RE:VIEWING 2004: Digital music and DRM
PressFrom iTunes’ UK launch and Napster’s rebirth to the Creative Commons and piracy, Jo Best looks back at the highlights of 2004 for digital musicfrom Silicon.com – UK
From iTunes’ UK launch and Napster’s rebirth to the Creative Commons and piracy, Jo Best looks back at the highlights of 2004 for digital musicfrom Silicon.com – UK
… When I refer to royalty-free verbatim distribution I mean it in the way Creative Commons defines the Attribution-NonCommercial-NoDerivs license.from p2pnet.net – Ontario,Canada
The Creative Commons has completed the versions of its innovative content licences for England and Wales, one step towards the organisation’s goal of reinventing copyrightfrom Silicon.com – UK
[World News]: PALO ALTO, Calif.,, March 15 : In the year since an innovativefrom New Kerala – Ernakulam,Kerala,India
… an article on a new licensing scheme being used to bring civility to the world of copyright.” From the article: “Interest in Creative Commonsfrom Slashdot – USA
… Other strategies should include open-source licenses or ‘creative commons’ and non-exclusive licenses, he said, and these should be combined withfrom World Peace Herald – Washington,DC,USA
… Creative Commons, a nonprofit property rights management system, offers a free tool for Windows and Macintosh that lets you upload video to thefrom Globetechnology.com – Canada
… Oh, and they actually release decent music.” All tracks are pure, Creative Commons-licensed MP3s born of Zion, so you’ve gotta know they’re guaranteedfrom engadget – USA
… But seriously, wouldn’t it render the new Creative Commons Samplingfrom Slashdot – USA
… Now new licenses from Creative Commons promise to make it easier forfrom Synthtopia – AZ,USA