I blogged about the Digital Open in April, a new online community and competition that was accepting free and open technology projects from anyone 17 or younger through August. The competition was aimed at fostering an online and open community of youth by encouraging them to see the benefits of open source and open licensing.
Since then the jury has come in to announce eight grand prize winners. The first video profile is the Centralized Student Website from Fremont, California, by Raymond Zhong and Aatash Parikh. They’ve gone ahead and built a student portal for their high school, where virtually any school activity, especially student clubs, are accessed. Other winners include a Casa Ecologica in Spain and a Hybrid Airship. Be sure to check back for more videos.
Except where otherwise noted, all content on the Digital Open is available via CC BY. The Digital Open is the result of a joint partnership between the Institute for the Future, BoingBoing, and Sun Microsystems.1 Comment »
Nobel Prize in Economics to Elinor Ostrom “for her analysis of economic governance, especially the commons”
The 2009 Nobel Prize in Economics was awarded today to Elinor Ostrom and Oliver Williamson for their research on economic governance. Ostrom’s award is particularly exciting, for it cites her study of the commons. Commons? That sounds familiar!
Ostrom’s pioneering work mostly concerns the governance of common-pool resources — resources that are rivalrous (i.e., scarce, can be used up, unlike digital goods) yet need to be or should be governed as a commons — classically, things like water systems and the atmosphere. This work is cited by many scholars of non-rivalrous commons (e.g., knowledge commons) as laying the groundwork for their field. For example, a few excerpts from James Boyle’s recent book, The Public Domain, first from the acknowledgements (page ix):
Historical work by Carla Hesse, Martha Woodmansee, and Mark Rose has been central to my analysis, which also could not have existed but for work on the governance of the commons by Elinor Ostrom, Charlotte Hess, and Carol Rose.
Notes, page 264:
In the twentieth century, the negative effects of open access or common ownership received an environmental gloss thanks to the work of Garrett Hardin, “The Tragedy of the Commons,” Science 162 (1968): 1243–1248. However, work by scholars such as Elinor Ostrom, Governing the Commons: The Evolution of Institutions for Collective Action (Cambridge: Cambridge University Press, 1990), and Carol Rose, “The Comedy of the Commons: Custom, Commerce, and Inherently Public Property,” University of Chicago Law Review 53 (1986): 711–781, have introduced considerable nuance to this idea. Some resources may be more efficiently used if they are held in common. In addition, nonlegal, customary, and norm-based forms of “regulation” often act to mitigate the theoretical dangers of overuse or under-investment.
Notes, page 266:
The possibility of producing “order without law” and thus sometimes governing the commons without tragedy has also fascinated scholars of contemporary land use. Robert C. Ellickson, Order without Law: How Neighbors Settle Disputes (Cambridge, Mass.: Harvard University Press, 1991); Elinor Ostrom, Governing the Commons: The Evolution of Institutions for Collective Action (Cambridge: Cambridge University Press, 1990).
In 2003 Ostrom herself co-authored with Charlotte Hess a paper contextualizing knowledge commons and the study of other commons: Ideas, Artifacts, and Facilities: Information as a Common-Pool Resource. It includes a citation of Creative Commons, which was just about to launch its licenses at the time the paper was written:
An example of an effective grassroots initiative is that taken by the Public Library of Science (“PLS”), a nonprofit organization of scientists dedicated to making the world’s scientific and medical literature freely accessible “for the benefit of scientific progress, education and the public good.”126 PLS has so far encouraged over 30,888 scientists from 182 countries to sign its open letter to publishers to make their publications freely available on the web site PubMed Central.127 By September 2002, there were over eighty full-text journals available at this site.128 Another new collective action initiative is the Creative Commons129 founded by Lawrence Lessig, James Boyle, and others to promote “the innovative reuse of all sorts of intellectual works.”130 Their first project is to “offer the public a set of copyright licenses free of charge.”131
The entire paper is an excellent read.
Congratulations to Elinor Ostrom, and to the Nobel Prize committee for making an excellent choice, highly relevant in today’s world. Hopefully this will only be the first of many grand prizes for the study of the commons.
If you want to support the commons in practice right now, I suggest a donation to our 2009 fundraising campaign!3 Comments »
Hey Bay Area friends – we’ve got two great CC events lined up this Thursday, one in Mountain View and one in San Francisco. Plus, a third event on Friday that is sure to be equally as great. We hope you can make it to one of them!
Science Commons Salon: Creative Commons and LinkedIn are pleased to present an evening of thought-provoking discussions about Science 2.0 and strategies for faster, more efficient web-enabled scientific research. The evening will start with Pecha Kucha style talks. Following the opening talks, John Wilbanks will be moderating a discussion between Reid Hoffman and Joi Ito on Innovation in Open Systems.
When: Thursday, October 15th, 6pm
Where: LinkedIn Campus, Mountain View. (map and directions).
ccSalon SF : Creative Commons, KALW, and Chicago Public Radio’s Sound Opinions are pleased to present Chicago Tribune music critic and author Greg Kot in conversation with music journalist David Downs . Kot’s new book, Ripped: How the Wired Generation Revolutionized Music, explores the changing face of the music industry. Downs and Kot will discuss the book, as well as how digital sharing and participatory culture are shaping how music is created and consumed. Audience questions and discussion will follow the conversation.
When: Thursday, October 15, 7-9pm
Where: PariSoMa, 1436 Howard St. (map and directions). Plenty of street parking available. (Please note, the space is located up two steep flights of stairs, with no elevator access.)
Light refreshments will be provided, and since we rely on the generosity of our community to keep us afloat, we’ll be accepting donations for CC at the door.
On Friday, Greg Kot will also be doing a reading, talk, and book signing at the Booksmith on Haight St. in San Francisco. If you’ll be missing the salon with Greg on Thursday, we encourage you to check out Friday’s reading! A handful of CC staff will be at the event, so be sure to say hi! Friday, October 16th, 7:30 pm.Comments Off
A prominent member of the open education community, Stephen Downes is a researcher, blogger, and big thinker in open education and access related issues. He frequently debates with other open education advocates via the medium of the Internet, once in a while meeting up in person at conferences to hash out more of the same. I thought I might capture his slice of insight into the future of open educational resources and how he views them evolving in an ideal world.
So I caught up with him via Skype; and though different operating systems and timezones may have jumbled some of our conversation, I was still able to catch most of his words, if not the heart of his views. Below is our chat transcribed, in more or less the same fashion as it progressed.3 Comments »
Last month, ccLearn published “Otherwise Open: Managing Incompatible Content in OER“. For those of you who never got around to reading the paper, it basically provides an overview of the problem posed by the incorporation of “all-rights-reserved” materials into otherwise open educational resources (OER). It also explores ways of dealing with this problem and the trade-offs involved in relying on jurisdictional copyright exceptions and limitations, such as fair use or fair dealing. As the paper is intended to spur further inquiry and research globally, “Otherwise Open” does not offer concrete solutions to the problem right now.
However, the average OER creator cannot afford to wait, especially if they value their work as part of a global learning commons. In order for OER to be global, the copyright of the OER must be viable across jurisdictions. OER that are available under a CC license are global, as CC licenses are effective worldwide. But the inclusion of third party content that is not under the same terms of the license changes the global nature of OER, potentially walling it off from use in other countries. Thus, ccLearn has developed some practical recommendations and alternatives for those OER creators who are concerned with the global reach and impact of their works.
“Open Educational Resources (OER) are defined by the use of a Creative Commons license and are generally created by those who would like to share their work globally. However, some creators find the need to consider the costs and benefits of incorporating third-party materials with incompatible licenses into their “otherwise open” OER. This document recommends ways of managing or avoiding the problems that will arise.”
This and all ccLearn Recommendations and productions are licensed CC BY.Comments Off
Richard Giles, a social media specialist in Australia who frequently posts and CC licenses photos on Flickr, received a threatening letter from the International Olympic Committee last week, mentioning a set of photos he had taken at the 2008 games in Beijing.
Giles posted a rundown of the story so far on his blog. It is not clear the situation is resolved yet, and initially there was confusion about which photos or licenses are at issue, but there are many worthwhile posts about it to check out, including these:
- Olympics threaten photographer by Mathias Klang (of CC Sweden), who points out in passing that there are now over 120 million CC licensed photos on Flickr — a 20% increase in 6 months.
- Go To The Olympics? Take Photos? Put Them On Flickr? Await Olympic Committee Legal Threat Letter on Techdirt by Mike Masnick.
- International Olympic Committee Goes Copyright (& Trademark) Crazy on The Moderate Voice by Joe Windish.
- Wikipedia and Olympics Committee heading for collision? by Sage Ross, who points out that Giles’ photo(s) likely came to the attention of the IOC indirectly via English Wikipedia, where one of Giles’ photos is currently used in the Usain Bolt article.
Regarding Ross’ post, of course the UK merchant that used the photo in an advertisement that eventually attracted the IOC’s notice may have discovered the photo directly on Flickr as well. In either case, the value of moving to a more liberal license if you want your works to spread is highlighted — Giles’ Usain Bolt photo is under CC Attribution-ShareAlike, while his other Beijing photos are under CC Attribution-NonCommercial.
Whatever the resolution of this particular dispute, there’s no question that the IOC’s attempt to control how photographers use their own photos is symptomatic of the permission culture and tragedy of the anticommons we are facing. Creative Commons can’t directly influence the IOC’s policies, but we’re creating an alternative to ensure a non-gridlocked future of creativity and innovation, an alternative that offers benefits to those who participate in the commons now, and whose successes will change minds. Please support us — we’re in the midst of our 2009 campaign to raise $500,000 to fund this work.
The photo at the top of this post by Richard Giles is not of the Olympics, but does look fun. Note that even such an innocuous photo could be under threat as we move in the direction of a permission economy — building owners attempt to control public photography, why not balloon owners or designers? Give now. ☺5 Comments »
The Software Freedom Law Show, Episode 0×16 contains numerous bits of interest to CC geeks and is well worth a listen. The show’s hosts, Karen Sandler and Bradley Kuhn of the Software Freedom Law Center, discuss among other things:
- How the GFDL turned out suboptimally — a key point is that developing good public licenses is very hard, the the GFDL was one of the very first for software documentation or other non-software works.
- The migration of Wikipedia and sister projects from GFDL to CC BY-SA, successfully completed this June.
- The importance of public license stewardship by mission-driven nonprofits — Bradley Kuhn’s writing on stewardship has been noted previously on this blog.
- The license used for the show itself, which is CC BY-ND.
- A promise to talk about the public domain and specifically CC0 in a future episode. Looking forward to it.
One quick addendum to the show, in which the hosts wonder if CC has a public versioning process. The answer is yes — see a a list of CC blog posts over the course of development of our 3.0 licenses. The next, eventual versioning will be even more public and rigorous, just as the GPLv3 had a development process far more in depth than that of any public software license that preceded it.Comments Off
I’m happy to announce the launch of this year’s Commoner Letter series – a series of letters written by prominent members of the CC community in support of our annual fundraising campaign. We want to be very clear that this campaign is about much more than raising money for CC. At the heart of it all is the crucial effort to build awareness for CC and spread the word about the importance of online sharing and participatory culture as far and wide as we possibly can.
For that reason, I am proud to say that the first Commoner Letter comes to you from Mohamed Nanabhay, the Head of Online, Al Jazeera English. Mohamed and Al Jazeera have done incredible work this year helping to build the commons and spread CC’s mission on an international level. As many of you know, earlier this year Al Jazeera launched a Creative Commons repository, which houses raw footage available for anyone to share, repurpose, and remix. We’re honored to have such a fervent supporter in Al Jazeera, and I hope you enjoy reading Mohamed’s personal story of why he values Creative Commons.
If you’re interested in receiving the remaining five Commoner Letters directly to your inbox, I encourage you to subscribe today.
Dear Creative Commoner,
This has been a big year for the Al Jazeera Network and our use of Creative Commons. In January we launched the world’s first repository of broadcast quality video footage released under a Creative Commons 3.0 Attribution (CC BY) license. At the time we made select Al Jazeera video footage – initially, footage of the War on Gaza – available for free to be downloaded, shared, remixed, subtitled and eventually rebroadcast by users and TV stations across the world, under the condition that they attribute the material to us.
A large part of embracing free culture is accepting the fact that you are forsaking control in exchange for something greater – the empowerment of the creative community. This means that you never quite know where things will lead. When launching our repository, we had thought that it would be a key resource for anyone producing content on the war and that it would primarily be used by other news organisations and documentary filmmakers.
What we saw was both surprising and delightful. Soon after posting our first video, Wikipedia editors had extracted images to enhance the encyclopedia entries on the War on Gaza. Soon thereafter educators, filmmakers, videogame developers, aid agencies and music video producers all used and built upon our footage. We were encouraged by the warm reception with which our content was received by the free culture community.
Joichi Ito, CEO of Creative Commons said at the launch, “Video news footage is an essential part of modern journalism. Providing material under a Creative Commons license to allow commercial and amateur use is an enormous contribution to the global dialog around important events. Al Jazeera has set the example and the standard that we hope others will follow”.
Being part of a community goes beyond the launch of a single project – it involves long term commitment and shared values. Our association with Creative Commons goes back to 2007 when Lawrence Lessig, the founder of Creative Commons, delivered a keynote address at our 3rd Al Jazeera Forum in Doha, Qatar, where he challenged us to make our content freely available in order to further the values of free speech. This was a challenge that we took seriously – in addition to our Creative Commons Repository, we also make a large part of our output freely available on our YouTube channel.
After the launch of our Repository we co-hosted a workshop with Creative Commons on “Building Successful Media Projects in Open Networks,” which was moderated by Creative Common’s CEO Joichi Ito. This workshop was broadcast live throughout the Middle East as part of our 4th Al Jazeera Forum held in March 2009, which was an international gathering of nearly 200 journalists, analysts, academics, and intellectuals.
While having successfully reached out to new audiences through Creative Commons licensing, the real endorsement of what we achieved was in this note by Lawrence Lessig:
“Al Jazeera is teaching an important lesson about how free speech gets built and supported. By providing a free resource for the world, the network is encouraging wider debate, and a richer understanding”.
Working with Creative Commons has been an enriching experience. We are thankful for all the help, advice and assistance that we received along the way from Lawrence Lessig, Joi Ito, and the rest of the wonderful team that works to spread free culture.
The unintended collaboration that arose as a result of our video repository, and its positive reception worldwide, would not have been possible without the help of Creative Commons licensing. We support this effort because we have witnessed, and continue to witness, the benefits of contributing to and strengthening the digital commons. In whatever capacity you are able, I hope you will also support CC by contributing to this organization and by adding to the commons. I urge you to go forth and license!
Head of Online, Al Jazeera English
DJ Vadim and Creative Commons are celebrating ccMixter‘s fifth anniversary with Secret Mixter October ’09. In this event, the 6th of its kind on ccMixter, starting today, musicians and singers sign up to have their name put into a virtual hat. After the two week sign-up period, everyone is notified, in secret, with a remix assignment. They then have two weeks to do a remix of their
assignment. On November 4th, everybody will upload their remix – including Vadim!
DJ Vadim has long been a strong proponent of including his fans in the musical experience. He has been sharing the full studio stems and a cappellas to his albums on ccMixter.org for several years. In early 2009, in advance of his album “U Can’t Lurn Imaginashun,” he gave a featured commoner interview where he said
“…releasing music is communication. Nowadays, that means participation and that is what ccMixter offers. It is a combination of the two, letting fans and music people participate and communicate together, with you, with me and create new music and ideas.”
With his participation in the Secret Mixter, Vadim is making the ultimate statement about what it means to communicate with his fans.
Come and join the ongoing musical conversation of the Commons at the Secret Mixter October ’09 – you never know who’s going to remix you.Comments Off
A little over two years ago award-winning novelist Jon Evans released Beasts Of New York, a self-described “children’s book for adults”, online and for free under our Attribution-Noncommercial-No Derivative Works license. He chose this license to help facilitate sharing, a decision we elaborated upon previously:
Evans wanted to write and release a novel his publishers found unmarketable. As he puts it, “try to imagine telling people with a financial interest in your writing success that you want to write a whole book about a squirrel”. Evans saw CC-licenses and online publishing as a means to allow his work be read freely, while at the same time retaining potential commercial avenues for the book (Evans “cautiously expect[s] [Beasts of New York] to eventually find a publisher”).
It is now apparent that Evans’ optimism was well merited – Beasts of New York will see a physical release through Canadian literary press The Porcupine’s Quill early next year, largely based on the online traction the novel received. Beasts of New York has been downloaded legally around 6,000 times from Feedbooks and Manybooks and has become Evans’ most-popular and highest-rated book on Goodreads.Comments Off