interviewed Creative Commons Board Chair James Boyle about the public domain and how Creative Commons helps enrich the environment of the mind. Before Jamie’s interview, the Beeb chats with Chris Anderson talks about his new book FREE and the business models he’s been researching.
In December, our Creative Director, Eric Steuer talked with Dog and Pony of The BNET Business Network. The Knight Foundation’s Knight Pulse also interviewed Eric about how grantees can use our licenses in their projects.
I also answered some questions from Journalism.co.uk regarding how journalists can use CC licenses in their work. Finally, I chatted with Federal News Radio on Friday about Obama’s choice to use CC on Change.gov, the recording of which you can download there.No Comments »
After hearing his massively successful Obama Mix, MoveOn.org contacted DJ Z-trip to create a new “Victory Lap” mix celebrating Barack Obama’s election for the inauguration. Just as he did with his original mix, Z-trip has licensed his new mix one under our Attribution license, allowing anyone to reuse, remix and share it, even commercially.No Comments »
Make: television is a new TV program from the wonderful crew behind MAKE Magazine that focuses on DIY culture and “celebrates “Makers” – the inventors, artists, geeks and just plain everyday folks who mix new and old technology to create new-fangled marvels.”
The show began airing on public television (broadcast/cable tv) a little over a week ago and is also available on Legal Torrents, blip.tv, Vimeo, YouTube, and iTunes. The show is released under a CC BY-NC-SA license and available for download in HD, allowing all those inventive DIY-ers watching the show the ability to remix and reuse the content under the terms specified.1 Comment »
Deproduction is a Denver-based video production company that has a variety of media incarnations, from Public Access TV aggregate Denver Open Media to civic pixel, an open-source web development group. All the material produced for DOM is released under a CC BY-NC-SA license, making it freely sharable and remixable as long as the creators are properly attributed, reproductions are noncommercial in intent, and any derivative works are shared under the same license. The project has been so successful that the team behind it recently received a Knight NewsChallenge Grant to reproduce their system at Public Access TV stations around the U.S. We caught up with Tony Shawcross, Executive Director at Deproduction, to learn more about their operation, how they are using CC licenses at DOM, and why Public Access TV is important.
Can you give our readers some background on Deproduction? How did you get started, who is involved, and what do you do?
The early history is summarized in a great Apogee Magazine Article from 2004, back when we were still a 2-person organization. In the 5 years since, the organization grew from collaborations with a handful of local nonprofits, including Free Speech TV, Little Voice Productions, Just Media, and the Pan African Arts Society. We had been producing videos for nonprofit partners, and began expanding our media education programs through work with local schools and an office in the PS1 Charter School. In 2005, Denver’s City Council shut down the City’s Public Access TV Station and issued an RFP from organizations who had a plan for making Public Access TV work with no operating support from the city or Comcast.
We responded, borrowing from the models of Wikipedia, Current TV, and others to develop online systems that could enable our community members to manage the station. Where most Public Access TV stations have staff devoted to content ingest, metadata entry, quality-control, equipment reservations, class registrations, broadcast scheduling and so-on, our tools enable the community to complete all those tasks with minimal staff involvement. Furthermore, our approach to studio productions, editing and even training work to reduce the workload on our staff and maximize the cooperation and support of our members.
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This “Digital Engagement Commission” will question the role of digital arts and its meaning and benefits for audiences in Lancashire – people who live or work in the county, visitors and those who have an interest in engaging with it virtually.
… The artist will make the consultation process publicly visible in an engaging and creative online platform. The participatory consultation activities should take the form of both unique and engaging physical sessions and virtual engagement via the publicly accessible online platform. This platform could be developed especially by the artist or could make use of existing social networks. Any software developed for the project would be licensed under the latest general public license and any other works developed as part of the project would be licensed under creative commons attributions share alike. (emphasis added)