Lab Waste is a short documentary that focuses on the seemingly unavoidable problem of laboratory created waste. Bioscience labs need sterile and untouched materials to experiment with in order to keep their results accurate. As such they are unable to reuse their materials, which are most often only used once. From Lab Waste:
We’ve all been told to reduce, reuse, and recycle when it comes to our households. But in the lab, unless there is an underlying money issue, this rarely comes into play. In cell biology or molecular biology labs the emphasis is on working sterile, quickly and reproducibly. So companies have been selling all these incredibly useful products to life science labs: sterile plastic tubes of all shapes and sizes, single wrap multi-well tissue culture plates, sterile plastic dishes, sterile pipettes. All these products make it a lot easier to do the required work. I can’t even imagine how you could work in a cell culture lab without them, but they do create a lot of waste.
I made this video as a creative outlet and to try and raise some awareness of all the disposables in the lab, and give some mild suggestions on how to reduce the pile of trash by a tiny amount. Every bit helps, right?
The interesting CC story behind Lab Waste is not only that it is released under a CC BY-NC-SA license but also that the creator, Eva Amsen, used CC-licensed images found on Flickr in the piece. Some of these images were released under a CC BY-SA license, meaning that including them in a CC BY-NC-SA work would violate the original works’ SA condition.
As a result, Amsen contacted these photographers individually, asking them permission to use their works outside of their chosen (CC BY-SA) license – a permission they granted to her. This is a great example of how CC licenses still have flexibility to work outside of their original terms through creator-to-creator contact. We refer to this ability often in discussions on the licensing potential of non-commercially licensed works – this is another example fit to illustrate that point (via WorldChanging).Comments Off
Netwaves Records, a netlabel that focuses on genre-oriented compilations, just released their first album, Electro 1. Focusing on music that ranges from “electro-pop” to “electro-clash”, Electro 1 has been released under a CC BY-NC-SA license. this means it can be freely shared and remixed as long as proper attribution is given, the resulting and original works are not sold, and any derivative works are shared under the same license. Download it here for weekend listening.1 Comment »
Epic FU, the web-based art/tech/music/culture show we recentlly profiled as a Featured Commoner, just posted a great episode that includes an interview with CC’s Creative Director Eric Steuer. For those who are familiar with CC there isn’t a ton of new information on what we do but for those who are new to CC, the interview acts as an awesome primer. The episode is released under a CC BY-NC-SA license and Steve Woolf, one of Epic FU’s founders, posted a related entry about CC on the Epic FU blog to complement the piece.1 Comment »
Freesound, a venerable repository of CC-licensed samples, has been up to a bevy of good work since we last checked in with them. This includes developing a beautiful successor to wav2png, changing their name to freesound.org, teaming up with Happy New Ears to develop an interactive sample machine aimed at children, and launching Freesound Radio, an “experimental web-based system around collaboration and social interaction in sample based music creations.”
What many people don’t realize about Freesound.org is that it is an initiative of the Music Technology Group at Universitat Pompeu Fabra in Barcelona. This means that outside of Freesound there are a collection of amazing students and professors working on understanding how music technology is changing at a rapid pace. One of these student, Jordi Janer, recentlly released his PHD singing-driven interfaces for sound synthesizers as a CC BY-NC-SA licensed PDF download.Comments Off
The Free Culture Game, created by Molleindustria, is a flashed based abstract art piece that attempts to articulate the interplay between the commons and culture at large. Released under a CC BY-NC-SA license, we heard about it first on our community lists, but it has since been getting some nice traction elsewhere on the blogosphere. From Rhizome:
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Italian artists Molleindustria promise “radical games against the dictatorship of entertainment,” and their latest effort may be their most direct statement against the pleasure industry to date. Touted as “playable theory,” the Free Culture Game offers a ludic metaphor for the battle between copyright encroachments and the free exchange of knowledge, ideas and art.
A circular field represents The Common, where knowledge can be freely shared and created; your job is to maintain a healthy ecology of yellow idea-bubbles bouncing from person to person before they can be sucked into the dark outer ring representing the forces of The Market. Your cursor, shaped like the Creative Commons logo, pushes the ideas around with a sort of reverse-magnetic repulsion field (a clever alternative to the typical shooting, eating or jumping-on-top-of-and-smooshing actions of many other 2-D games). People who absorb free, round ideas stay green and happy, while those who only consume square market-produced ones become grey and inverted.
The game never really ends: you can only do better or worse, suggesting by analogy that the fight for free culture will be an ongoing struggle without end.
Castle Crashers, an action/RPG video game, was released a few weeks ago on the XBox Live Arcade service and has been receiving rave reviews for its gameplay, graphics, and sound design. Of note to the CC-community is that the soundtrack has been released online for free under a CC BY-NC-SA license, meaning that fans of the game can now freely enjoy the excellent soundtrack outside of their consoles.2 Comments »
The 100 Second Film Festival is “a collection of short videos presented to an audience in person or through the medium of cable television or the Internet” with the only requirements being that the films are 100 seconds long and are released under a CC BY-NC-SA license. This allows the film festivals – the screenings are decentralized – to pool past submissions as well as new ones for their lineup. Whoever is curating a specific festival can put together the lineup in any fashion they see fit, although ideally, each screening will contain at least a few works produced by the local audience where the screening is held.
This year’s call for entries was just announced, with the deadline to submit a short extended to Dec 15th, 2008. From 100SFF:
The 100 Second Film Festival is an unique yet accessible universal collaboration. Launched in 2005, this evolving anthology of videos embraces the raw creativity from producers of all skill levels and backgrounds, encouraging them to submit their best work. Works from all genres are welcome
adhering to the common constraint of 100 seconds or less in duration.
General Fuzz, an artist who creates self-described “lush melodic instrumental electronica”, released his new album, Soulful Filling, at the beginning of this month, bringing his number of CC BY-NC-SA licensed albums to an amazing 5.
All the tracks, along with General Fuzz’s other music, are free to download at his website. What really sets Soulful Filling apart though, outside of its musical merit, is that General Fuzz has gone to the trouble of crafting a “multitrack flash mp3 player” that allows you to listen to a song’s individual audio stems either on their own or as a user-defined composite.Comments Off
Journalists, bloggers, and CC supporters gathered last week in Bucharest to celebrate the launch of the localized Romanian Creative Commons licenses. CC Romania Project Lead Bogdan Manolea reports on the event’s success and how popular Romanian artists such as HI-Q have embraced Creative Commons’ flexible and free licensing system.
The public was interested in details about the practical implementation of CC licences starting with the way attribution works and ending with the practical advantages of choosing CC licences for an artist.
Florin Grozea from the popular band HI-Q pointed out that the licences are a valid solution for some of the problems that artists face, as the licences provide a set of rules more flexible than the traditional copyright. He also presented a practical case with their older, very well-known song “Gasca mea (My Mob)”, for which they received a lot of requests from teenagers to use the song to make non-commercial videos to share online (example). Since the purpose of the song was to share the fun spirit of the HI-Q band, the artists decided that such a request should be granted directly. With a CC licence, the conditions for using a creative work are very simple and easy to understand.
On this occasion, the HI-Q band announced that the vocal tracks from the band’s next single will be released under the Romanian CC BY-NC-SA 3.0 license. Fans will be invited to create remixes of the tracks and upload them to music-sharing websites. The best covers may also be included in the band’s next album.
Regarding other speakers at the launch:
The band Travka was the first group in Romania to release an entire album under a CC licence. Band member Razvan Rusu explained that they looked for “a kind of an open source licence” that could be used for their music, which is how they found and agreed to use the CC licences.
Ioana Avadani, from the Center for Independent Journalism, emphasized the fact that today, attribution might be more important than all the other author’s rights. She also pointed out that small TV and radio stations are forced to close down because of the demand to pay several copyright royalties. Creative Commons could offer a viable alternative.
The national television station TVR featured the launch of CC Romania, as did a number of blogs (Drept & Internet, Transindex, and Nicu). The event was organized by EDRi-member Association for Technology and Internet (APTI Romania) with help from the Center for Independent Journalism.
Update: The national television station TVR Cultural featured the launch of CC Romania, as did a number of online news portals Hotnews (Romanian) and Transindex (Hungarian), and several blogs (e.g. Drept & Internet, Nicu, Hoinar pe web and Webservator).
“George Gadei @ Travka” by LevyNagy, available under a Creative Commons Attribution-Noncommerical-Share Alike license. Photo from a prior concert.Comments Off
Marco Hinic, ‘visualist engineer’ and founder of VJ application ArKaos, recentlly decided to experiment with the Nine Inch Nails Ghosts Film Festival, eventually creating Ghostss, a C++ powered online generative art project that creates infinite visual remixes by pooling over 1GB worth of video and select tracks from Ghosts: I-IV. The result might be one of the coolest video remixes to date and in lieu of the contest rules, Hinic’s videos are released under a CC BY-NC-SA license meaning you can share and remix them as well. From Create Digital Music:
A few days ago I released the web site ghostss.com; it’s my entry to the NIN Ghosts Film Festival.
It’s an online video remixing application. It builds playlists describing a mix of videos with effects and renders them as an .flv Flash Video file. All the content is on the web site — around 1 gig of video loops and a few mp3’s from NIN music.
In accordance to NIN music, all Videos are licensed under a Creative Commons Attribution Non-Commercial Share Alike license.