What are the Benefits of Open Culture? A new CC Publication
Open Culture, Open HeritageToday we in the Open Culture Program are releasing a new publication: Don’t be a Dinosaur; or, The Benefits of Open Culture.
Connor is a Kaospilot with a background in project management, organisational development, and process design. He has worked around the world on various projects within arts, culture, and community activism. At Creative Commons he supports the Open Culture Program with logistics, project management, production and design activities that help make Open Access a reality for cultural heritage organisations everywhere.
Today we in the Open Culture Program are releasing a new publication: Don’t be a Dinosaur; or, The Benefits of Open Culture.
Last week, Creative Commons took part in the International Public Domain Day celebration at the Royal Library of Belgium in Brussels. Two engaging roundtables were hosted, delving into copyright issues concerning the public domain and its future. The event united advocates for open access to cultural heritage, featuring presentations on topics like the monetization and decolonization of the public domain, as well as updates on the Europeana Public Domain Charter. Creative Commons introduced new guidelines published in February aimed at encouraging users to reference institutions when utilizing public domain cultural heritage materials.
In February, we hosted a webinar in our Open Culture Live series titled “Maximizing the Value(s) of Open Access in Cultural Heritage Institutions.” In this blog post, we summarize the key points raised in the discussion and share a link to the recording.
CC’s new guidelines aim to encourage users to refer to host cultural heritage institutions when using public domain materials. Rooted in the Behavioural Insights Team’s EAST Model, they offer institutions practical design ideas to nudge users into referring back to them.
On Wednesday, 28 February 2024, at 2:00 pm UTC, CC’s Open Culture Program will be hosting a new webinar in our Open Culture Live series titled “Maximizing the Value(s) of Open Access in Cultural Heritage Institutions.”