Posts by cameron
Anomolo Records, an Italian based net-label that has been active for over 5 years, recently launched an English version of their website, extending a backlog of CC-licensed music to an entirely new demographic. Anomolo utilize a variety of CC licenses (differing depending on the artist) and have seen serious traction, amassing over 450,000 downloads since…
Ronaldo Lemos, chairman of iCommons and director for CC Brazil, recently gave a talk at the Google Public Policy series based around the theme of “Cultural Production and Digital Inclusion in Developing Countries”. It is a fascinating talk and a must watch for those interested in CC’s international jurisdiction work.
In one of the more unconventional uses of CC-licenses we have seen, Lysse Smith Wylle’s The Art of Magic Words, a book focused on spell poetry and magickal prose, is published with an instructional spell section licensed under a CC BY-NC-SA license. From GroundMarkPress: While the first four chapters of the book are published under…
Enrico Casarosa, a story artist at Pixar and creator of “SketchCrawl,” recently posted some thoughts about Creative Commons on his personal blog, capping his entry with the statement “Why not share ideas?”. Casarosa’s SketchCrawl encourages artists and non-artists alike to draw/paint/sketch continuously for an entire day, simply for the purpose of pushing one’s creative boundaries…
Over the holidays, we caught up with acclaimed writer (and podcaster) James Patrick Kelly and asked him some questions regarding the interesting and unique ways he has embraced CC licenses for his work. Read on to find out what positives Kelly has seen in using CC as well as which CC evangelist (hint: he also…