Over the past year, GOOD has grown from having a primary focus on magazine publishing to being a media mini-empire, with its hand in videos, blogging, event production, and a variety of other activities, both online and off. The company’s cornerstone project, GOOD magazine, is still going strong – and is published under a Creative…
Seedmagazine.com, the online companion of Seed magazine, is a great resource for science news and insight. Today, the site profiles John Wilbanks – Creative Commons’ VP of Science and head of Science Commons – as part of its “Revolutionary Minds” series. In the video and accompanying article, John talks about the benefits that sharing and…
Music and culture magazine The Fader launched a new online column today called “A Rational Conversation Between Two Adults,” in which editor Eric Ducker IM-terviews a staffmember or guest about a subject of interest to the magazine’s readers. The debut entry is a chat with DJ, producer, and label head Nick Catchdubs about “The State…
Today, the Center for Social Media at AU released a Code of Best Practices in Fair Use for Media Literacy in Education—a guide for educators and students to the use of copyrighted materials in the classroom. This guide is aimed at clearing up many of the urban myths surrounding copyright, as many educators mistakenly believe…
A reminder that TONIGHT CC Salon LA returns with a fantastic combination of presenters – joining us will be web radio collective Dublab and Lucas Gonze, net-label theorist and XSPF developer. Both presentations will discuss how CC, and ‘openness’ in general, is affecting web radio and net labels, both from an economic and artistic vantage,…
Lucky Dragons, an experimental music/art group based in Los Angeles, is the moniker given to “any recorded or performed or installed or packaged or shared pieces made by Luke Fischbeck, Sarah Rara, and any sometimes collaborator.” Blending an organic approach to electronic music with a background in the arts, everything Lucky Dragons produces is released…
Aviary‘s mission is to “make the world’s creation accessible.” So it makes sense that they’ve baked Creative Commons licensing into their platform of live image editing applications. The site has launched with three distinct tools (with more to come) that help artists create and share fantastic images with the eventual intention of creating a new…
There is a great write-up on CC in a recent edition of the Hong Kong Standard – the article coincided with the launch of CC Hong Kong, our fiftieth jurisdiction to enact license porting. Focusing on the wonderful anecdote of former Featured Commoner Colin Mutchler, how CC licenses work, and how CC is increasing collaborative…
Digital Scholarship, a website run and maintained by information management expert Charles W. Bailey, Jr., recently published a fantastic article regarding author’s rights for their Tout de Suite series. The article aims to “give journal article authors a quick introduction to key aspects of authorʹs rights” and is released under a CC BY-NC license. The document…
Author Kelly Link, renowned for her work in a variety of literary genres, is specifically noteworthy to the CC community for her decision in 2005 to release Stranger Things Happen, her first major collection of short stories, under a CC BY-NC-SA license. In a recent interview with The Nation, Link addressed this decision: As a…