My most vivid memory from South by Southwest: Thursday night in Austin, TX, USA, MSN threw a party across the street from the convention center. It was in a spare warehouse space, like a rave or fly-by-night underground party, but the fancy lighting, free drinks, and imported-looking crowd (L.A.) all said Big Bucks. The women…

As far as I’m concerned, the very best among the many great things about being part of Creative Commons is getting to meet CC users and supporters face-to-face. Knowing that one and a half million web pages (and growing) carry Creative Commons licenses is always an inspiring thought, but getting together with musicians and writers…

Bricks in the Wall Theater and drama fans are familiar with the Fourth Wall, the conceptual boundary between performer and audience. It’s an artistic term, but we’ve now extended the concept in a Creative Commons way. At the South by Southwest Film Festival this week, I moderated a panel, “Can Copyright Bring Filmmaker and Audience…

If you’re at South by Southwest in Austin, come by our panels at 10am (music and copyright) and 11:30am (film and copyright) Monday morning. Special guests include two Austinites: tech-media renaissance man Wiley Wiggins and GET CREATIVE! contest winner Justin Cone, whose 2-minute short “Building on the Past” perfectly exemplifies the CC mission. (How many…

Matt’s post earlier today about Hit Song Science, a piece of software that uses algorithms to analyze songs to predict their likelihood of success in the market, reminded me of a favorite imaginative bit in Jonathan Franzen’s novel The Corrections, which was a big hit a couple years ago: . . . Brian spent his…