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On July 25th the Electronic Frontier Foundation will host a night of music, art, and conversation to celebrate digital culture. Hosted at the Black Box in downtown Oakland, this all-ages event will bring up-and-coming artists of electronica, digital film, and illegal art together with leaders from the cyber-rights movement. Among the event’s speakers, Creative Commons’…
Musicians Joshua Ellis and Big Friendly Corporation have implemented a new technology called BitPass to sell their Creative Commons-licensed content via micropayment. Joshua has offered his songs under an Attribution-Noncommercial-ShareAlike license. If you buy a song for 50 cents, or the entire album for $3.50, you’re then free to copy, distribute, and make derivative works…
Our licenses make another appearance on the campaign trail. Check out AmericansForDean.
You’ve got to hear this. This week’s featured content is exactly the sort of innovative co-authorship that Creative Commons, and good folks like Opsound, make possible. Colin Mutchler explains: About a month after submitting a few acoustic guitar tracks to Opsound‘s sound pool [and thus releasing the song under an Attribution-ShareAlike license], I got an…
This week’s featured content is Philadelphia-area rock band The Phoenix Trap. All their songs at MP3.com are available under a Creative Commons license (which also has streaming versions). Fans can purchase a CD of their full set of songs as well. “Not Me” and “You’re on Fire” were definitely my favorites.
A big part of the OYEZ Supreme Court audio announcement today is our new strategy for helping people associate license information with MP3s. (We’ll soon move on to other file formats.) Right now we’re just showing people how to associate verifiable license links with files. But we want to encourage the developer community and various…
Today, the OYEZ Project announced the first-stage, 100-hour release of MP3s from their 2000+ hours of Supreme Court recordings using Creative Commons’ licenses. The release also marks the debut of our new metadata tagging and verification strategy, which explains how to attach and verify license information to MP3s (and soon, other files) for distribution on…
Creative Commons Also Rolls Out Strategy for Embedding and Verifying License Information in MP3s and Other Files Palo Alto and Chicago, USA — Creative Commons and the OYEZ Project announced today the first-stage 100-hour release of MP3s from the Project’s 2000+ hours of Supreme Court recordings using Creative Commons’ machine-readable copyright licenses. Creative Commons also…
Creative Commons has signed on in support of Aaron Swartz‘s call for “forward motion” on blog protocols. We will be participating in helping define licensing extensions to the new specification. (I’ve worked with Aaron, our metadata advisor, for over a year now, and this isn’t the first time I’ve followed his lead. You should try…
In a newly posted interview on the Apple site, “O’Reilly in a Nutshell,” Tim O’Reilly discusses how his publishing company came to be, how it follows open source trends, and how it publishes many titles under a Creative Commons Founders’ Copyright license. We should note that the Founders’ Copyright isn’t just for big publishing houses.…