In 2005, through the ongoing work and support of the network of international collaboration teams, Creative Commons consolidated and expanded. Because of these dedicated volunteers CC’s core licensing suite has been “ported” (that is, linguistically translated and legally adapted) and is now used in 26 countries. Teams in Croatia, South Korea, Australia, Israel, South Africa,…

In 2005, through the ongoing work and support of the network of international collaboration teams, Creative Commons consolidated and expanded. Because of these dedicated volunteers CC’s core licensing suite has been “ported” (that is, linguistically translated and legally adapted) and is now used in 26 countries. Teams in Croatia, South Korea, Australia, Israel, South Africa,…

[This email is part of a weekly series written by Lawrence Lessig and others about the history and future of Creative Commons. If you would like to be removed from this list, please click here: https://creativecommons.org/about/lessigletter#unsubscribe Alternatively, if you know others who might find these interesting, please recommend they sign up at https://creativecommons.org/about/lessigletter ] From…

[This email is part of a weekly series written by Lawrence Lessig and others about the history and future of Creative Commons. If you would like to be removed from this list, please click here: https://creativecommons.org/about/lessigletter#unsubscribe Alternatively, if you know others who might find these interesting, please recommend they sign up at https://creativecommons.org/about/lessigletter ] From…

For those of us dedicated to creating, expanding and enabling a commons of creativity and knowledge (expressed in a variety of formats), the issue of license interoperability is an important one. Already there has been valuable commentary about the interoperability between content licensed under different types of Creative Commons licenses — specifically, those that permit…

[This is part of a weekly series written by Lawrence Lessig and others about the history and future of Creative Commons. If you know others who might find these interesting, please recommend they sign up at https://creativecommons.org/about/lessigletter] Two weeks ago, I described our first efforts to build CC internationally. That was the beginning of the…

Photo © Greg Gorman / Santa Fe Ottmar Liebert composes, performs and records music in a Nouveau Flamenco style, which mixes elements of flamenco with jazz, bossa nova, and other genres. Seven of his albums have gone platinum and two other albums gold; he has also been nominated for a Grammy. At Ottmar’s and the…

If you’re near San Francisco this weekend, come over to Webzine 2005‘s independent online publishing workshops, exhibitions, forums, and parties. Nearly all of the events have some relevance to free culture. One highlight is Saturday’s featured speaker, Jacob Appelbaum, who has CC licensed thousands of photos, including a huge collection of post-Katrina photos, via Flickr.…

Sometimes we get thirsty here at CC-HQ, and so sometimes we head up to the coffee machine and press the button for coffee. Or sometimes we make espresso and dump the left over grounds down the drain until the drainage pipe clogs and our downstairs neighbors get a wonderful espresso-ground shower. And then sometimes we…

This past weekend was the first, of what will hopefully be an annual event: the iCommons Summit. Gathering Creative Commons project leads from around the world (around eighty in all) at Harvard Law School, the conference had several objectives including reporting and sharing ideas on past successes and challenges in the license porting process, developing…