Open Culture Strategic Workshop Report Cover, by Dee Harris, CC BY 4.0
In May 2024, CC organized a strategic workshop in Lisbon to develop a roadmap for future action to advance our work towards a UNESCO instrument on open cultural heritage. In this blog post, we share the full report and some of its key highlights.
“ An Original Theory or New Hypothesis of the Universe. Plate XXXI. ”. By Thomas Wright. Public Domain
In May, CC’s Open Culture Program hosted a new webinar in our Open Culture Live series titled “Open Culture in the Age of AI: Concerns, Hopes and Opportunities.” In this blog post we share key takeaways and a link to the recording.
Duria Antiquior by Henry De la Beche, National Museum Cardiff, Public Domain
Today we in the Open Culture Program are releasing a new publication: Don’t be a Dinosaur; or, The Benefits of Open Culture.
“Irises, 1889” by Vincent van Gogh, The J. Paul Getty Museum is dedicated to the public domain by CC0.
The J. Paul Getty Museum just released more than 88 thousand works under Creative Commons Zero (CCØ), putting the digital images of items from its impressive collection squarely and unequivocally into the public domain. This is in line with our advocacy efforts at Creative Commons (CC): digital reproductions of public domain material must remain in the public domain. In other words, no new copyright should arise over the creation of a digitized “twin.”
CC’s new guidelines aim to encourage users to refer to host cultural heritage institutions when using public domain materials. Rooted in the Behavioural Insights Team’s EAST Model, they offer institutions practical design ideas to nudge users into referring back to them.
“WIPO SSCR Screenshot” by Creative Commons is licensed via CC BY 4.0.
From 6 to 8 November 2023, Creative Commons participated remotely in the 44th session of the World Intellectual Property Organization Standing Committee on Copyright and Related Rights. In this blog post, we look back on the session’s highlights on broadcasting, exceptions and limitations, and generative AI, from CC’s perspective.
A shyrdaq on the floor of a Kyrgyz home in Kyzyl-Jar, Aqsy, Jalalabat”, Kyrgyzstan by Firespeaker, here cropped, is licensed via CC BY-SA 3.0.
CC celebrates the 20th anniversary of the UNESCO Convention for the Safeguarding of Intangible Cultural Heritage. CC’s community initiative “Towards a Recommendation on Open Culture” (TAROC) is designed to support the international community in developing a positive, affirmative, and influential recommendation enshrining the values, objectives, and mechanisms for open culture to flourish and, in particular, for open culture to serve as a means to safeguard intangible cultural heritage.
A headshot of Francisco J. Rivas Mesa used by permission from the Ministry of Culture of Mexico, here cropped, next to Somos El Bien Común" by Eréndira Derbez for Creative Commons, here cropped, licensed via CC BY 4.0.
We are deeply honored to announce that the 2023 Summit’s opening keynote will be from Mexican sound artist, musician, researcher, and cultural leader Francisco J. Rivas Mesa, also known by his stage name Tito Rivas.
A headshot of Francisco J. Rivas Mesa used by permission from the Ministry of Culture of Mexico, here cropped, next to Somos El Bien Común" by Eréndira Derbez for Creative Commons, here cropped, licensed via CC BY 4.0.
Nos sentimos profundamente honrados de anunciar que el discurso de apertura de la Cumbre CC 2023 estará a cargo del artista sonoro, músico, investigador, y gestor cultural mexicano Francisco J. Rivas Mesa, también conocido por su nombre artístico Tito Rivas.
“Generative AI & the Creative Cycle Panel” by Jennryn Wetzler for CC BY 4.0.
This week, Creative Commons (CC) convened 100+ participants during two events in New York City to discuss the important issues surrounding generative artificial intelligence (AI), copyright, and creativity. For many years, we at CC have been examining the interplay between copyright and generative AI, exploring ways in which this technology can foster creativity and better…
