Copyright Clearance Center has just launched Ozmo, a new web-based service focused on helping photographers, bloggers, and other content creators license their work for commercial use. Ozmo supports Creative Commons’ CC+ protocol (see the press release about CC+ for more information), meaning that it enables creators to license their work to the public under one set of terms via a Creative Commons license, and offer the ability to obtain a private license via Ozmo’s licensing system — to purchase rights not offered by the CC license a work is under (e.g., commercial use if the work is under a CC NonCommercial license, the right to make an adaptation and not share under the same license if the work is under a CC ShareAlike license, or the right to use without attribution), or simply to obtain a private agreement with the copyright holder for situations that require such.
To use Ozmo, a creator sets up an account, selects license terms, and sets a price for the use of their work. Ozmo then works as a broker to companies, publishers, and bloggers who are looking to use work commercially. Ozmo manages the licensing process and pays creators when a license to their content is purchased. You can find more details about how Ozmo works on the site’s About page.
Artist, animator, and filmmaker Ryan Junell (who is the designer behind the Creative Commons logo, as well as several of CC’s explanatory videos – see “Get Creative,” “Wanna Work Together?” and “Reticulum Rex”) worked with musician J Lesser to create a short video that explains how Ozmo works. It’s licensed under CC BY-NC-ND.6 Comments »
Open Music Wire is a new initiative from Musik1 that promotes CC-licensed music from affiliated net-labels. Most readily seen as a music blog, OMW curates the music they feature on their home page in an effort to shine a light on the songs and artists they find particularly inspiring. All of the music on the site is released under a CC BY-NC-ND license.
OMW is still in beta, so many of the services aren’t fully launched. With that said, it is important to note that although there is a distinct emphasis on OMW’s affiliated net-labels, anyone can submit music to their Open Music Library as long as it is licensed correctly. Presumably, this music will not only be freely available but also pooled for the curated content on the main page.Comments Off on Open Music Wire
Author, blogger, and permissive copyright activist Cory Doctorow writes a regular column for Locus, a monthly magazine that covers science fiction and fantasy publishing. His current column, “Why I Copyfight,” is filled with thoughtful analysis of why writers are increasingly using open approaches to distributing their work. A year ago, Doctorow wrote a great piece about Creative Commons for Locus; both columns are highly recommended.
I was recently talking to a friend, D.K. Thompson, who has been posting pieces of a YA novel entitled Unbelievable Origin of Superspiff and the Toothpick Kid, for the past several months. We’d never talked directly about Creative Commons before, so I was particularly interested to hear that he was publishing the entire story via poscast under a CC BY-NC-ND license. He, like other authors I have met, told me that he’s using CC because it helps define clear usage permissions and extends the work’s reach. Superspiff is a lot of fun – you can download episodes from it on D.K.’s site.
Literary publishing is a quickly-changing field, with new distribution models emerging regularly. We’re always eager to hear about authors who are using our tools to achieve their desired ends. If you or someone you know is offering their novel, short stories, poetry, or other literature under Creative Commons licenses (or if you’re a reader who has enjoyed someone else’s work that has been made available under CC terms), we’d be grateful if you would point us to it in the comments section of this post.1 Comment »
If you can’t attend the Standford Open Source (Un)Conference this Friday because you are in London, you are in luck! There is another unconference option right in your city!
The Onemedia Unconference, which is being held in London today and tomorrow, is hoping to provide a venue for all who are interested in how new or multiple media technologies will transform the business landscape. The attendees of the conference will represent a variety of industries including TV, Film, Games, Animation, Mobile, Software, and Music industries.
Especially useful will be what is produced by the conference: a report that collects all of the unconference’s output from the wide breadth of topics that will be covered. The report will be provided under an Attribution-NonCommercial-NoDerivatives license so attendees are free to share this report with others to allow for more enhanced discussion to happen.
If you are interested in how businesses are reacting to and creating new changes in the content arena you should check out the conference if able or at least the report when it is released.Comments Off on Onemedia Unconference
Over the past year, GOOD has grown from having a primary focus on magazine publishing to being a media mini-empire, with its hand in videos, blogging, event production, and a variety of other activities, both online and off. The company’s cornerstone project, GOOD magazine, is still going strong – and is published under a Creative Commons license (BY-NC-ND).
One of my favorite elements of the magazine is its design, which is managed by creative director Casey Caplowe, who spoke recently at CC Salon LA about the advantages of using an open approach to creating and distributing content. The greatness of the magazine’s design is typified by a recurring feature called the GOOD Sheet, which presents large volumes of information in useful and beautiful graphical formats. The most recent GOOD Sheet is a collaboration with designer Atley Kasky called “The First 100 Days” and offers a sampling of decisions made by various US presidents in their first months in office.
Update (12/03/08): The GOOD Sheet came out of a relationship between GOOD and Starbucks, in which the latter agreed to distribute free weekly newsprint copies of the GOOD Sheet in its stores for eleven weeks. This means that for the eleven weeks prior to the US presidential election, Creative Commons-licensed media was being given away for free to hundreds of thousands of people in Starbucks stores. Pretty cool. This New York Times article describes the deal.Comments Off on GOOD + “The First 100 Days” charticle
Pop star Gwen Stefani and her husband, rocker Gavin Rossdale recently welcomed a baby, Zuma Nesta Rock Rossdale, into the world. Many celebrities contract with a magazine to arrange an exclusive photo session that debuts mother with newborn. But Stefani and Rossdale took a different approach and hired their own photographer and put the photo online for the public under a Creative Commons BY-NC-ND license, along with some additional terms that allow all print magazines, newspapers, and blogs to use the photo – even commercially, with some restrictions. You can download a high-res version of the photo (and check out the additional terms the photo is available under) at Stefani’s site.2 Comments »
IE Business School, an international leader in business, offers masters and doctorate degrees via an innovative blend of in-class and online course methods. Though its central campus is in Madrid, the school caters to students from more than 65 countries around the world, and recently it has opened up its multimedia documentation to everyone else.
“IE develops multimedia documentation for both online and face to face courses. More than one hundred modules across all management areas have been developed in house. These modules include multimedia case studies, simulations, online games, interactive graphs and exercises.”
The multimedia is offered in both Spanish and English and is released online under CC BY-NC-ND.Comments Off on IE Business School Opens Up Multimedia
Phlow Magazine, a weblog about netlabel music culture, recently celebrated their one year anniversary by releasing Nivel del Mar, a free compilation of CC BY-NC-ND licensed tracks from various netlabels. Clocking in at one hour, 22 minutes, and 55 seconds (epic), Nivel del Mar is described as a ‘chill out compilation’ that aims to feature the the best sounds of netlabel culture. You can download it here for free.2 Comments »
Arts Engine, a non-profit that creates social-issue documentaries, just released a call for entries for their 9th Annual Media That Matters Film Festival. The films produced for the MTMFF are short form, focus on social issues, and made mostly by young filmmakers.
Following a New York City Premiere, Awards Ceremony and industry networking event in June 2009, films submitted will take part in the Media That Matters international, multi-platform campaign with “DVD distribution, broadcasts, streaming and hundreds of screenings across the globe.” After the festival has been completed, the films will be released under a CC BY-NC-ND license. From MTMFF:
The Media That Matters Film Festival is the premier showcase for short films on the most important topics of the day. Local and global, online and in communities around the world, Media That Matters engages diverse audiences and inspires them to take action.
From gay rights to global warming, the jury-selected collection represents the work of a diverse group of independent filmmakers, many of whom are under 21. The films are equally diverse in style and content, with documentaries, music videos, animations, experimental work and everything else in between. What all the films have in common is that they spark debate and action in 12 minutes or less.
Short Films: Keep it short! Under 12 minutes is good, but under 8 is even better.
All Genres: Documentary, animation, PSA, narrative, music videos – be creative!
Social Issues: Any and all. This year we are looking for films on Media Literacy, Human Rights, Elections & Democracy, Sustainability, Sexual Identity—but all social issues are accepted. Youth produced projects are encouraged.
Cash Prize: $1,000 per film.
Submission Fee: $25 for general submissions; $10 for students over 18 (with valid student ID); free for youth 18 and under (with valid ID).
Deadline: All submission materials must be postmarked by January 9th, 2009.
Check website for more details: submit.
Arts Engine also sells region-free unencrypted CC licensed DVDs of all the films that can be shown in any non-commercial setting.Comments Off on 9th Annual Media That Matters Film Festival: Call For Entries
H-Net is “an international consortium of scholars and teachers…[creating] and [coordinating] Internet networks with the common objective of advancing teaching and research in the arts, humanities, and social sciences. H-Net is committed to pioneering the use of new communication technology to facilitate the free exchange of academic ideas and scholarly resources.” Recently, H-Net took a step towards facilitating this free exchange by licensing their online scholarly reviews of various books in the humanities and social sciences CC BY-NC-ND. Normally, scholarly reviews take a while to come out in print journals, so the online reviewing system of H-Net is effective in not only providing timely access to these reviews but also in stimulating response and discussion via their discussion networks, where each review is also published.
ccLearn supports this step towards increasing openness and hopes for greater progress from H-Net in the future. MIT Press also recently licensed their publication, “Opening Up Education: The Collective Advancement of Education through Open Technology, Open Content, and Open Knowledge,” CC BY-NC-ND—but unfortunately the No Derivatives term prevents remixing and adaptation for different contexts and needs. The ability to change and build on educational resources is a freedom that educators, students and researchers find not only incredibly useful but integral to the nature of their work. We hope to see more in this vein from both H-Net and MIT Press in the future!Comments Off on H-Net Reviews
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