December’s ccSalon SF will be a celebration of CC’s 7 years and the wrap-up of our 2009 annual fundraising campaign, so if you’re located in the SF Bay Area, we hope to see you there!
On the evening’s agenda:
- We’ll hear from Twitter‘s General Counsel, Alex Macgillivray. Alex was previously Deputy General Counsel at Google and has been a supporter of Creative Commons from our very beginning.
- A unique installation and presentation of the dublab/Creative Commons art and music collaboration, Into Infinity, an online project built on audio loops and circular canvases paired together in infinite combination. Salon-goers will have the chance to draw on some of these 12-inch canvases as well as participate in a live recording of an 8-second audio loop – so get creative and bring a noisemaker of some kind (kazoo, bell, travel guitar, etc.) to help us make some sweet sounds! We’ll submit the best one to Into Infinity.
- CC’s Vice President, Mike Linksvayer, will highlight some of CC’s major accomplishments from 2009 and talk about what’s in store for CC in 2010.
This salon will be a great chance to meet and talk to members of the CC staff, connect with other free culture enthusiasts from the Bay Area, or just learn more about Creative Commons.
When: Thursday, December 17, 7-9pm
Where: PariSoMa, 1436 Howard St. (map and directions). Plenty of street parking available. (Please note, the space is located up two steep flights of stairs, and unfortunately does not currently have elevator access.)
Light refreshments will be provided, and since we rely on the generosity of our community to keep us afloat, we’ll be accepting donations for the annual campaign at the door.
Can’t be at the San Francisco Salon? You can still help us celebrate CC’s 7 years! CC friends, fans, and supporters across the globe are invited to find creative ways of celebrating the past seven years of CC successes and growth. We want to celebrate Creative Commons using the same ideals of openness, innovation, collaboration, and freedom that are central to CC, so the possibilities are limitless: create a remix or video, bake “CC” cupcakes, host a screening of a CC-licensed film, organize an informal salon or meet-up, plan an event around Public Domain Day on January 1, the list goes on. What CC has accomplished in just seven years is phenomenal and worth celebrating in any form!
Let’s mark the week of December 14th (and beyond!) as a celebration of free culture, creativity, and knowledge! Use the tag CC@7 and add any and all photos/videos/blogs/etc. to the 7th Birthday Wiki Page so we can highlight how people are celebrating CC that week. Questions? Contact development[at]creativecommons.org.Comments Off on December’s ccSalon SF (12/17/09) + Help Us Celebrate CC’s 7th Birthday!
As if launching a dedicated iPhone application wasn’t celebration enough, dublab and Creative Commons Japan are teaming up on a series of amazing events across Japan in the coming two weeks to commemorate the launch of the Into Infinity project in Japan. The tour will be making stops in Tokyo, Sapporo, and Kobe and feature (depending on date and location) live Into Infinity performances, music from Daedelus and The Long Lost, DJ sets from dublab DJ Frosty, and much more.
You can see photos as they come in at dublab’s flickr page and see the full calendar of events at their website. For those in Tokyo be sure to check out Daedalus, The Long Lost, a live Into Infinity performance and sounds from dublab DJ Frosty at the Super Deluxe this Friday, December 4th.
UPDATE: iPhone/iPod Touch owners, if you haven’t had a chance yet be sure to check out the free Into Infinity app mentioned above (iTunes link).Comments Off on Into Infinity Comes to Japan
On Friday, Creative Commons Japan and iPhone developer Appliya Studio released AudioVisual Mixer for Into Infinity, a free iPhone application specifically developed for the launch of the Into Infinity project in Japan (iTunes link). Into Infinity, which we have discussed numerous times, is a music and art project produced in collaboration between CC and non-profit web radio collective dublab.
When opened, the application connects to a server where the project’s resources are stored, automatically downloading sound loops (“EAR”) that are paired with visual circles (“EYE”). An Into Infinity logo serves as an anchor point to trigger sounds – users can drag and move circles with their finger and when brought into the logo’s orbit the sounds start mixing, creating new derivative works on the fly. Users can then share these mixes instantly by posting to Twitter or sharing via e-mail from within the application.
All mixes generated by the application’s users are licensed under a Creative Commons Attribution-NonCommercial license, keeping in line with the project as a whole. The release also coincides with the addition of 50 “ear” sound loops and 50 “eye” visual circles from Japanese sound and visual artists. If you have an iPhone, download it today!
Comments Off on CC Japan Release iPhone App for Into Infinity
There’s more action at the online home of Into Infinity (see this previous post for a full description of the project). The new automated “nesting” page pulls in visual pieces of the show at random and embeds them within one another to create interesting combinations. Sometimes the results don’t quite make sense together, but I’ve been surprised by how often they turn out incredibly well. I hooked my laptop up to a large television this morning and let the page run for a couple of hours – my flatscreen never looked so arty.
Also, we just came across two videos by musician Keenan Gaynor that show him using Into Infinity’s Audio Mega-Mixer (see previous post) to mix the project’s sound loops and create new music on the fly. We’ll be adding more features to the mixer soon that will allow you to do things like record your jam sessions.
Thanks to Braydon Fuller, the powerhouse programmer behind all of Into Infinity’s online tools.Comments Off on Into Infinity’s new “nesting” feature
Both presentations will discuss how CC, and ‘openness’ in general, is affecting web radio and net labels, both from an economic and artistic vantage, with a Q&A to follow each. Additionally, Dublab will ask salon attendees to create noise – both as a group and as individuals – which will be recorded and turned into audio loops that will be used for the Into Infinity project, a new art exhibition produced in collaboration with Creative Commons.
The Salon will be taking place at the always wonderful FOUND Gallery (Google map) between 7:30PM – 9:30PM. Follow the event on Upcoming, mark attending on Facebook, and make sure to come down and hear from two exemplary members of the CC community on their experiences with open licensing. As always, there will be free (as in beer) drinks for the entire night.Comments Off on CC Salon LA TONIGHT: Dublab and Lucas Gonze
Lucky Dragons, an experimental music/art group based in Los Angeles, is the moniker given to “any recorded or performed or installed or packaged or shared pieces made by Luke Fischbeck, Sarah Rara, and any sometimes collaborator.” Blending an organic approach to electronic music with a background in the arts, everything Lucky Dragons produces is released under a CC BY-NC-SA license, allowing others to share what they have made as well as rework it (much of their music is available for free download on their website). We recently caught up with the duo to learn more about their music and motivation to use CC. We also touched upon their experience participating in the Into Infinity project, their associated projects Sumi Ink Club/Glaciers of Nice, and what their plans are for the future.
Can you give our readers a bit of background on yourselves? How did you get involved with music and art? What is Lucky Dragon’s background as an artistic outfit?
Fischbeck: lucky dragons started as a “band” in the loosest form possible around eight years ago, as a way to structure our activities as a group in an easily understandable and distributable way, making recordings or books or videos or performances and putting them out into the world. for the most part, we have definitely used the existing structure of independently produced music to do this, but as this structure has been changing so much in our lifetime, we have been keen to look for new and positive paths and models, trying to contribute to a new definition of “band” that includes contexts such as public art, the gallery system, museum programming, blogs, and small-press publishing.
Rara: My entry into making music was initially through making videos and composing sound to go with a moving image until I became more and more engrossed in the production of sounds and the potential of music to bring people together in a very concrete way, forming transient communities and generating equal power-sharing situations. It’s interesting now to alternate between music and art contexts, to slip in and out of each world and to borrow from each various modes and identities. I enjoy slipping into a “band” identity that confuses authorship and opens up the project to various collaborators, even going so far as to dissolve the separation between myself and the audience during the performance. I’ve always thought of the role of the artist as more diffused and inclusive, it can include sitting on a stage and playing a modified kalimba for half an hour or it can include an everyday situation like having a conversation with a stranger. But somehow the means of distributing art in the world are not as inclusive and wide-ranging as music distribution. Music has a tradition of self-publishing and cheap distribution that I find very inspiring; it’s easy to produce something that is accessible to everyone and easily shared when operating within the form of a musical group.2 Comments »
Into Infinity (see previous post) – the CC-licensed art and music exhibition produced by dublab in collaboration with Creative Commons – is going strong. Visit the project’s online home for regular additions by artists and musicians from all over the world. Everything on the site is offered under a Creative Commons Attribution-Noncommercial license that allows legal sharing and reuse – we’ve already seen some great remixes of the works, which we’re looking forward to presenting publicly soon.
For now, we’re pleased to announce the debut of the Into Infinity Audio Mega-Mixer, a soundboard that lets you create in-the-moment sound collages from all of Into Infinity’s 8-second audio loops. We’ll be adding more functionality and updates to the mixer soon – so stay tuned. In the meantime, have fun creating sound combinations!1 Comment »
In a little under two weeks, CC Salon LA returns (11/11/08) with a fantastic combination of presenters – joining us will be web radio collective Dublab and Lucas Gonze, net-label theorist and XSPF developer.
Both presentations will discuss how CC, and ‘openness’ in general, is affecting web radio and net labels, both from an economic and artistic vantage, with a Q&A to follow each. Additionally, Dublab will
be bringing a physical ‘Into Infinity’ loop station, allowing Salon goers to create their own 8-second loops in the vein of Into Infinity, the CC/Dublab co-sponsored art exhibit ask salon attendees to create noise – both as a group and as individuals – which will be recorded and turned into audio loops that will be used for the Into Infinity project, a new art exhibition produced in collaboration with Creative Commons.
The Salon will be taking place at the always wonderful FOUND Gallery (Google map) between 7:30PM – 9:30PM. Follow the event on Upcoming, mark attending on Facebook, and make sure to come down and hear from two exemplary members of the CC community on their experiences with open licensing. As always, there will be free (as in beer) drinks for the entire night.Comments Off on CC Salon LA (11/11/08): Dublab and Lucas Gonze
I’m happy to announce that dublab and Creative Commons have launched Into Infinity, a CC-licensed art and music project themed around the infinite possibilities of creative reuse. The online exhibition is available now; physical installations are being planned for Winter 2008 and throughout 2009.
Earlier this year, we distributed 12″ circular canvases to a collection of visual artists. We also commissioned an array of musicians to create eight-second audio loops. We went through all of the submissions and posted the best online, including pieces by world-renowned graffiti artist Kofie, 2008 Whitney Biennial alumni Lucky Dragons, Anticon collective member Odd Nosdam, and electronic musicians Flying Lotus and Dntel (AKA Jimmy Tamborello of The Postal Service).
Each time you refresh the site’s exhibition page, you’ll get a new art and loop combination. All of the images and sounds are published under a Creative Commons Attribution-Noncommercial license and (as you may have guessed) we strongly endorse the sharing and remixing of this project. You can download the pieces individually via the links on the exhibition page; you can also download the entire project (including the site’s source code) all at once via the downloads page.
Stay tuned for updates, because we’re talking to new artists and musicians all the time and we’ll be adding new pieces to the exhibition regularly. Soon, we’ll also issue a formal call for remixes of Into Infinity’s works, many of which we’ll include in future versions of the show.
You can read a bit more about the project in the press release we issued earlier today.Comments Off on dublab and Creative Commons launch Into Infinity