Free Culture, Free Software, and Free Content will again join forces under the banner of “Free Society” at FSCONS 2009 in Gothenburg, Sweden, 13-15th November. The organizers, Creative Commons Sweden, Free Software Foundation Europe, and Wikimedia Sverige, have just announced the conference’s Call for Participation.
Last year’s conference featured a host of workshops and speakers, including CC’s Mike Linksvayer on “How far is free culture behind free software?” and Victor Stone on ccMixter‘s solution to online attribution via Sample Pool API.
We’re looking forward to what this year’s FSCONS has in store. Submissions close on June 21, so send in your proposal soon!No Comments »
If you’re interested in online culture, you’ve probably come across the amazing THRU YOU project from Israeli producer Kutiman (see this WIRED profile for some background). Kutiman mashed together various YouTube clips of people playing instruments (many of them instructional videos) to create something totally new and unique. The result was a collection of seven songs and videos that artfully demonstrate the potential of digital collaboration.
Last month, CBC Radio’s Spark talked to Kutiman about the project and posted the interview audio posted to ccMixter under a Creative Commons BY-NC license for producers to chop up and use in their own tracks. Check it out!No Comments »
Creative Commons and Snowflake are proud to announce a call for remixes in honor of Earth Day 2009. Singer, musician and poet Snowflake has put all the stems, including the a cappella for her song Apologize into the Commons under an Attribution NonCommercial license, hosted on ccMixter, and is looking for remixes to be featured on her site on April 20th.
After all the remixes are posted, Snowflake will pick her favorite remix and include it as a surprise 11th track on her FanClub release “One or Ten” on April 20th. She tells us the remixer will be awarded producer royalties for the track as well.
In addition, Snowflake has generously offered to donate $200 to a green non-profit, to be chosen by the producer of her favorite remix of Apologize.
Snowflake is a long time and popular contributor to ccMixter and thinks “ccMixter embodies a significant evolution in synergistic sound. With creativity expanding from its source, our musical compositions gain color, speed and strength as we share, mix, and mash.”
Make sure to check out Snowflake at her new website that features both her ccMixter source tracks and five favorite remixes.
There’s not a lot time left to crank out the tunes so read more and download the sources at Snowflake’s Earth Day Call for Remixes.4 Comments »
As you might have heard by now, YouTube has begun to mute videos containing ‘unauthorized’ music or audio. What does ‘unauthorized’ mean? We’ll leave that for the lawyers to decide, but it probably has something to do with negotiating permissions for the right to use music in advance from rights holders.
Instead of dealing with the suits, why not consider using Creative Commons music in your next YouTube video? Here’s a ccMixter playlist of 100 Attribution licensed music tracks that you can download and use freely so long as you give attribution to the original creator. YouTube has even been so kind as to include these tracks inside their AudioSwap feature, thereby enabling you to automatically add a soundtrack to your video even after it has been uploaded to YouTube.4 Comments »
CC founder Lawrence Lessig appeared on the Colbert Report last Thursday talking about his latest book, REMIX. The segment was great, and hilarious, as is typical for Colbert — and double plus fun for copyright geeks and activists, as Colbert challenged the audience to not remix the interview “with some great dance beat, and then it starts showing up in clubs across America.”
Lessig pointed out on air that because he didn’t waive his joint copyrights to the segment, he and Colbert are joint owners, and either can exploit the work freely. In this case Lessig has published the interview under CC BY, allowing anyone to remix or even commercially exploit the work for free.1 Comment »
Over a year and a half ago the ccMixter community decided to stop having formal remix contests in part because in a CC context, the traditional format seemed outdated. In a typical remix contest an artist would post the stems to one song, retaining all the rights to the samples as well as the remixes produced by the entrants. After the contest deadline, the samples are typically taken off the web site in order to take them out of official circulation.
By contrast, on ccMixter, we’ve turned to a ‘call for remixes’ model where we get the artist to put the stems for an entire album into the Commons and keep it there. Therefore the concept of a ‘deadline’ seems mute. The best part is that the rights to the remixes are retained by the artist. This has proven to be much more amenable to the community and it has responded with 1,000s of remixes to calls by DJ Vadim, Bucky Jonson, Trifonic,Calendar Girl, Brad Sucks and Shannon Hurley.
Shannon exemplifies the new hybrid sharing+business model because when we she was ready to put together an album of remixes she licensed, for a fee, the remixes from the producers for the album “Second Light: The Ready to Wake Up Remixes” (AMIE Street, CD Baby and iTunes).
She will be performing the remixes with Ben Eisen on bass, Sam Cunningham on drums, and “my apple notebook” in Los Angeles on December 10th. This gig will be quite the party as ccMixter producer DJ Doughy will be flying from Kansas City, Mo. and I’ll be making a special trip to LA for this event as well. (There is a $12 charge at the door.)
Our latest call has special significance because we’ve been trying to get indie star State Shirt for a while and he’s come through in a big way. Not only did he put his entire “This is Old” album, stems, a cappellas and all, into the Commons but his plan is to use the remixes themselves as source material for a new album of original music. State is a master songwriter who writes and performs in an “energetic and ridiculously catchy” way according to DoKashiteru who should know: his DnB smasher remix was an Editor Pick minutes after upload.
The State Shirt call is: “Remix Me So I Can Remix You”
He says: “Creative Commons is the perfect antidote for a collapsing landscape still clinging to traditional copyright. I hope more artists discover that freedom, flexibility, collaboration and community are now an option. I also hope that my fellow ccMixters would want to get involved with me, in both the creation and re-creation of music.”No Comments »
RecombinaSOM is a remix contest taking place as part of the São Carlos’s Federal University’s multimedia festival, “Contato“. The festival’s theme is recombination and will feature a number of discussions on new forms of licensing and exchanging content among audiovisual/music producers. RecombinaSOM itself will is being hosted by both ccMixter and overmundo, their collective effort being billed Overmixter:
Contato’s theme and curatorial leading concept in this edition is “Recombination” – a remix contest as well as the Creative Commons initiatives (already part of the daily routines of “Radio UFSCar”, one of the Festival promoters), fit well together. Beyond these facts, the copyright debate (one of the debate’s theme of the Festival) will join participants of the multimedia Brazilian website “Overmundo” (Golden Nica – Ars Eletronica winner) and CTS (Centro de Tecnologia e Sociedade da Fundação Getúlio Vargas), an institution that coordinates Creative Commons in Brazil.
The Contest will be host by ‘Overmixter”, a partnership between CCmixter and “Overmundo”, and will bring samples from the bands that are participating in the festival and material from the festival audio identity. The contest organization also will record and share samples during the festival – live presentations at the radio, live material from the gigs and more. 10 remixes chosen by the public will be part of the “Radio UFSCar” daily programming during he following three months and the first place remix chosen will be part of a compilation the station releases once a year called “Transmissoes Independentes” (its first edition is available on Jamendo). The compilation had 2 thousand copies downloaded this year and the media is distributed free of charge.
To find out more about what is going with Creative Commons in Brazil, click here.No Comments »
Brad Sucks, a CC license using pop/rock musician, recently released his latest album Out Of It for free online and under a CC BY-SA license. Brad is one of the most remixed artists over at ccMixter, runs an active blog, interacts with fans directly, and was recently interview by the Featured Commoners behind The Indie Band Survival Guide. Needless to say we needed to catch up with Brad and ask some questions of our own – read on to learn about Brad’s influences, why he uses CC licenses, and how he feels about his work being remixed and reused.
Can you give our reader’s a bit of background on you and your music? How long have you been creating music? What are your influences?
I started taking classical guitar lessons when I was 10 years old. I hated practicing and was never very good and quit because it was boring. Then when I was 14 or so I got into MOD/S3M trackers (Scream Tracker and then later Impulse Tracker) and was really into industrial/electronic music. I got an electric guitar a few years later and started trying to fit it all together as digital recording matured.
My influences were mostly classic rock as a kid. Pink Floyd, Rolling Stones, etc, the stuff my dad listened to. As a teenager I was into more aggressive stuff: Ministry, Skinny Puppy, Nine Inch Nails, etc. Besides being a lot harder, it had a real DIY ethic to it. There usually wasn’t much of a “band”, just one or two guys working on recordings. That was a huge inspiration because it seemed normal to me to think of doing everything myself. After that I mellowed out and de-gothed a bit but I secretly wish I could take myself seriously enough to rock like Ministry.
A lot’s changed since I started putting music on the Internet way back in 2001. Artist-endorsed free downloads were shocking. Flexible pricing was still an untested novelty. It was rare to find source files from artists and sharing music wasn’t encouraged by new artists.
Recently I was asked if I’d do anything different this time around [...] and I honestly couldn’t imagine why I’d do things different. The only reason I, a dude who made an album by himself in a country basement, has had any sort of success is because people took it upon themselves to share my music with their friends. They remixed it, they used it in their videos, they played it on their podcasts, they included it in software and games and it took on a life of its own.
To coincide with the album release, ccMixter got Randy Chertkow and Jason Feehan, authors of the “Indie Band Survival Guide” to conduct an interview with Brad Sucks. Brad is one of the most sampled artists over at ccMixter and the interview sheds much more light on his music in particular and opinions on the music industry as a whole.No Comments »
Creative Commons and the makers of the independent film currently in production RIP: A Remixer’s Manifesto a co-production between Montreal-based production house Eye Steel Film and the National Film Board of Canada are making a Call for Soundtracks. The film itself is released under a CC license and has been produced collaboratively through hundreds of submissions and remixes at Open Source Cinema.
A mashup in its own right, RIP tackles the issue of Fair Use ─ broadly defined as the limited use of copyrighted material without requiring the permission of the rights holders ─ on its own uncertain ground. Pulling footage from a range of sources, filmmaker Brett Gaylor looks at cultural appropriation throughout history, from Muddy Waters to the Rolling Stones to the king of the remix, Walt Disney. With legal advice from Creative Commons founder Lawrence Lessig, Brett negotiates the tricky world of fair-use filmmaking.
Now the producers and CC are using ccMixter to host a Call for Soundtracks hoping to finish the music soundtrack for the film using remixes made from CC Attribution licensed source material. Instructions and details can be found at ccMixter.No Comments »