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Aviary's Remix Community
by fbenenson Open Culture postAviary‘s mission is to “make the world’s creation accessible.” So it makes sense that they’ve baked Creative Commons licensing into their platform of live image editing applications. The site has launched with three distinct tools (with more to come) that help artists create and share fantastic images with the eventual intention of creating a new…
Commoner Letter #1: Eben Moglen
by melissa Copyright postLast year we started a new campaign tradition — the Commoner Letter series. As I’ve said before, and will definitely say again, the campaign is about building support — rallying our community members around the importance of supporting Creative Commons and the openness our tools help enable. Over the next three months, five prominent members…
Lab Waste: Short Documentary on Waste in Bioscience Laboratories
by cameron Open Culture postLab Waste is a short documentary that focuses on the seemingly unavoidable problem of laboratory created waste. Bioscience labs need sterile and untouched materials to experiment with in order to keep their results accurate. As such they are unable to reuse their materials, which are most often only used once. From Lab Waste: We’ve all…
Colin Mutchler
by cameron Open Culture postColin Mutchler is one of the original CC success stories. Back in 2003, he posted his song, My Life, to Opsound under a CC BY-SA license. A month later a violinist name Nora Beth added a violin track, calling the new work My Life Changed. It was one of the first instances of CC facilitating…
"Publishing Open Content", Short Film On CC Business Models
by cameron Open Culture postPublishing Open Content is a short documentary by Frances Pinter and David Percy that looks at how Creative Commons licenses can be utilized in a commercial setting. The film features interviews with Tom Reynolds, blogger behind Random Acts of Reality and author of Blood, Sweat, and Tea, Timo Hannay, Publishing Director at nature.com, and John…
Steve Trash Gets "Kids Making Better Choices" to Alabama Primary Schools
by cameron Open Culture postSteve Trash is a kids entertainer, environmentalist, and acclaimed magician who recently released a collection of video shorts, Kids Making Better Choices, that helps teach young children about recycling, exercise, and how to “make better choices.” Steve releases his videos online under a CC BY-NC-ND license, allowing the videos to be shared and used widely.…
Former CC General Counsel to lead Australian government digital economy push
by mike Uncategorized postCongratulations to former Creative Commons General Counsel Mia Garlick, who has joined the Australian government to lead its digital economy initiatives: iTWire has learnt that Mia Garlick, an Australian lawyer who was most recently product counsel for YouTube, has been appointed to head the Australian Government’s drive for the digital economy future, as assistant secretary…
Common Craft
by cameron Open Culture postCommon Craft is a company that makes videos which are “short, simple and focused on making complex ideas easy to understand.” These videos range in topic – from Twitter to social bookmarking to electing the U.S. President – and are made using a technique Common Craft calls Paperworks, a whiteboard-and-paper format that they believe “is…
Launched! Creative Commons Romania Reports
by michelle Uncategorized postJournalists, bloggers, and CC supporters gathered last week in Bucharest to celebrate the launch of the localized Romanian Creative Commons licenses. CC Romania Project Lead Bogdan Manolea reports on the event’s success and how popular Romanian artists such as HI-Q have embraced Creative Commons’ flexible and free licensing system. The public was interested in details…
Ghostss: Nine Inch Nails CC-Licensed Video Remix App
by cameron Open Culture postMarco Hinic, ‘visualist engineer’ and founder of VJ application ArKaos, recentlly decided to experiment with the Nine Inch Nails Ghosts Film Festival, eventually creating Ghostss, a C++ powered online generative art project that creates infinite visual remixes by pooling over 1GB worth of video and select tracks from Ghosts: I-IV. The result might be one…