by Ethan Smith, Staff Reporter of The Wall Street Journal For some people, the future of copyright law is here, and it looks a lot like Gilberto Gil. The Brazilian singer-songwriter plans to release a groundbreaking CD this winter, which will include three of his biggest hits from the 1970s. It isn’t the content of … Read More “Wall Street Journal on the Sampling Licenses”
Photo © Iñaki Vinaixa Dj Spooky (aka Paul Miller) is a multimedia DJ and Creative Commons advocate who remixes not only music but also film/cinema and fine art. Spooky’s film Rebirth of a Nation intersperses modern images with cuts from D.W. Griffith’s Birth of a Nation (now in the public domain) to create a new … Read More “DJ Spooky and Roger McGuinn interviews”
Magnatune provides “Internet music without the guilt.” Based in Berkeley, California, Magnatune is a record label with a 21st Century business model, offering consumers a unique mix of free and paid music. One of the first for-profit companies to adopt Creative Commons’ copyright licenses into its strategy, Magnatune has amassed both an impressive buzz and … Read More “Magnatune”
Fading Ways is a Canada & UK indie-label that has international reach. In addition to having national distribution throughout Canada, FW is distributed in several European countries and its UK operation have recently launched an online music store. Fading Ways also utilizes an innovative marketing approach with “street teams” of fans (see: 1, 2) based … Read More “Fading Ways”
Freesound is a repository of CC-licensed samples … around 20,000 samples, recently integrated with ccMixter via the Sample Pool API. We recently spoke to Bram de Jong, Freesound founder and researcher at the Music Technology Group of Universitat Pompeu Fabra in Barcelona. Creative Commons (“CC”): How did Freesound come about? Bram de Jong, Freesound Founder … Read More “Freesound”